Life of an American Fireman
Encyclopedia
Life of an American Fireman is a short, silent film Edwin S. Porter
Edwin S. Porter
Edwin Stanton Porter was an American early film pioneer, most famous as a director with Thomas Edison's company...

 made for the Edison Manufacturing Company. It was shot late in 1902 and distributed early in 1903. One of the earliest American narrative films, it depicts the rescue of a woman and child from a burning building.

Historical significance

Life of an American Fireman is notable for its synthesis of numerous innovations in film technique that had occurred around the turn of the century. Specifically, Porter builds a continuous narrative over seven scenes, rendered in a total of nine shots:
  1. The Fireman's Vision of an Imperilled [sic] Woman and Child.
  2. A Close View of a New York Fire Alarm Box.
  3. The Interior of the Sleeping Quarters in the Fire House.
  4. Interior of the Engine House.
  5. The Apparatus Leaving the Engine House.
  6. Off to the Fire.
  7. The Arrival at the Fire.


This particular construction of time and space was not invented by Porter, but he did maximize its use and further develop it in his more famous film of 1903, The Great Train Robbery.

Charles Musser, a film scholar, points out that this film represents the social role of firefighters was changing at the time.

Differing versions

The film was long considered important for its unusual editing
Film editing
Film editing is part of the creative post-production process of filmmaking. It involves the selection and combining of shots into sequences, and ultimately creating a finished motion picture. It is an art of storytelling...

 style, being considered the earliest example of cross-cutting
Cross-cutting
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time in two different locations. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the...

, notably during the final scenes of the rescue of the woman and her child. On the basis of this, Porter was hailed as an innovative editor. However, subsequent research by the paper print
Paper print
Paper prints were an early mechanism to establish the copyright of motion pictures by depositing them with the Library of Congress. Thomas Alva Edison’s company was first to register each frame of movie film onto a positive paper print, in 1893...

 project at the Library of Congress
Library of Congress
The Library of Congress is the research library of the United States Congress, de facto national library of the United States, and the oldest federal cultural institution in the United States. Located in three buildings in Washington, D.C., it is the largest library in the world by shelf space and...

 suggested that the cross-cut version was re-edited at some unspecified time after the film's 1903 release, and that in its original form it used few, if any, of the pioneering edits claimed. As originally released, the interior point of view of the burning house is shown first and completed. Then the exact same action repeating itself is shown again from the exterior. Charles Musser
Charles Musser
Charles Musser is Professor of Film and American Studies at Yale University. He is a prominent film historian and documentary film maker who has "added a great deal to our knowledge of early cinema with his writings and his filmmaking."...

 has chronicled the history of this controversy in Before the Nickelodeon and concluded that the paper-print version containing the repetitive action was the one released in 1903.

External links

The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK