Manga iconography
Encyclopedia
Japanese manga
has developed its own visual language or iconography for expressing emotion and other internal character states. This drawing style has also migrated into anime
, as many stories are adapted into television shows and films. While this article addresses styles from both types of output, the emphasis here is on the manga origins for these styles.
The popular and recognizable style of manga is very distinctive. Emphasis is often placed on line over form, and the storytelling and panel placement differ from those in American comics. Impressionistic backgrounds are very common, as are sequences in which the panel shows details of the setting rather than the characters. Panels and pages are typically read from right to left, consistent with traditional Japanese writing.
Because manga is a diverse art form, however, not all manga artists adhere to the conventions (listed below) most popularized in the West through series such as Akira
, Sailor Moon
, Dragon Ball
, and Ranma ½
.
has pointed out that the presence of childlike facial features increases attractiveness
. Manga artists often play on this to increase the appeal of protagonists. Large eyes have become a permanent fixture in manga and anime since the 1960s when Osamu Tezuka
was inspired by Disney
cartoons from the United States
and started drawing them in this way.
Furthermore, inside the big eyes, the transparent feeling of pupils and the glares, or small reflections in the corners of the eyes are often exaggerated, regardless of surrounding lighting, although they are only present in living characters: the eyes of characters who have died are the colour of the iris, but darker. Sometimes this death effect is also used to indicate characters who are emotionless due to trauma or loss of conscious control because of possession (ghost, demon, zombie, magic, etc.). In characters with hair partially covering the face, the eyes that would otherwise be covered are often outlined to make them visible, even when the hair is particularly dense and dark.
Certain visual symbols have been developed over the years to become common methods of denoting emotions, physical conditions and mood:
Enlargement of the eyes, where they become huge and perfectly round with tiny pupils and no iris and going beyond the reach of the face (often shown with the mouth becoming like a stretched semicircle, the point of which extends past the chin) symbolises extreme excitement. Similarly, turning eyes into two thick half-circles, conveys a cute, delighted look (see Character design section below).
The character's eye shapes and sizes are sometimes symbolically used to represent the character. For instance, bigger eyes will usually symbolize beauty, innocence, or purity, while smaller, more narrow eyes typically represent coldness and/or evil. Completely blackened eyes (shadowed) indicates a vengeful personality or underlying deep anger. It could also indicate that someone's being a wise-guy type, particularly when accompanied by grinning. When a character's eyes are shadowed regardless of the lighting in the room when they become angry, upset, something is wrong with them, or they are emotionally hurt. Bubbles forming in the corner of a child's or female character's eyes often indicate that the character is about to cry.
. A balloon dangling from one nostril (a "snot bubble") indicates sleep.
Throbbing "cross popping" veins, usually depicted as a cruciform or triskel in the upper head region, indicate anger or irritation. These shapes can sometimes be exaggerated, and placed on top of hair when the character is facing away from the viewer. Further throbs indicate additional anger. However, some manga like Doraemon
uses smoke puffs to represent anger, and does not have the vein insignia.
A red cheek or hatchings on the cheek represent blushing
, usually used when embarrassed by romantic feelings, while oval "blush dots" on the cheeks represent rosy cheeks. This can sometimes be confused with a scribble on the cheek, indicating injury.
Facial shape changes depending on the characters mood, and can look from round apple shaped to a more subtle carrot shape.
Parallel vertical lines with dark shading over the head or under the eye may represent mortification, fatigue, or horror. If the lines are wavy, it may represent disgust. A far cuter way to represent frustration/mortification is (mainly for female/ young female characters) they tend to puff out their cheeks while their line is delivered in a gruff voice, an elongated 3 showing puffed lips to show that puffed look more.
Other artistic conventions used in mainstream manga include:
Manga
Manga is the Japanese word for "comics" and consists of comics and print cartoons . In the West, the term "manga" has been appropriated to refer specifically to comics created in Japan, or by Japanese authors, in the Japanese language and conforming to the style developed in Japan in the late 19th...
has developed its own visual language or iconography for expressing emotion and other internal character states. This drawing style has also migrated into anime
Anime
is the Japanese abbreviated pronunciation of "animation". The definition sometimes changes depending on the context. In English-speaking countries, the term most commonly refers to Japanese animated cartoons....
, as many stories are adapted into television shows and films. While this article addresses styles from both types of output, the emphasis here is on the manga origins for these styles.
The popular and recognizable style of manga is very distinctive. Emphasis is often placed on line over form, and the storytelling and panel placement differ from those in American comics. Impressionistic backgrounds are very common, as are sequences in which the panel shows details of the setting rather than the characters. Panels and pages are typically read from right to left, consistent with traditional Japanese writing.
Because manga is a diverse art form, however, not all manga artists adhere to the conventions (listed below) most popularized in the West through series such as Akira
Akira (manga)
is a manga series by Katsuhiro Otomo. Set in a post-apocalyptic Neo-Tokyo, the work uses conventions of the cyberpunk genre to detail a saga of turmoil. Initially serialized in the pages of Young Magazine from 1982 until 1990, the work was collected in six volumes by Japanese publisher Kodansha...
, Sailor Moon
Sailor Moon
Sailor Moon, known as , is a media franchise created by manga artist Naoko Takeuchi. Fred Patten credits Takeuchi with popularizing the concept of a team of magical girls, and Paul Gravett credits the series with "revitalizing" the magical-girl genre itself...
, Dragon Ball
Dragon Ball
is a Japanese manga series written and illustrated by Akira Toriyama. It was originally serialized in Weekly Shōnen Jump from 1984 to 1995; later the 519 individual chapters were published into 42 tankōbon volumes by Shueisha. Dragon Ball was inspired by the classical Chinese novel Journey to the...
, and Ranma ½
Ranma ½
is a Japanese manga series written and illustrated by Rumiko Takahashi with an anime adaptation. The story revolves around a 16-year old boy named Ranma Saotome who was trained from early childhood in martial arts...
.
Panel characteristics
There are several expressive techniques typical (and some of them unique) to the manga art form:- ScreentoneScreentoneScreentone is a technique for applying textures and shades to drawings, used as an alternative to hatching. In the conventional process, patterns are transferred to paper from preprinted sheets, but the technique is also simulated in computer graphics...
: Transparent adhesive sheets manufactured with a distinctive pattern (typically, some form of dots or hatching, but also including a variety of flashy effects like stars or explosions, or commonplace scenes such as cityscapes, schoolyards, and natural landscapes), these are cut out and overlapped on the panel to introduce shading and detail that would be time-consuming or unfeasible to draw by hand. Increasingly, physical tone sheets are being replaced by computer-generated equivalents.
- Expressive dialogue bubbles: The borders of the speech/thought bubblesSpeech balloonSpeech balloons are a graphic convention used most commonly in comic books, comic strips and cartoons to allow words to be understood as representing the speech or thoughts of a given character in the comic...
changes in pattern/style to reflect the tone and mood of the dialogue. For example, an explosion-shaped bubble for an angry exclamation. Also, manga does not usually follow the normal Western comic conventions for speech (solid arc extending from the character's head) and thought bubble (several small circles used in place of the arc). The latter bubble style is often used for whispered dialogue in manga, which can confuse Western readers.
- Speed lines: Often in action sequences, the background will possess an overlay of neatly ruled lines to portray direction of movements. Speed lines can also be applied to characters as a way to emphasise the motion of their bodies (limbs in particular). This style, especially background blurs, extends into most action based anime as well.
- Mini flashbacks: Many artists employ copies of segments from earlier chapters (sometimes only a single panel) and edit them into the story panels to act as a flashback (also applying an overlay of darker tone to differentiate it from current events). This can be considered a convenient method to evoke prior event(s) along with visual imagery. In situations where a character's life events flash across his/her mind, a splash page may be used with the entire background consisting of segments from earlier chapters.
- Abstract background effects: These involve elaborate hatching patterns in the background and serve to indicate or strengthen the mood of the plot. It can also illustrate a character's state of mind.
Facial features
While the art can be incredibly realistic or cartoonish, characters often have large eyes (female characters usually have larger eyes than male characters), small noses, tiny mouths, and flat faces. Psychological and social research on facial attractivenessNeoteny
Neoteny , also called juvenilization , is one of the two ways by which paedomorphism can arise. Paedomorphism is the retention by adults of traits previously seen only in juveniles, and is a subject studied in the field of developmental biology. In neoteny, the physiological development of an...
has pointed out that the presence of childlike facial features increases attractiveness
Physical attractiveness
Physical attractiveness refers to a person's physical traits which are perceived to be aesthetically pleasing or beautiful. The term often implies sexual attractiveness or desirability, but can also be distinct from the two; for example, humans may regard the young as attractive for various...
. Manga artists often play on this to increase the appeal of protagonists. Large eyes have become a permanent fixture in manga and anime since the 1960s when Osamu Tezuka
Osamu Tezuka
was a Japanese cartoonist, manga artist, animator, producer, activist and medical doctor, although he never practiced medicine. Born in Osaka Prefecture, he is best known as the creator of Astro Boy, Kimba the White Lion and Black Jack...
was inspired by Disney
The Walt Disney Company
The Walt Disney Company is the largest media conglomerate in the world in terms of revenue. Founded on October 16, 1923, by Walt and Roy Disney as the Disney Brothers Cartoon Studio, Walt Disney Productions established itself as a leader in the American animation industry before diversifying into...
cartoons from the United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
and started drawing them in this way.
Furthermore, inside the big eyes, the transparent feeling of pupils and the glares, or small reflections in the corners of the eyes are often exaggerated, regardless of surrounding lighting, although they are only present in living characters: the eyes of characters who have died are the colour of the iris, but darker. Sometimes this death effect is also used to indicate characters who are emotionless due to trauma or loss of conscious control because of possession (ghost, demon, zombie, magic, etc.). In characters with hair partially covering the face, the eyes that would otherwise be covered are often outlined to make them visible, even when the hair is particularly dense and dark.
Certain visual symbols have been developed over the years to become common methods of denoting emotions, physical conditions and mood:
Eyes
Eye shape and size can be exaggerated or changed altogether. Love-hearts and doe-eyes indicate an infatuation, while stars indicate that the character is star-struck. Spirals indicate confusion or dizziness, while flames or wide empty semicircles indicate that the character is angry or vengeful. When dead, unconscious or stunned, "X"s are sometimes used as an indication of the state. Eyes may be replaced with two "<"s facing in opposite directions to represent a variety of emotions, such as nervousness or excitement. Eyes without pupils and reflective glints indicate a state of delirium.Enlargement of the eyes, where they become huge and perfectly round with tiny pupils and no iris and going beyond the reach of the face (often shown with the mouth becoming like a stretched semicircle, the point of which extends past the chin) symbolises extreme excitement. Similarly, turning eyes into two thick half-circles, conveys a cute, delighted look (see Character design section below).
The character's eye shapes and sizes are sometimes symbolically used to represent the character. For instance, bigger eyes will usually symbolize beauty, innocence, or purity, while smaller, more narrow eyes typically represent coldness and/or evil. Completely blackened eyes (shadowed) indicates a vengeful personality or underlying deep anger. It could also indicate that someone's being a wise-guy type, particularly when accompanied by grinning. When a character's eyes are shadowed regardless of the lighting in the room when they become angry, upset, something is wrong with them, or they are emotionally hurt. Bubbles forming in the corner of a child's or female character's eyes often indicate that the character is about to cry.
Mouth
Mouths are often depicted as small, usually rendered with one line on the face. A fang peeking from the corner of the mouth indicates mischief or feistiness (unless, of course, the character has fangs normally). A cat mouth (like a number "3" rotated 90° clockwise) replacing the character's normal mouth, and usually accompanied by larger eyes may also represent mischief or feistiness (a notable exception being Konata Izumi from Lucky Star, whose usual mouth shape is this).Nose
Again, noses are often depicted as small, with only a brief L-shaped mark to locate them. With females, the nose can sometimes be removed completely when the character is facing forward. In profile, female noses are often button shaped, consisting little more than a small triangle. A nosebleed indicates sexual excitation following exposure to stimulating imagery or situation. It is based on a Japanese old wives' taleOld wives' tale
An old wives' tale is a type of urban legend, similar to a proverb, which is generally passed down by old wives to a younger generation. Such "tales" usually consist of superstition, folklore or unverified claims with exaggerated and/or untrue details. Today old wives' tales are still common among...
. A balloon dangling from one nostril (a "snot bubble") indicates sleep.
Head and face
Sweat drops are a common visual convention. Characters are drawn with one or more prominent beads of sweat on their brow or forehead (or floating above the hair on characters whose back is turned). This represents a broad spectrum of emotions, including embarrassment, exasperation, confusion, and shock, not all of which are necessarily considered to be sweat-inducing under normal conditions. Actual physical perspiration in manga is signified by even distribution of sweat drops over the body, occasionally on top of clothing or hair.Throbbing "cross popping" veins, usually depicted as a cruciform or triskel in the upper head region, indicate anger or irritation. These shapes can sometimes be exaggerated, and placed on top of hair when the character is facing away from the viewer. Further throbs indicate additional anger. However, some manga like Doraemon
Doraemon
is a Japanese manga series created by Fujiko F. Fujio which later became an anime series and an Asian franchise...
uses smoke puffs to represent anger, and does not have the vein insignia.
A red cheek or hatchings on the cheek represent blushing
Blushing
Blushing refers to the involuntary reddening of a person's face due to embarrassment or emotional stress, though it has been known to come from being lovestruck, or from some kind of romantic stimulation. It is thought that blushing is the result of an overactive sympathetic nervous system...
, usually used when embarrassed by romantic feelings, while oval "blush dots" on the cheeks represent rosy cheeks. This can sometimes be confused with a scribble on the cheek, indicating injury.
Facial shape changes depending on the characters mood, and can look from round apple shaped to a more subtle carrot shape.
Parallel vertical lines with dark shading over the head or under the eye may represent mortification, fatigue, or horror. If the lines are wavy, it may represent disgust. A far cuter way to represent frustration/mortification is (mainly for female/ young female characters) they tend to puff out their cheeks while their line is delivered in a gruff voice, an elongated 3 showing puffed lips to show that puffed look more.
Character design
To better elicit a more emotional response with the audience for a certain character, a manga artist or animator will sometimes use certain traits in the character's design. The most common features include youthfulness as a physical trait (younger age or pigtails) or as an emotional trait such as a naive or innocent outlook, a child-like personality, or some obvious sympathetic weakness the character works hard to correct (extreme clumsiness or a life-threatening disease) but never really succeeds to get rid of.Other artistic conventions used in mainstream manga include:
- A round swelling, sometimes drawn to the size of baseballs, is a visual exaggeration of swelling from injury.
- A white cross-shaped bandage symbol denotes pain.
- Thick black lines around the character may indicate trembling due to anger, shock or astonishment. This is usually accompanied by a rigid pose or super deformedSuper deformedSuper deformed or SD is a specific style of Japanese caricature where characters are drawn in an exaggerated way, typically small and chubby, with stubby limbs and oversized heads, to make them resemble small children...
styling. - Sparks literally fly between the eyes of two characters when they are fighting, or simply glaring at each other (in this case, their eyes may also be connected by a lightning streak).
- A character suddenly falling onto the floor, usually with one or more extremities twisted above him or herself, is a typically humorous reaction to something unexpected happening.
- All facial features shrinking, the nose disappearing, the character lifting off the floor and the limbs being multiplied as if moving very fast symbolizes panic; if the same but with larger facial features it symbolizes comic rage.
- Tear drops everywhere indicate intense joy or sadness.
- An ellipsisEllipsisEllipsis is a series of marks that usually indicate an intentional omission of a word, sentence or whole section from the original text being quoted. An ellipsis can also be used to indicate an unfinished thought or, at the end of a sentence, a trailing off into silence...
appearing over a character's head indicates a silence, implying that something is going unsaid. - A drooping head may indicate sorrow.
- More often than not, character colorisations tend to represent the character in some way. A more subdued character will be coloured with lighter tones, while a flamboyant character will be done in bright tones. Similarly, villains are often coloured in darker tones, while colder character will be given neutral tones (black, white, grey, etc.).
- Characters push their index fingers together when admitting a secret or telling the truth to another.
- An odd white shape (more often than not, something close to a mushroom) that appears during an exhale represents a sigh of awkward relief or depression.
- A wavy ghost coming out of the mouth is often a comical representation of depression or mortification. This is a reference to the hitodamaHitodamaare believed in Japanese folklore to be the souls of the newly dead taking form as mysterious fiery apparitions. The word hitodama is a combination of the Japanese words hito, meaning "human", and tama , meaning "soul"...
, as is the above example. - Cherry blossoms indicate a sweet or beautiful moment. This is a reference to Mono no awareMono no aware, literally "the pathos of things", also translated as "an empathy toward things", or "a sensitivity to ephemera", is a Japanese term used to describe the awareness of , or the transience of things, and a gentle sadness at their passing.-Origins:...
. - A flower blossom falling off its stem may indicate death or, more commonly, loss of virginity.
- Unbound hair may represent freedom, while hair that is tied back may represent some form of either literal, figurative or emotional enslavement of some kind.
- Sleeping people may be indicated by having a bubble coming out of the nose, said bubble inflating and deflating as they snore. This is usually done when the character sleeps at an inappropriate moment (e.g. during class, at work, outside, in public, in an unusual pose or location, etc.).
- Sometimes, when a character screams or is surprised, they will do The ScreamThe ScreamScream is the title of Expressionist paintings and prints in a series by Norwegian artist Edvard Munch, showing an agonized figure against a blood red sky...
pose. - Twitching eyebrows or eyelids may indicate anger or shock that the character is holding back.
See also
- BishōjoBishojois a Japanese term used to refer to young and pretty girls, usually below university age. Bishōjo is not listed as a word in the prominent Japanese dictionary Kōjien...
- Comics vocabularyComics vocabularyComics vocabulary consists of many different techniques and images which a comic book artist employs in order to convey a narrative within the medium of comics....
- Cuteness in Japanese cultureCuteness in Japanese cultureSince the 1970s, cuteness, in Japanese the noun , has become a prominent aspect of Japanese popular culture, entertainment, clothing, food, toys, personal appearance, behavior, and mannerisms...
- Moe anthropomorphismMoé anthropomorphismis a form of anthropomorphism where moe qualities are given to non-human beings, objects, concepts, or phenomena. In addition to moe features, moe anthropomorphisms are also characterized by their accessories, which serve to emphasize their original forms before anthropomorphosis...
- Super deformedSuper deformedSuper deformed or SD is a specific style of Japanese caricature where characters are drawn in an exaggerated way, typically small and chubby, with stubby limbs and oversized heads, to make them resemble small children...
- SuperflatSuperflatSuperflat is a postmodern art movement, founded by the artist Takashi Murakami, which is influenced by manga and anime. It is also the name of a 2001 art exhibition, curated by Murakami, that toured West Hollywood, Minneapolis and Seattle....