L'impresario in angustie
Encyclopedia
L'impresario in angustie is an operatic farsa
Farsa
Farsa is a genre of opera, associated with Venice in the late 18th and early 19th centuries. It is also sometimes called farsetta....

 in one act by composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...

 Domenico Cimarosa
Domenico Cimarosa
Domenico Cimarosa was an Italian opera composer of the Neapolitan school...

 with an Italian libretto by Giuseppe Maria Diodati. The opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 premiered at the Teatro Nuovo in Naples, Italy in 1786.

Roles

Role Voice type Premiere Cast, 1786
(Conductor: - )
Fiordispina soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Doralba soprano Mattei
Merlina soprano Fiorentini
Don Cristobolo bass Blasio
Don Perizonio Fattapane bass Gennaro Luzio
Gelindo Scagliozzi tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

Bruschi
Strabinio bass Fontana

Discography

  • L'impresario in angustie with conductor
    Conducting
    Conducting is the art of directing a musical performance by way of visible gestures. The primary duties of the conductor are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble...

     Fabio Maestri, the Associazione Sinfonica Umbra, and the Orchestra In Canto (November 1997).
The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK