Marguerite Ugalde
Encyclopedia
Marguerite Ugalde (1862–1940) was a French mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

. She was the daughter of the singer and theatre manager Delphine Ugalde
Delphine Ugalde
Delphine Ugalde, née Beaucé, was a French soprano. She was the mother of Marguerite Ugalde....

.

After studies in Paris with her mother, her first professional engagement was in 1879 at Étretat
Étretat
Étretat is a commune in the Seine-Maritime department in the Haute-Normandie region in northern France. It is a tourist and farming town situated c. 32 km northeast of Le Havre, at the junction of the D940, D11 and D139 roads. It's located on the coast of the Pays de Caux area.-The...

; she made her debut at the Opéra Comique
Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street and Holywell Street with entrances on the East Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway...

 on 19 April 1880 as Marie in La fille du régiment
La fille du régiment
La fille du régiment is an opéra comique in two acts by Gaetano Donizetti. It was written while the composer was living in Paris, with a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard.La figlia del reggimento, a slightly different Italian-language version , was...

. She created the roles of Mnazile in Le Bois (11 October 1880) and Nicklausse in the first performance of Les contes d'Hoffmann
Les contes d'Hoffmann
Les contes d'Hoffmann is an opéra by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by E. T. A...

by Offenbach in 1881. On the 18 November 1881, before the unveiling of a bust of Offenbach
Jacques Offenbach
Jacques Offenbach was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr....

 Ugalde and Adèle Isaac
Adèle Isaac
Adèle Isaac was a French operatic soprano, active in Paris in the late 19th century.Isaac was born in Calais. After studying with Gilbert Duprez, her professional debut was in 1870 in Victor Massé's Les noces de Jeannette at the Théatre Montmartre...

 sang, and encored, the barcarolle from Hoffmann.

After this short period at the Opéra Comique Ugalde moved over to operetta, both in Paris and elsewhere. At the Théâtre des Nouveautés
Théâtre des Nouveautés
The name Théâtre des Nouveautés has been used successively to refer to several different Parisian theatre companies and their buildings, beginning in 1827...

 she created Manola in Le Jour et la Nuit (5 November 1881), Wladimir in Fatinitza (6 April 1882), Falka in Le droit d'aînesse (27 January 1883), Stenio Strozzi in L’Oiseau bleu (16 January 1884), Denisette in Le Petit Chaperon rouge (1885) and Rosette in Serment d'amour (1886).

She sang the first D’Artagnan in Les petits mousquetaires (5 March 1885) at the Théâtre des Folies-Dramatiques
Théâtre des Folies-Dramatiques
The Théâtre des Folies-Dramatiques was a theatre in Paris in the 19th and 20th centuries. Opened first in 1832 in the site of the old Théâtre de l'Ambigu-Comique on the Boulevard du Temple, under Frédérick Lemaître it became a noted venue for the genre of mélodrame.In 1862, the theatre moved to the...

, as well as, after a serious illness, triumphing as René Belamour in Suppé’s Juanita. At the Théâtre des Bouffes-Parisiens (from 1887), where her mother had taken over the management, she gave first performances in several other operettas.

Ugalde toured Belgium in 1888 and 1889 before returning to the Nouveautés as Jovaline in Le Royaume des Femmes (28 February 1889). At the Théâtre du Gymnase she created Colinette in the comic play L'art de tromper les femmes (7 October 1890), following this with Koudjé in Mon oncle Barbassou (6 November 1891).

In the vaudeville operetta Vingt-huit jours de Clairette she sang the title role (Folies-Dramatiques, 3 May 1892) and also appeared in a revival of Juanita. Further successes at the Théâtre des Variétés
Théâtre des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1975.-History:...

 followed (Fragoletto in Les brigands, 1893) and as Joseph in Gamin de Paris at the Théâtre des Nations.

She played Nicole in Le bourgeois gentilhomme
Le Bourgeois Gentilhomme
Le Bourgeois gentilhomme is a five-act comédie-ballet—a play intermingled with music, dance and singing—by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors...

(1904) and Toinette in Le malade imaginaire
Le Malade imaginaire
The Imaginary Invalid is a three-act comédie-ballet by the French playwright Molière. It was first performed in 1673 and was the last work he wrote. In an ironic twist of fate, Molière collapsed during his fourth performance as Argan on 17 February and died soon after...

(1905) in productions of Molière at the Gaité. In 1908 she played Mme Brémont in Le Jouet at the Théâtre Femina.
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