Eight Improvisations on Hungarian Peasant Songs
Encyclopedia
Eight Improvisations on Hungarian Peasant Songs, Op. 20, Sz. 74, BB 83, also known as Improvisations on Hungarian Peasant Songs or simply as Improvisations, is a composition for solo piano
by Hungarian composer Béla Bartók
. It was finished on 1920.
The first movement, Molto moderato, the original melody is repeated three times without not much variation and a coda at the end. The mode of this melody comes from the Dorian mode
scale on C, but the accompaniment plays unrelated triad chords
, all of them derived from melody notes. In the second movement, Molto capriccioso, the main melody is repeated also three times, but here, even though it shares its Dorian mode on C, there are fragments written in Mixolydian mode
, its rhythm is much more syncopated, there are much more sudden tempo changes and it is much more dissonant than the first. The third movement, Lento rubato, is polytonal
. The fourth, Allegretto scherzando, is a very quick scherzo
-like movement.
The fifth movement, Allegro molto, uses the pentatonic scale
and also counterpoint
and polytonal harmonies all along the movement. The sixth movement, Allegro moderato, molto capriccioso, is a bitonal movement; one hand plays only in the black keys of the piano, making a melody on a pentatonic scale, while the other hand uses all of the white keys, which create dissonances. The seventh movement, Sostenuto, rubato, is dedicated to the memory of French composer Claude Debussy
, for Bartók's music was very influenced by Debussy's style when Bartók was a young composer. It was published separately from this work in a memorial supplement of La revue musicale, published in December 1920 and dedicated to late Debussy, even though this movement contains no references to any of Debussy's works nor to his composition style. The eight movement, Allegro, is in a variation form, and its melody is repeated over and over, like in the first movement. The melody is somehow similar to the second movement's.
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
by Hungarian composer Béla Bartók
Béla Bartók
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer...
. It was finished on 1920.
Composition
This composition is the last one Bartók put an Opus number, because henceforth he would treat his folk music and his more artistic side as equal. However, interestingly, this work is far from his folk pieces, with its abrassive harmonies and rhythms.Structure
This composition has eight movements:- I. Molto moderato
- II. Molto capriccioso
- III. Lento, rubato
- IV. Allegretto scherzando
- V. Allegro molto
- VI. Allegro moderato, molto capriccioso
- VII. Sostenuto, rubato
- VIII. Allegro
The first movement, Molto moderato, the original melody is repeated three times without not much variation and a coda at the end. The mode of this melody comes from the Dorian mode
Dorian mode
Due to historical confusion, Dorian mode or Doric mode can refer to three very different musical modes or diatonic scales, the Greek, the medieval, and the modern.- Greek Dorian mode :...
scale on C, but the accompaniment plays unrelated triad chords
Triad (music)
In music and music theory, a triad is a three-note chord that can be stacked in thirds. Its members, when actually stacked in thirds, from lowest pitched tone to highest, are called:* the Root...
, all of them derived from melody notes. In the second movement, Molto capriccioso, the main melody is repeated also three times, but here, even though it shares its Dorian mode on C, there are fragments written in Mixolydian mode
Mixolydian mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.-Greek Mixolydian:The idea of a...
, its rhythm is much more syncopated, there are much more sudden tempo changes and it is much more dissonant than the first. The third movement, Lento rubato, is polytonal
Polytonality
The musical use of more than one key simultaneously is polytonality . Bitonality is the use of only two different keys at the same time...
. The fourth, Allegretto scherzando, is a very quick scherzo
Scherzo
A scherzo is a piece of music, often a movement from a larger piece such as a symphony or a sonata. The scherzo's precise definition has varied over the years, but it often refers to a movement which replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or...
-like movement.
The fifth movement, Allegro molto, uses the pentatonic scale
Pentatonic scale
A pentatonic scale is a musical scale with five notes per octave in contrast to a heptatonic scale such as the major scale and minor scale...
and also counterpoint
Counterpoint
In music, counterpoint is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent . It has been most commonly identified in classical music, developing strongly during the Renaissance and in much of the common practice period,...
and polytonal harmonies all along the movement. The sixth movement, Allegro moderato, molto capriccioso, is a bitonal movement; one hand plays only in the black keys of the piano, making a melody on a pentatonic scale, while the other hand uses all of the white keys, which create dissonances. The seventh movement, Sostenuto, rubato, is dedicated to the memory of French composer Claude Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
, for Bartók's music was very influenced by Debussy's style when Bartók was a young composer. It was published separately from this work in a memorial supplement of La revue musicale, published in December 1920 and dedicated to late Debussy, even though this movement contains no references to any of Debussy's works nor to his composition style. The eight movement, Allegro, is in a variation form, and its melody is repeated over and over, like in the first movement. The melody is somehow similar to the second movement's.
Notable recordings
Notable recordings of the piano reduction include:Piano Solo | Record Company | Year of Recording | Format |
---|---|---|---|
Jenő Jandó Jeno Jandó Jenő Jandó is a Hungarian pianist and Professor of the Franz Liszt Academy of Music in Budapest, Hungary.He studied piano at the Liszt Academy with Katalin Nemes and Pál Kadosa, later going on to win many major international piano competitions, including the Georges Cziffra and Ciani Piano... |
Naxos Records Naxos Records Naxos Records is a record label specializing in classical music. Through a number of imprints, Naxos also releases genres including Chinese music, jazz, world music, and early rock & roll. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong.Naxos is the largest... |
2005 | CD |