List of compositions by Béla Bartók
Encyclopedia
Sortable list by four catalogue numberings, year of composition and instrumentation
This aspires to be a complete list of compositions by Béla BartókBéla Bartók
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer...
. The catalogue numbering by András Szőllősy
András Szőllősy
András Szőllősy was the creator of the Szőllősy index , a frequently used index for the works of Hungarian composer Béla Bartók, was born at Szászváros in Transylvania on February 27, 1921. He studied composition under Zoltán Kodály at the Franz Liszt Academy of Music where he was a professor of...
(Sz.), László Somfai
László Somfai
László Somfai is a Hungarian musicologist.He was born in 1934 in Jászladány. He first studied History of Music, graduating in 1959 with a dissertation on the classical string quartet idiom of Joseph Haydn. He went on to earn a PhD in musicology....
(BB.) and Denijs Dille (DD.) are provided, as well as Bartók's own opus numbers. Note that Bartók started three times anew with opus numbers, here indicated with "(list 1)", "(list 2)" and "(list 3)" respectively. The pieces from the third listing are by far best known; opus lists 1 and 2 are early works. The year of composition and instrumentation (including voice) are included. See the main article on Béla Bartók for more details.
Name | Sz. | BB | DD | Opus | Year | Instruments/voices used |
---|---|---|---|---|---|---|
Walczer | 1 | 1 | 1 | 1 (list 1) | 1890 | Piano |
Changing Piece (Változo darab) | 1 | 2 | 2 (list 1) | 1890 | Piano | |
Mazurka | 2 | 1 | 3 | 3 (list 1) | 1890 | Piano |
Budapest Athletic Competition | 1 | 4 | 4 (list 1) | 1890 | Piano | |
Sonatina No. 1 | 1 | 5 | 5 (list 1) | 1890 | Piano | |
Wallachian Piece (Oláh darab) | 1 | 6 | 6 (list 1) | 1890 | Piano | |
Fast Polka (Gyorspolka) | 1 | 7 | 7 (list 1) | 1891 | Piano | |
'Bela' Polka | 1 | 8 | 8 (list 1) | 1891 | Piano | |
'Katinka' Polka | 1 | 9 | 9 (list 1) | 1891 | Piano | |
Voices of Spring (Tavaszi hangok) | 1 | 10 | 10 (list 1) | 1891 | Piano | |
'Jolán' Polka | 1 | 11 | 11 (list 1) | 1891 | Piano | |
'Gabi' Polka | 1 | 12 | 12 (list 1) | 1891 | Piano | |
Forget-me-not (Nefelejts) | 1 | 13 | 13 (list 1) | 1891 | Piano | |
Ländler No. 1 | 1 | 14 | 14 (list 1) | 1891 | Piano | |
'Irma' Polka | 1 | 15 | 15 (list 1) | 1891 | Piano | |
Radegund Echo (Radegundi visszhang) | 1 | 16 | 16 (list 1) | 1891 | Piano | |
March (Induló) | 1 | 17 | 17 (list 1) | 1891 | Piano | |
Ländler No. 2 | 1 | 18 | 18 (list 1) | 1891 | Piano | |
Circus Polka (Cirkusz polka) | 1 | 19 | 19 (list 1) | 1891 | Piano | |
The Course of the Danube (A Duna folyása) | 4 | 1 | 20 | 20 (list 1) | 1891 | Piano |
The Course of the Danube (A Duna folyása) | 4 | 1 | 20b | 20 (list 1) | 1894 | Violin and Piano |
Sonatina No. 2 | 1 | 21 | 21 (list 1) | 1891? | Piano | |
Ländler No. 3 * | 1 | 22 | 22 (list 1) | 1892 | Piano | |
Spring Song | 1 | 23 | 23 (list 1) | 1892 | Piano | |
Szöllos Piece (Szöllosi darab) * | 1 | 24 | 24 (list 1) | 1892 | Piano | |
'Margit' Polka | 1 | 25 | 25 (list 1) | 1893 | Piano | |
'Ilona' Mazurka | 1 | 26 | 26 (list 1) | 1893 | Piano | |
'Loli' Mazurka | 1 | 27 | 27 (list 1) | 1893 | Piano | |
'Lajos' Waltz ('Lajos' valczer) | 1 | 28 | 28 (list 1) | 1893 | Piano | |
'Elza' Polka | 29 | 29 (list 1) | 1894 | Piano | ||
Andante con variazioni | 1 | 30 | 30 (list 1) | 1894 | Piano | |
X.Y. * | 1 | 31 | 31 (list 1) | 1894 | Piano | |
Sonata No. 1 in G minor | 2 | 32 | 1 (list 2) | 1894 | Piano | |
Scherzo in G minor | 33 | 1894 | Piano | |||
Fantasie in A minor | 3 | 34 | 2 (list 2) | 1895 | Piano | |
Sonata No. 2 in F major | 4 | 35 | 3 (list 2) | 1895 | Piano | |
Capriccio in B minor | 5 | 36 | 4 (list 2) | 1895 | Piano | |
Sonata in C minor | 6 | 37 | 5 (list 2) | 1895 | Violin and Piano | |
Sonata No. 3 in C major * | 7 | 38 | 6 (list 2) | 1895 | Piano | |
Pieces * | 7 | 39 | 7 (list 2) | 1895 | Violin | |
Fantasia * | 7 | 40 | 8 (list 2) | 1894 | Violin | |
Fantasia * | 7 | 41 | 9 (list 2) | 1895 | Violin | |
String Quartet No. 1 in B major * | 7 | 42 | 10 (list 2) | 1896 | String Quartet | |
String Quartet No. 2 in C minor * | 7 | 43 | 11 (list 2) | 1896 | String Quartet | |
Andante, Scherzo and Finale * | 7 | 44 | 12 (list 2) | 1897 | Piano | |
Three Pieces | 8 | 45 | 13 (list 2) | 1897 | Piano | |
Piano Quintet in C major * | 9 | 46 | 14 (list 2) | 1897 | Piano Quintet | |
Two Pieces * | 9 | 47 | 15 (list 2) | 1897 | Piano | |
Great Fantasy * | 9 | 48 | 16 (list 2) | 1897 | Piano | |
Sonata in A major * | 10 | 49 | 17 (list 2) | 1897 | Violin and Piano | |
Scherzo or Fantasie | 8 | 11 | 50 | 18 (list 2) | 1897 | Piano |
Sonata “Op. 1” | 12 | 51 | 19 (list 2) | 1898 | Piano | |
Piano Quartet in C minor | 9 | 13 | 52 | 20 (list 2) | 1898 | Piano Quartet |
Three Piano Pieces (fantasies) | 6 | 14 | 53 | 21 (list 2) | 1898 | Piano |
Three Songs | 10 | 15 | 54 | 1898 | Voice and Piano | |
Scherzo in B minor | 16 | 55 | 1898 | Piano | ||
String Quartet in F major | 17 | 56 | 1898 | String Quartet | ||
Piano Quintet Fragments | 19 | B10 12 | 1899 | Piano Quintet | ||
Tiefblaue Veilchen | 18 | 57 | 1899 | Soprano w. Orchestra | ||
Scherzo in Sonata Form | 19 | 58 | 1899–1900 | String Quartet | ||
Scherzo in B Flat minor | 19 | 59 | 1900? | Piano | ||
Six Dances | 54 | 19 | 60 | 1900 | Piano | |
Valcer | 60b | 1900 | Orchestra | |||
Liebeslieder | 13 | 20 | 62 | 1899 | Voice and Piano | |
Scherzo in B Flat minor | 21 | 63 | 1900 | Piano | ||
Variations on a Theme by F.F. | 22 | 64 | 1900–01 | Piano | ||
Scherzo | 17 | 25 | 65 | 1901 | Orchestra | |
Tempo di minuetto | 23 | 66 | 1901 | Piano | ||
Four Songs | 15 | 24 | 67 | 1902 | Voice and Piano | |
Symphony (only Scherzo) | 16 | 25 | 68 | 1902–03 | Orchestra | |
Duo | 26 | 69 | 1902 | Two Violins | ||
Albumblatt (Andante) in A major | 26 | 70 | 1902 | Violin and Piano | ||
Four Piano Pieces (Négy zongoradarab) | 22 | 27 | 71 | 1903 | Piano | |
Andante in F Sharp or A major | 26 | 71 B14 | 1902 | Violin and Piano | ||
Violin Sonata in E minor | 20 | 28 | 72 | 1903 | Violin and Piano | |
Est (Evening) for Voice and Piano | 29 | 74 | 1903 | Voice and Piano | ||
Est (Evening) for Male Chorus | 19 | 30 | 74 | 1903 | Male Chorus w. Orchestra | |
Kossuth, symphonic poem Kossuth (Bartók) Kossuth, Sz. 75a, BB 31, is a symphonic poem by Béla Bartók inspired by the Hungarian politician Lajos Kossuth.-Musical background:The music of Richard Strauss was an early influence on Bartók, who was studying at the Budapest Royal Academy of Music when he encountered the symphonic poems of... |
21 | 31 | 75a | 1903 | Orchestra | |
Marcia Funèbre (from Kossuth) | 21 | 31 | 75b | 1903 | Piano | |
Four Songs * | 18 | 32 | 76 | 1903 | Voice and Piano | |
Piano Quintet | 23 | 33 | 77 | 1903–04 | Piano Quintet | |
Rhapsody for Piano | 26 | 36a | 1 (list 3) | 1904 | Piano | |
Rhapsody for Piano and Orchestra | 27 | 36b | 1 (list 3) | 1905 | Piano and Orchestra | |
Scherzo Burlesque for Piano and Orchestra | 28 | 35 | 2 (list 3) | 1904 | Piano and Orchestra | |
Hungarian Folksongs (Magyar népdalok) | 29 | 37 | 1904, 1905 | Voice and Piano | ||
Székely Folksongs (Piros alma) | 30 | 34 | 1904, 1905 | Voice and Piano | ||
Petits morceaux (from BB37(no.2) and 24(no.1) | 38 | 67/1 | 1905, 1907? | Piano | ||
Suite No. 1 | 31 | 39 | 3 (list 3) | 1905, rev c.1920 | Orchestra | |
To the Little 'Tot', Five Songs | 32 | 41 | 1905 | Voice and Piano | ||
Hungarian Folksongs, Ten Songs | 33 | 42 | 1906, rev BB97 1928 | Voice and Piano | ||
Hungarian Folksongs, Ten Songs | 33 | 43 | 1906–07 | Voice and Piano | ||
Two Hungarian Folksongs | 33b | 44 | 1906 | Voice and Piano | ||
Suite No. 2 | 34 | 40 | 4 (list 3) | 1905, 1907 rev 1943 | Small Orchestra | |
From Gyergyó | 35 | 45a | 1907 | Voice (or reed pipe) and Piano | ||
Three Hungarian Folksongs from Csik | 35a | 45b | 1907 | Piano | ||
Four Slovak Folksongs | 35b | 46 | 1916? | Voice and Piano | ||
Eight Hungarian Folksongs | 64 | 47 | 1907 (no.6–8 1917) | Voice and Piano | ||
Concerto for Violin and Orchestra No. 1 Violin Concerto No. 1 (Bartók) Béla Bartók's Violin Concerto No. 1, BB 48a was written around the years 1907–1908, but only published in 1956, after the composer's death. It was premiered on May 30, 1958 in Basel, Switzerland... |
36 | 48a | 1907–08 pub 1956 | Violin and Orchestra | ||
Two Portraits for Orchestra | 37 | 48b | 5 (list 3) | 1907–11 | Violin and Orchestra | |
Fourteen Bagatelles | 38 | 50 | 6 (list 3) | 1908 | Piano | |
Ten Easy Pieces | 39 | 51 | 1908 | Piano | ||
String Quartet No. 1 String Quartet No. 1 (Bartók) The String Quartet No. 1 in A minor by Béla Bartók was completed in 1909. The score is dated January 27 of that year.The work is in three movements, played without breaks between each:#Lento... |
40 | 52 | 7 (list 3) | 1908–09 | String Quartet | |
Two Elegies | 41 | 49 | 8b (list 3) | 1908–09 | Piano | |
For Children For Children (Bartók) For Children is a cycle of short piano pieces composed by Béla Bartók. The collection was originally started in 1908 and completed in 1909, and comprised 85 pieces which were issued in four volumes. Each piece is based on a folk tune, Hungarian in the first two volumes , and Slovakian in the last... (4 volumes in 2 books) |
42 | 53 | 1908–09 | Piano | ||
Two Romanian Folk Dances Two Romanian Folk Dances The Two Romanian Folk Dances are a piano work written by Béla Bartók, based on Romanian folk music. Written in 1910, they date from the beginning of his interest in folk music — his first work showing strong folk influence, the String Quartet No. 1, is from just two years before... |
43 | 56 | 8a (list 3) | 1910 | Piano | |
Two Romaninan folk songs | 57 | 1909 appr. | Women choir | |||
Four Dirges | 45 | 58 | 9a (list 3) | 1910 | Piano | |
Seven Sketches (Vázlatok) | 44 | 54 | 9b (list 3) | 1908–10 | Piano | |
Two Pictures for Orchestra | 46 | 59 | 10 (list 3) | 1910 | Orchestra | |
Three Burlesques (Három burleszk) | 47 | 55 | 8c (list 3) | 1908–11 | Piano | |
Romanian Dance (one of BB 56) | 47a | 61 | 1911 | Orchestra | ||
Bluebeard's Castle Opera in One Act Bluebeard's Castle Duke Bluebeard's Castle is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer. It is in Hungarian, based on the French fairy tale "Bluebeard" by Charles Perrault... |
48 | 62 | 11 (list 3) | 1911 rev 1912 & 1917 | Voice and Orchestra | |
Allegro barbaro Allegro barbaro Allegro barbaro, BB 63 , composed in 1911, is one of Béla Bartók's most famous and frequently performed solo piano pieces. The composition is typical of Bartók's style, utilizing folk elements... |
49 | 63 | 1911 | Piano | ||
Four Old Hungarian Folksongs | 50 | 60 | 1910 rev 1926 | Male Chorus w/o Orchestra | ||
Four Pieces | 51 | 64 | 12 (list 3) | 1912, orch in 1921 | Piano / Orchestra | |
Piano etude (Reschofsky) | 52 | 1913 | Pian | |||
The First Term at the Piano | 53 | 66 | 1913 | Piano | ||
Sonatina Sonatina (Bartók) Sonatina, Sz. 55, BB. 69 is a piece for solo piano written in 1915 by Hungarian composer Béla Bartók. Initially entitled Sonatina on Romanian folk tunes, it is based on folk tunes Bartók collected in his neighbour country Romania, which, even he proclaimed Hungarian folk music was clearly superior,... |
55 | 69 | 1915 | Piano | ||
Romanian Folk Dances Romanian Folk Dances Romanian Folk Dances, Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.... |
56 | 68 | 1915 | Piano | ||
Romanian Christmas Carols Romanian Christmas Carols Romanian Christmas Carols, Sz, 57, BB 67 is a set of little colinde, typical Christmas songs from Romanian villages, habitually sung by small groups of children, composed in 1915 by Hungarian composer Béla Bartók.- Structure :... |
57 | 67 | 1915 | Piano | ||
Two Romanian Folksongs | 58 | 1915 | Female Chorus | |||
Nine Romanian Folksongs | 59 | 65 | 1915 (or earlier) | Voice and Piano | ||
The Wooden Prince The Wooden Prince The Wooden Prince Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914-1916 to a scenario by Béla Balázs... Ballet in One Act |
60 | 74 | 13 (list 3) | 1914–17 | Orchestra | |
The Wooden Prince The Wooden Prince The Wooden Prince Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914-1916 to a scenario by Béla Balázs... Suite |
74 | 13 (list 3) | 1921, 1924? | Orchestra | ||
Suite Suite, Op. 14 (Bartók) The Suite, Op. 14, Sz. 62 is a piece for solo piano written by Béla Bartók. It was written in February 1916, published in 1918, and debuted by the composer on April 21, 1919, in Budapest. The Suite is one of Bartók's most significant works for piano, only comparable with his 1926 Piano Sonata... |
62 | 70 | 14 (list 3) | 1916 | Piano | |
Five Songs | 61 | 71 | 15 (list 3) | 1916 | Voice and Piano | |
Five Songs | 63 | 72 | 16 (list 3) | 1916 | Voice and Piano | |
Slovak Folksong | 63a | 73 | 1916? | Voice and Piano | ||
Hungarian Folksong | 65 | 1914–17? | Piano | |||
Three Hungarian Folksongs | 66 | 80b | 1914–18 rev 1941 | Piano | ||
String Quartet No. 2 String Quartet No. 2 (Bartók) The String Quartet No. 2 by Béla Bartók was written between 1915 and October 1917 in Rákoskeresztúr in Hungary.The work is in three movements:#Moderato#Allegro molto capriccioso#Lento... |
67 | 75 | 17 (list 3) | 1915–17 | String Quartet | |
Romanian Folkdances small orch.(fromBB68) | 68 | 76 | 1917 | Piano / Orchestra | ||
Five Slovak Folksongs for Male Chorus | 69 | 77 | 1917 | Male Chorus w/o Orchestra | ||
Four Slovak Folksongs for Mixed Choir | 70 | 78 | 1916 or 1917 | Mixed Choir w/o Orchestra | ||
Fifteen Hungarian Peasant Songs Fifteen Hungarian Peasant Songs Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918- Structure :... |
71 | 79 | 1914–18 | Piano | ||
„Leszállott a páva” | 80 | 1914 | Piano | |||
Studies | 72 | 81 | 18 (list 3) | 1918 | Piano | |
The Miraculous Mandarin The Miraculous Mandarin The Miraculous Mandarin or The Wonderful Mandarin Op. 19, Sz. 73 , is a one act pantomime ballet composed by Béla Bartók between 1918–1924, and based on the story by Melchior Lengyel. Premiered November 27, 1926 in Cologne, Germany, it caused a scandal and was subsequently banned... , Pantomime |
73 | 82 | 19 (list 3) | 1918–19, 1924 | Orchestra (w. choir) | |
The Miraculous Mandarin The Miraculous Mandarin The Miraculous Mandarin or The Wonderful Mandarin Op. 19, Sz. 73 , is a one act pantomime ballet composed by Béla Bartók between 1918–1924, and based on the story by Melchior Lengyel. Premiered November 27, 1926 in Cologne, Germany, it caused a scandal and was subsequently banned... , Suite |
73 | 82 | 19 (list 3) | 1918, cmpl in 1927 | Orchestra | |
Eight Improvisations on Hungarian Peasant Songs Eight Improvisations on Hungarian Peasant Songs Eight Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83, also known as Improvisations on Hungarian Peasant Songs or simply as Improvisations, is a composition for solo piano by Hungarian composer Béla Bartók... |
74 | 83 | 20 (list 3) | 1920 | Piano | |
Sonata for Violin and Piano No. 1 | 75 | 84 | 21 (list 3) | 1921 | Violin and Piano | |
Sonata for Violin and Piano No. 2 | 76 | 85 | 1922 | Violin and Piano | ||
Dance Suite Dance Suite (Bartók) Dance Suite, Sz. 77, BB 86 , sometimes also called Tanz Suite, Sz. 77, BB 86, is an orchestral suite composed in 1923 by Hungarian composer Béla Bartók. In 1925, the composer himself wrote a reduction of this piece for piano, which has become also as well-known as the original... |
77 | 86 | 1923, piano 1925 | Orchestra / piano | ||
Village Scenes (Falún), Five Slovak Songs | 78 | 87a | 1924 | Female Voice and Piano | ||
Three Village Scenes (Falún) | 79 | 87b | May 1926 | 4/8 women choir w. chmb.orch. | ||
Sonata for Piano Piano Sonata (Bartók) The Piano Sonata BB 88 of Béla Bartók was composed in 1926. It is tonal, but is highly dissonant. It uses the piano in a percussive fashion.The work is in three movements, with the following tempo indications:*Allegro moderato... |
80 | 88 | June 1926 | Piano | ||
Out of Doors Out of Doors (Bartók) Out of Doors is a set of five piano solo pieces, Sz. 81, BB 89, written by Béla Bartók in 1926. Out of Doors is among the very few instrumental compositions by Bartók with programmatic titles... |
81 | 89 | (summer) 1926 | Piano | ||
Nine Little Pieces | 82 | 90 | 1926 | Piano | ||
Concerto for Piano and Orchestra No. 1 Piano Concerto No. 1 (Bartók) The Piano Concerto No. 1 , Sz. 83, BB 91 of Béla Bartók was composed in 1926. It is about 23 to 24 minutes long.-Background:For almost three years, Bartók had composed little. He broke that silence with several piano works, one of which was the piano concerto... |
83 | 91 | 1926 | Piano and Orchestra | ||
Three Rondos on Slovak Folk Tunes | 84 | 92 | 1916, 1927 | Piano | ||
String Quartet No. 3 String Quartet No. 3 (Bartók) The String Quartet No. 3 by Béla Bartók was written in September 1926 in Budapest.The work is in one continuous stretch with no breaks, but is divided in the score into four parts:#Prima parte: Moderato#Seconda parte: Allegro... |
85 | 93 | 1927 | String Quartet | ||
Rhapsody for Violin and Piano No. 1 | 87, 88 | 94 | 1928 (Cello transcription 1929) | Violin (or Cello) and Piano | ||
Rhapsody for Violin and Orchestra No. 1 | 86 | 94 | 1929 | Violin and Orchestra | ||
Rhapsody for Violin and Piano No. 2 | 89 | 96 | 1928 rev 1935 or 1944 | Violin and Piano | ||
Rhapsody for Violin and Orch. No.2 | 90 | 96 | 1928, rev 1935 or 1944 | Violin and Orch. | ||
String Quartet No. 4 String Quartet No. 4 (Bartók) The String Quartet No. 4 by Béla Bartók was written from July to September, 1927 in Budapest.The work is in five movements:#Allegro#Prestissimo, con sordino#Non troppo lento#Allegretto pizzicato#Allegro molto... |
91 | 95 | 1928 | String Quartet | ||
Five Hungarian Folksongs (revision of BB 42) | 33 | 97 | 1928 | Voice and Piano | ||
Twenty Hungarian Folksongs | 92 | 98 | 1929 | Voice and Piano | ||
Four Hungarian Folksongs for Mixed Chorus | 93 | 99 | 1932 | Mixed Chorus | ||
Cantata Profana Cantata Profana Cantata Profana Sz. 94, is a choral work for tenor, baritone, choir and orchestra by the Hungarian composer Béla Bartók... (9 Enchanted Stags) |
94 | 100 | 1930 | 2 voices dbl chorus w. orch. | ||
Concerto for Piano and Orchestra No. 2 Piano Concerto No. 2 (Bartók) Béla Bartók's Piano Concerto No. 2 in G major, Sz. 95, BB 101 is one of the composer's more accessible compositions for audiences. It is especially notorious for being one of the most difficult pieces in the repertoire.... |
95 | 101 | 1930–31 | Piano and Orchestra | ||
Sonatina for violin and piano (arr. BB 69) | 55 | 102a | 1930 appr | Violin and Piano | ||
Transylvanian Dances | 96 | 102b | 1931 | Orchestra | ||
Hungarian Sketches arr.parts BB51,53,55,58 | 97 | 103 | 1931 | Orchestra | ||
44 Duos for Two Violins 44 Duos for Two Violins 44 Duos for Two Violins, Sz. 98, BB 104 is a series of duets composed in 1931 by Hungarian composer Béla Bartók.- Composition :Béla Bartók did not intend this work to be played in performances, but rather to be useful as a work for young students... |
98 | 104 | 1931–32 | Two Violins | ||
Székely Songs for Male Chorus | 99 | 106 | 1932 (and 1938?) | Male Chorus | ||
Hungarian Peasant Songs arr. BB79/6–15 | 100 | 107 | 1933 | Orchestra | ||
Five Hungarian Folksongs arr. parts BB 98 | 101 | 108 | 1933 | Solo Voice and Orchestra | ||
Hungarian dances | 1934 | Violin and Piano | ||||
String Quartet No. 5 String Quartet No. 5 (Bartók) The String Quartet No. 5 Sz. 102, BB 110 by Béla Bartók was written between August 6 and September 6, 1934.The work is in five movements:#Allegro#Adagio molto#Scherzo: alla bulgarese#Andante#Finale: Allegro vivace... |
102 | 110 | 1934 | String Quartet | ||
27 Choruses | 103 | 111 | 1935–36, w. orch 1937–41 | Children and women choir w.&w/o orch | ||
From Olden Times for Male Chorus | 104 | 112 | 1935 | Male Chorus | ||
Petite suite arr. BB 104 | 105 | 113 | 1936 | Piano | ||
Music for Strings, Percussion and Celesta Music for Strings, Percussion and Celesta Music for Strings, Percussion and Celesta, Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the Basel Chamber Orchestra, the score is dated September 7, 1936... |
106 | 114 | 1936 | Strings, Percussion and Celesta | ||
Mikrokosmos | 107 | 105 | 1926 and 1932–39 | Piano | ||
Seven Pieces from Mikrokosmos (BB 105) | 108 | 120 | 1939–1940 | Two Pianos | ||
Hungarian Folksong | 109 | 109 | 1934 approx. | |||
Sonata for Two Pianos and Percussion Sonata for two pianos and percussion Béla Bartók wrote his Sonata for Two Pianos and Percussion, Sz. 110, BB 115 for the International Society for Contemporary Music in 1937 and it was premiered by him and his second wife, Ditta Pásztory-Bartók, as the pianists, and percussionists Saul Goodman and Henry Deneke, at the ISCM anniversary... |
110 | 115 | 1937 | Two Pianos and Percussion | ||
Contrasts Contrasts (Bartók) Contrasts is a 1938 composition scored for clarinet-violin-piano trio by Béla Bartók . It is based on Hungarian and Romanian dance melodies and has three movements with a combined duration of 17-20 minutes. Bartók wrote the work in response to a letter from violinist Joseph Szigeti, although it... |
111 | 116 | 1938 | Violin, Clarinet and Piano | ||
Concerto for Violin and Orchestra No. 2 Violin Concerto No. 2 (Bartók) Béla Bartók's Violin Concerto No. 2, BB 117 was dedicated to the Hungarian violin virtuoso, Zoltán Székely, who requested the composition in 1936, and is a prime example of verbunkos style.... |
112 | 117 | 1937–38 | Violin and Orchestra | ||
Divertimento Divertimento for String Orchestra BB 118 Divertimento for String Orchestra Sz.113 BB.118 is a three-movement work composed by Béla Bartók in 1939, scored for full orchestral strings. Paul Sacher, a Swiss conductor, patron, impresario, and the founder of the Basel Chamber Orchestra , commissioned Bartók to compose the Divertimento, which... |
113 | 118 | 1939 | Strings | ||
String Quartet No. 6 String Quartet No. 6 (Bartók) The String Quartet No. 6 by Béla Bartók was written from August to November, 1939 in Budapest.The work is in four movements:#Mesto - Vivace#Mesto - Marcia#Mesto - Burletta#Mesto - Molto tranquillo... |
114 | 119 | 1939 | String Quartet | ||
Concerto for Two Pianos | 115 | 121 | 1940 | Two Pianos and orchestra | ||
Suite arr. BB 40 | 115a | 122 | 4b (list 3) | 1941 | Two Pianos | |
Concerto for Orchestra Concerto for Orchestra (Bartók) Concerto for Orchestra, Sz. 116, BB 123, is a five-movement musical work for orchestra composed by Béla Bartók in 1943. It is one of his best-known, most popular and most accessible works. The score is inscribed "15 August – 8 October 1943", and it premiered on December 1, 1944 in Boston Symphony... |
116 | 123 | 1942–43, rev 1945 | Orchestra | ||
Sonata for Solo Violin Sonata for Solo Violin (Bartók) The Sonata for Solo Violin Sz. 117, BB 124, is a sonata for unaccompanied violin composed by Béla Bartók. It was premiered by Yehudi Menuhin, to whom it was dedicated, in New York on 26 November, 1944.-Composition:... |
117 | 124 | 1944 | Solo Violin | ||
A férj keserve (goat song) | 125 | 1945 | Voice and Piano | |||
Three Ukrainian Folksongs | 118 | 126 | 1945 | Voice and Piano | ||
Concerto for Piano and Orchestra No. 3 Piano Concerto No. 3 (Bartók) Béla Bartók's Piano Concerto No. 3 in E major, Sz. 119, BB 127 is a musical composition for piano and orchestra. The piece was composed in 1945 by Hungarian composer Béla Bartók during the final months of his life. It consists of three movements.-Context:... |
119 | 127 | 1945 | Piano and Orchestra | ||
Concerto for Viola (sketches only) Viola Concerto (Bartók) Béla Bartók's Viola Concerto, Sz. 120, BB 128 was written in July – August 1945, in Saranac Lake, New York, while he was suffering from the terminal stages of leukemia. It was commissioned by William Primrose. Along with the Piano Concerto No. 3, it is his last work, and he left it incomplete at... |
120 | 128 | 1945 | Viola and Orchestra |
List by type of composition
This is a near complete list of compositions by Béla BartókBéla Bartók
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer...
. Both the more common
András Szöllősy
András Szőllősy
András Szőllősy was the creator of the Szőllősy index , a frequently used index for the works of Hungarian composer Béla Bartók, was born at Szászváros in Transylvania on February 27, 1921. He studied composition under Zoltán Kodály at the Franz Liszt Academy of Music where he was a professor of...
catalogue numbering (Sz.) and the more recent László Somfai
László Somfai
László Somfai is a Hungarian musicologist.He was born in 1934 in Jászladány. He first studied History of Music, graduating in 1959 with a dissertation on the classical string quartet idiom of Joseph Haydn. He went on to earn a PhD in musicology....
catalogue number (BB.) are provided. Where compositions do not have a Sz. numbering, the intermediate Denijs Dille catalogue numbering (DD.) has been provided. See the main article on Béla Bartók for more details.
This list does not include early compositions that have since been lost.
Stage works
- Bluebeard's CastleBluebeard's CastleDuke Bluebeard's Castle is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer. It is in Hungarian, based on the French fairy tale "Bluebeard" by Charles Perrault...
(1911, revised 1912 & 1917) Op. 11, Sz. 48, BB 62, operaOperaOpera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance... - The Wooden PrinceThe Wooden PrinceThe Wooden Prince Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914-1916 to a scenario by Béla Balázs...
(1914–16) Op. 13, Sz. 60, BB 74, balletBallet (music)Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that... - The Miraculous MandarinThe Miraculous MandarinThe Miraculous Mandarin or The Wonderful Mandarin Op. 19, Sz. 73 , is a one act pantomime ballet composed by Béla Bartók between 1918–1924, and based on the story by Melchior Lengyel. Premiered November 27, 1926 in Cologne, Germany, it caused a scandal and was subsequently banned...
(1918, 1919 completed 1926) Op. 19, Sz. 73, BB 82, ballet-pantomime
Orchestral works
- Scherzo in C major from Symphony in E flat major DD 68, BB 25
- Suite #1 for full orchestra (1905) Op. 3, Sz. 31, BB 39
- Suite #2 for small orchestra (1905–1907 revised 1943) Op. 4, Sz. 34, BB 40
- Two Pictures (1910) Op. 10, Sz. 46, BB 59
- Romanian Dance Sz. 47a, BB 61
- Four Pieces (1912) Op. 12, Sz. 51, BB 64
- Suite The Wooden Prince Op. 13, Sz. 60, BB 74
- Romanian Folk DancesRomanian Folk DancesRomanian Folk Dances, Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76....
for small orchestra (1917) Sz. 68, BB 76 - Suite The Miraculous Mandarin Op. 19, Sz. 73, BB 82
- KossuthKossuth (Bartók)Kossuth, Sz. 75a, BB 31, is a symphonic poem by Béla Bartók inspired by the Hungarian politician Lajos Kossuth.-Musical background:The music of Richard Strauss was an early influence on Bartók, who was studying at the Budapest Royal Academy of Music when he encountered the symphonic poems of...
, Symphonic Poem Sz. 75a, BB 31 - Dance Suite (Táncszvit) (1923) Sz. 77, BB 86
- Transylvanian Dances Sz. 96, BB 102b
- Hungarian Sketches (1931) Sz. 97, BB 103
- Hungarian Peasant Songs Sz. 100, BB 107
- Music for Strings, Percussion and CelestaMusic for Strings, Percussion and CelestaMusic for Strings, Percussion and Celesta, Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the Basel Chamber Orchestra, the score is dated September 7, 1936...
(1936) Sz. 106, BB 114 - DivertimentoDivertimento for String Orchestra BB 118Divertimento for String Orchestra Sz.113 BB.118 is a three-movement work composed by Béla Bartók in 1939, scored for full orchestral strings. Paul Sacher, a Swiss conductor, patron, impresario, and the founder of the Basel Chamber Orchestra , commissioned Bartók to compose the Divertimento, which...
(1939) Sz. 113, BB 118 - Concerto for OrchestraConcerto for Orchestra (Bartók)Concerto for Orchestra, Sz. 116, BB 123, is a five-movement musical work for orchestra composed by Béla Bartók in 1943. It is one of his best-known, most popular and most accessible works. The score is inscribed "15 August – 8 October 1943", and it premiered on December 1, 1944 in Boston Symphony...
(1942–43, revised 1945) Sz. 116, BB 123
Concertante works
- Piano
- Rhapsody for Piano and Orchestra Op. 1, Sz. 27, BB 36b
- Scherzo Burlesque for Piano and Orchestra Op. 2, Sz. 28, BB 35
- Piano Concerto No. 1Piano Concerto No. 1 (Bartók)The Piano Concerto No. 1 , Sz. 83, BB 91 of Béla Bartók was composed in 1926. It is about 23 to 24 minutes long.-Background:For almost three years, Bartók had composed little. He broke that silence with several piano works, one of which was the piano concerto...
(1926) Sz. 83, BB 91 - Piano Concerto No. 2Piano Concerto No. 2 (Bartók)Béla Bartók's Piano Concerto No. 2 in G major, Sz. 95, BB 101 is one of the composer's more accessible compositions for audiences. It is especially notorious for being one of the most difficult pieces in the repertoire....
(1932) Sz. 95, BB 101 - Piano Concerto No. 3Piano Concerto No. 3 (Bartók)Béla Bartók's Piano Concerto No. 3 in E major, Sz. 119, BB 127 is a musical composition for piano and orchestra. The piece was composed in 1945 by Hungarian composer Béla Bartók during the final months of his life. It consists of three movements.-Context:...
(1945) Sz. 119, BB 127
- Violin
- Violin Concerto No. 1Violin Concerto No. 1 (Bartók)Béla Bartók's Violin Concerto No. 1, BB 48a was written around the years 1907–1908, but only published in 1956, after the composer's death. It was premiered on May 30, 1958 in Basel, Switzerland...
(1907–1908, 1st pub 1956) Op. posth., Sz. 36, BB 48a - Two Portraits for Violin and Orchestra (1907, 1908) Op. 5, Sz. 37, BB 48b
- Rhapsody Folk Dances for Violin and Orchestra No. 1Rhapsody No. 1 (Bartók)Rhapsody No. 1, Sz. 87, BB 94 is the first of two folk dances for violin and orchestra written by Béla Bartók. It was written in 1928 and dedicated to Hungarian virtuoso violinist Joseph Szigeti, a close friend of Bartók....
(1928–29) Sz. 87, BB 94 - Rhapsody Folk Dances for Violin and Orchestra No. 2Rhapsody No. 2 (Bartók)Rhapsody No. 2, Sz. 90, BB 96 is the second of two folk dances for violin and orchestra written by Béla Bartók. It was written in 1928 and dedicated to Hungarian chamber violinist Zoltán Székely, a founding member of the Hungarian String Quartet...
(1928, rev. 1935) Sz. 90, BB 96 - Violin Concerto No. 2Violin Concerto No. 2 (Bartók)Béla Bartók's Violin Concerto No. 2, BB 117 was dedicated to the Hungarian violin virtuoso, Zoltán Székely, who requested the composition in 1936, and is a prime example of verbunkos style....
(1937–38) Sz. 112, BB 117
- Violin Concerto No. 1
- Viola
- Viola ConcertoViola Concerto (Bartók)Béla Bartók's Viola Concerto, Sz. 120, BB 128 was written in July – August 1945, in Saranac Lake, New York, while he was suffering from the terminal stages of leukemia. It was commissioned by William Primrose. Along with the Piano Concerto No. 3, it is his last work, and he left it incomplete at...
(completed by Tibor SerlyTibor SerlyTibor Serly was a Hungarian violist, violinist and composer.He was one of the students of Zoltán Kodály. He greatly admired and became a young apprentice of Béla Bartók. His association with Bartók was for him both a blessing and a curse...
and also arr. for cello) (1945) Sz. 120, BB 128
- Viola Concerto
- Other
- Concerto for Two Pianos, Percussion and Orchestra (1943, arrangement of Sonata for Two Pianos and PercussionSonata for two pianos and percussionBéla Bartók wrote his Sonata for Two Pianos and Percussion, Sz. 110, BB 115 for the International Society for Contemporary Music in 1937 and it was premiered by him and his second wife, Ditta Pásztory-Bartók, as the pianists, and percussionists Saul Goodman and Henry Deneke, at the ISCM anniversary...
)
- Concerto for Two Pianos, Percussion and Orchestra (1943, arrangement of Sonata for Two Pianos and Percussion
Choral works
- With Orchestral Accompaniment
- 3 Village Scenes Falun Sz. 79, BB 87b
- 5 Hungarian Folksongs Sz. 101, BB 108
- 27 Choruses with Orchestral Accompaniment Sz. 103, BB 111
- Cantata ProfanaCantata ProfanaCantata Profana Sz. 94, is a choral work for tenor, baritone, choir and orchestra by the Hungarian composer Béla Bartók...
The Nine Enchanted Stags (1930) Sz. 94, BB 100
- Without Orchestral Accompaniment
- 4 Old Hungarian folksongs Sz. 50, BB 60
- 4 Slovak Folksongs Sz. 70, BB 78
- 27 Two-part & Three-part Choruses Sz. 103, BB 111
- Evening DD 74, BB 30
- From Olden Times (1935)
- Hungarian Folksongs Sz. 93, BB 99
- Slovak Folksongs Sz. 69, BB 77
- Székely Songs Sz. 99, BB 106
Chamber works
- 44 Duos for two violins Sz. 98, BB 104
- Andante in A major DD 70, BB 26
- ContrastsContrasts (Bartók)Contrasts is a 1938 composition scored for clarinet-violin-piano trio by Béla Bartók . It is based on Hungarian and Romanian dance melodies and has three movements with a combined duration of 17-20 minutes. Bartók wrote the work in response to a letter from violinist Joseph Szigeti, although it...
for clarinet, violin, and piano (1938) Sz. 111, BB 116 - Piano Quintet (1903–04) DD 77, BB 33
- Rhapsody No. 1 for violin and piano Sz. 86, BB 94
- Rhapsody No. 2 for violin and piano Sz. 89, BB 96
- Sonata for Two Pianos and PercussionSonata for two pianos and percussionBéla Bartók wrote his Sonata for Two Pianos and Percussion, Sz. 110, BB 115 for the International Society for Contemporary Music in 1937 and it was premiered by him and his second wife, Ditta Pásztory-Bartók, as the pianists, and percussionists Saul Goodman and Henry Deneke, at the ISCM anniversary...
Sz. 110, BB 115 - Sonata in E minor for violin and piano DD 72, BB 28
- Sonata No. 1 for violin and piano (1921) Op. 21 Sz. 75, BB 84
- Sonata No. 2 for violin and piano (1922) Sz. 76, BB 85
- Seven Pieces from Mikrokosmos (for two pianos) Sz. 108, BB 120
- Sonata for violin Sz. 117, BB 124
- Suite Op. 4b (arranged for two pianos), Sz. 115a, BB 122
- String Quartets
- String Quartet No. 1String Quartet No. 1 (Bartók)The String Quartet No. 1 in A minor by Béla Bartók was completed in 1909. The score is dated January 27 of that year.The work is in three movements, played without breaks between each:#Lento...
Op. 7, Sz. 40, BB 52 - String Quartet No. 2String Quartet No. 2 (Bartók)The String Quartet No. 2 by Béla Bartók was written between 1915 and October 1917 in Rákoskeresztúr in Hungary.The work is in three movements:#Moderato#Allegro molto capriccioso#Lento...
Op. 17, Sz. 67, BB 75 - String Quartet No. 3String Quartet No. 3 (Bartók)The String Quartet No. 3 by Béla Bartók was written in September 1926 in Budapest.The work is in one continuous stretch with no breaks, but is divided in the score into four parts:#Prima parte: Moderato#Seconda parte: Allegro...
Sz. 85, BB 93 - String Quartet No. 4String Quartet No. 4 (Bartók)The String Quartet No. 4 by Béla Bartók was written from July to September, 1927 in Budapest.The work is in five movements:#Allegro#Prestissimo, con sordino#Non troppo lento#Allegretto pizzicato#Allegro molto...
Sz. 91, BB 95 - String Quartet No. 5String Quartet No. 5 (Bartók)The String Quartet No. 5 Sz. 102, BB 110 by Béla Bartók was written between August 6 and September 6, 1934.The work is in five movements:#Allegro#Adagio molto#Scherzo: alla bulgarese#Andante#Finale: Allegro vivace...
Sz. 102, BB 110 - String Quartet No. 6String Quartet No. 6 (Bartók)The String Quartet No. 6 by Béla Bartók was written from August to November, 1939 in Budapest.The work is in four movements:#Mesto - Vivace#Mesto - Marcia#Mesto - Burletta#Mesto - Molto tranquillo...
Sz. 114, BB 119
- String Quartet No. 1
Songs
- 2 Hungarian Folksongs Sz. 33b, BB 44
- 4 Slovakian Folksongs Sz. 35b, BB 46
- 4 Songs included in Mikrokosmos Sz. 107, BB 105
- 5 Songs on poems by Endre Ady Op. 16, Sz. 63, BB 72
- 5 Songs on poems by Klára Gombossy and Wanda Gleiman Op. 15, Sz. 61, BB 71 (original with piano accompaniment, later also arranged by Zoltán KodályZoltán KodályZoltán Kodály was a Hungarian composer, ethnomusicologist, pedagogue, linguist, and philosopher. He is best known internationally as the creator of the Kodály Method.-Life:Born in Kecskemét, Kodály learned to play the violin as a child....
for orchestral accompaniment) - 8 Hungarian Folksongs Sz. 64, BB 47
- 20 Hungarian Folksongs Sz. 92, BB 98
- Székely Folksong Piros Alma... Sz. 30, BB 34
- From Gyergyó Sz. 35, BB 45a
- Hungarian Folksong Sz. 109, BB deest
- Hungarian Folksongs #1–10 Sz. 33, BB 42
- Hungarian Folksongs #11–20 Sz. 33a, BB 43
- Village Scenes Falun Sz. 78, BB 87a
Arrangements by others
- Suite paysanne hongroiseSuite paysanne hongroiseThe Suite Paysanne Hongroise is an arrangement of music by Béla Bartók, by Paul Arma.The suite consists of folk song arrangements originally written for piano, and was transcribed for flute and piano by Paul Arma; later he also arranged it for flute and orchestra. It is based on folk songs that...
(arranged by Paul Arma, for flute and piano or orchestra) - Rumanian Folk Dances (arranged by Frederick Charlton for The Hutchins Consort)
- Allegro barbaroAllegro barbaroAllegro barbaro, BB 63 , composed in 1911, is one of Béla Bartók's most famous and frequently performed solo piano pieces. The composition is typical of Bartók's style, utilizing folk elements...
arranged by Jenő Kenessey for orchestra (1946)