Jean Malouel
Encyclopedia
Jean Malouel, or Jan Maelwael in his native Dutch
, (ca. 1365-1415) was a Netherlandish artist, sometimes classified as French, who was the court painter
of Philip the Bold
, Duke of Burgundy
and his successor John the Fearless, working in the International Gothic
style.
, which was bought by Philip the Bold in 1473, and is in the modern Netherlands. He probably trained there in the workshop of his father, the artist Willem Maelwael (his uncle was also an artist), and is recorded as an artist in 1382. He was the uncle of the famous manuscript illuminators, the three Limbourg brothers
, whom he introduced to Philip's service around 1400. Malouel also worked as an illuminator, but seems mostly to have produced larger works.
Malouel is recorded as working in Paris painting armorial decorations on cloth (probably for banners) for Isabelle of Bavaria, Queen of France, in 1396-97, but by August 1397 he was in Dijon
, the capital of the Duchy of Burgundy
, where he succeeded Jean de Beaumetz
(d. 1396) to the position of court painter to Philip, with the rank of valet de chambre
. He retained these positions until his death, with a salary higher than that of Beaumetz or the sculptor Claus Sluter
, and lived in Dijon. In 1405, soon after the death of Philip, he returned to Nijmegen to marry Heilwig van Redinchaven, bringing her back to Dijon. Another visit of over two months was recorded in 1413. In 1415 he died in Dijon, leaving Heilwig and four children. She received a pension from the Duke, and returned to Nijmegen, where she became involved in lengthy litigation over Malouel's estate there.
there, sculpted by Claus Sluter, the base of which survives with some of its colouring. From 1401, Herman of Cologne, perhaps a specialist gilder, is recorded as Malouel's assistant, or perhaps foreman of a number of apprentices. Painting the "Well", and gilding all the upper parts, was a large job, on which they were occupied between 1401 and 1404. Malouel also painted Philip's tomb at Champmol, when the sculptors finally finished it after Sluter's death.
Malouel's oeuvre on panel
remains controversial; the most generally accepted painting of his to survive is the Pietà
tondo
in the Louvre
, the first true tondo of the Renaissance
, though this is not accepted by Châtelet. This has Philip's coat of arms
painted on the back, so should predate his death in 1404, and the "unusual iconography of the piece clearly links it to [Champmol]", which was dedicated to the Holy Trinity, who all appear. The style of the work mixes Northern and Sienese
elements, in a fashion characteristic of the International Gothic
court art of the period. Although painted in the traditional tempera
, the work uses transparent glazes in a way that was to be greatly developed in the work of Jan van Eyck
after Malouel's death. Another of Phillip's Netherlandish artists, Melchior Broederlam
, was already producing works partly in oil paint
for Champmol.
The large (162 x 211 cm) altarpiece, also in the Louvre, of the Martyrdom of St Denis with the Trinity (or The Last Communion and Martyrdom of Saint Denis), also from Champmol, may have been begun by Malouel but completed by Henri Bellechose
(his only known work), after Malouel's death. The ducal accounts record the provision of pigments (but not gold) to Bellechose to complete ("parfaire" = "perfect") a "painting of the life of St Denis", known to have been a subject of Malouel's, and some see a difference in style among the figures, while others do not. Snyder and Châtelet support Malouel's participation, but this is disputed, the case against being set out in an article of 1961 by Nicole Reynaud (in French). For Châtelet the St Denis altarpiece and the large tondo in the Louvre are two of the five altarpieces commissioned in 1398. Bellechose, who is not documented before Malouel's death, succeeded him as valet and court painter; Châtelet suggests he may have been in his workshop for years, and suggests he was responsible for the large tondo over ten years earlier, thus reversing the traditional attributions for these two famous works.
Malouel is also believed to have been the originator of a portrait image of Philip of about 1400 which survives only in versions believed to be later. He is recorded as working on a portrait of John the Fearless for the King of Portugal in 1413, and there were also portraits of Philip and John in the choir at Champmol (as we know from when Philip the Good ordered one of him to be added). A later version in the Musée Condé in Chantilly
has been suggested as a copy of the Malouel image type of John. A large Madonna and Child, unearthed in 1960 in Berlin and now on loan to the Gemäldegalerie, Berlin
, has also been attributed to Malouel, as has another in the Louvre. It is believed the Berlin picture was one wing of a diptych
opposite a portrait of John the Fearless, which would be the first known example of this format, later very common in Netherlandish painting. It was perhaps also for Champmol.
A number of other works are, or have been, attributed to Malouel or his workshop, including a smaller Pietà tondo in the Louvre, the "Antwerp-Baltimore polytych", also sometimes associated with Melchior Broederlam, and a damaged Entombment of Christ
in Troyes
.
Dutch language
Dutch is a West Germanic language and the native language of the majority of the population of the Netherlands, Belgium, and Suriname, the three member states of the Dutch Language Union. Most speakers live in the European Union, where it is a first language for about 23 million and a second...
, (ca. 1365-1415) was a Netherlandish artist, sometimes classified as French, who was the court painter
Court painter
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were often given the office of valet de chambre...
of Philip the Bold
Philip the Bold
Philip the Bold , also Philip II, Duke of Burgundy , was the fourth and youngest son of King John II of France and his wife, Bonne of Luxembourg. By his marriage to Margaret III, Countess of Flanders, he also became Count Philip II of Flanders, Count Philip IV of Artois and Count-Palatine Philip IV...
, Duke of Burgundy
Duke of Burgundy
Duke of Burgundy was a title borne by the rulers of the Duchy of Burgundy, a small portion of traditional lands of Burgundians west of river Saône which in 843 was allotted to Charles the Bald's kingdom of West Franks...
and his successor John the Fearless, working in the International Gothic
International Gothic
International Gothic is a phase of Gothic art which developed in Burgundy, Bohemia, France and northern Italy in the late 14th century and early 15th century...
style.
Documented life
He was presumably born in Nijmegen, then in the Duchy of GueldersGuelders
Guelders or Gueldres is the name of a historical county, later duchy of the Holy Roman Empire, located in the Low Countries.-Geography:...
, which was bought by Philip the Bold in 1473, and is in the modern Netherlands. He probably trained there in the workshop of his father, the artist Willem Maelwael (his uncle was also an artist), and is recorded as an artist in 1382. He was the uncle of the famous manuscript illuminators, the three Limbourg brothers
Limbourg brothers
The Limbourg brothers, or in Dutch Gebroeders van Limburg , were famous Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century in France and Burgundy, working in the style known as International Gothic...
, whom he introduced to Philip's service around 1400. Malouel also worked as an illuminator, but seems mostly to have produced larger works.
Malouel is recorded as working in Paris painting armorial decorations on cloth (probably for banners) for Isabelle of Bavaria, Queen of France, in 1396-97, but by August 1397 he was in Dijon
Dijon
Dijon is a city in eastern France, the capital of the Côte-d'Or département and of the Burgundy region.Dijon is the historical capital of the region of Burgundy. Population : 151,576 within the city limits; 250,516 for the greater Dijon area....
, the capital of the Duchy of Burgundy
Duchy of Burgundy
The Duchy of Burgundy , was heir to an ancient and prestigious reputation and a large division of the lands of the Second Kingdom of Burgundy and in its own right was one of the geographically larger ducal territories in the emergence of Early Modern Europe from Medieval Europe.Even in that...
, where he succeeded Jean de Beaumetz
Jean de Beaumetz
Jean de Beaumetz is recorded to have been "painter and valet" to Philip the Hardy, for whom he painted numerous works, and decorated, among other chapels, that of the Castle of Argilli, in Burgundy. Some of his mural paintings are still preserved at château de Germolles. Jean de Beaumetz was...
(d. 1396) to the position of court painter to Philip, with the rank of valet de chambre
Valet de chambre
Valet de chambre , or varlet de chambre, was a court appointment introduced in the late Middle Ages, common from the 14th century onwards. Royal Households had many persons appointed at any time...
. He retained these positions until his death, with a salary higher than that of Beaumetz or the sculptor Claus Sluter
Claus Sluter
Claus Sluter was a sculptor of Dutch origin. He was the most important northern European sculptor of his age and is considered a pioneer of the "northern realism" of the Early Netherlandish painting that came into full flower with the work of Jan van Eyck and others in the next generation.Sluter...
, and lived in Dijon. In 1405, soon after the death of Philip, he returned to Nijmegen to marry Heilwig van Redinchaven, bringing her back to Dijon. Another visit of over two months was recorded in 1413. In 1415 he died in Dijon, leaving Heilwig and four children. She received a pension from the Duke, and returned to Nijmegen, where she became involved in lengthy litigation over Malouel's estate there.
Attributed works
Among a number of other commissions, many for decorative painting in the palaces, Malouel is recorded as receiving in 1398 the wood for five altarpiece panels for the Chartreuse of Champmol, Philip's new dynastic burial place near Dijon, as well as painting the Well of MosesWell of Moses
The Well of Moses is a monumental sculpture recognised as the masterpiece of the Dutch artist Claus Sluter . It was executed by Sluter and his workshop in 1395–1403 for the Carthusian monastery of Chartreuse de Champmol built as a burial site by the Burgundian Duke Philip the Bold just outside the...
there, sculpted by Claus Sluter, the base of which survives with some of its colouring. From 1401, Herman of Cologne, perhaps a specialist gilder, is recorded as Malouel's assistant, or perhaps foreman of a number of apprentices. Painting the "Well", and gilding all the upper parts, was a large job, on which they were occupied between 1401 and 1404. Malouel also painted Philip's tomb at Champmol, when the sculptors finally finished it after Sluter's death.
Malouel's oeuvre on panel
Panel painting
A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, it was the normal form of support for a painting not on a wall or vellum, which was used for...
remains controversial; the most generally accepted painting of his to survive is the Pietà
Pietà
The Pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture. As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ...
tondo
Tondo (art)
A tondo is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo, "round." The term is usually not used in English for small round paintings, but only those over about 60 cm in diameter, thus excluding many round portrait...
in the Louvre
Louvre
The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...
, the first true tondo of the Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
, though this is not accepted by Châtelet. This has Philip's coat of arms
Coat of arms
A coat of arms is a unique heraldic design on a shield or escutcheon or on a surcoat or tabard used to cover and protect armour and to identify the wearer. Thus the term is often stated as "coat-armour", because it was anciently displayed on the front of a coat of cloth...
painted on the back, so should predate his death in 1404, and the "unusual iconography of the piece clearly links it to [Champmol]", which was dedicated to the Holy Trinity, who all appear. The style of the work mixes Northern and Sienese
Sienna
Sienna is a form of limonite clay most famous in the production of oil paint pigments. Its yellow-brown colour comes from ferric oxides contained within...
elements, in a fashion characteristic of the International Gothic
International Gothic
International Gothic is a phase of Gothic art which developed in Burgundy, Bohemia, France and northern Italy in the late 14th century and early 15th century...
court art of the period. Although painted in the traditional tempera
Tempera
Tempera, also known as egg tempera, is a permanent fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium . Tempera also refers to the paintings done in this medium. Tempera paintings are very long lasting, and examples from the 1st centuries AD still exist...
, the work uses transparent glazes in a way that was to be greatly developed in the work of Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....
after Malouel's death. Another of Phillip's Netherlandish artists, Melchior Broederlam
Melchior Broederlam
Melchior Broederlam was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed. He worked mostly for Philip the Bold, Duke of Burgundy, and is documented from 1381 to 1409...
, was already producing works partly in oil paint
Oil paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the...
for Champmol.
The large (162 x 211 cm) altarpiece, also in the Louvre, of the Martyrdom of St Denis with the Trinity (or The Last Communion and Martyrdom of Saint Denis), also from Champmol, may have been begun by Malouel but completed by Henri Bellechose
Henri Bellechose
Henri Bellechose was a painter from the South Netherlands. He was one of the most significant artists at the beginning of panel painting in Northern Europe, and among the earliest artists of Early Netherlandish painting.-Biography:Bellechose was an artist who came from the South Netherlands to...
(his only known work), after Malouel's death. The ducal accounts record the provision of pigments (but not gold) to Bellechose to complete ("parfaire" = "perfect") a "painting of the life of St Denis", known to have been a subject of Malouel's, and some see a difference in style among the figures, while others do not. Snyder and Châtelet support Malouel's participation, but this is disputed, the case against being set out in an article of 1961 by Nicole Reynaud (in French). For Châtelet the St Denis altarpiece and the large tondo in the Louvre are two of the five altarpieces commissioned in 1398. Bellechose, who is not documented before Malouel's death, succeeded him as valet and court painter; Châtelet suggests he may have been in his workshop for years, and suggests he was responsible for the large tondo over ten years earlier, thus reversing the traditional attributions for these two famous works.
Malouel is also believed to have been the originator of a portrait image of Philip of about 1400 which survives only in versions believed to be later. He is recorded as working on a portrait of John the Fearless for the King of Portugal in 1413, and there were also portraits of Philip and John in the choir at Champmol (as we know from when Philip the Good ordered one of him to be added). A later version in the Musée Condé in Chantilly
Chantilly, Oise
Chantilly is a small city in northern France. It is designated municipally as a commune in the department of Oise.It is in the metropolitan area of Paris 38.4 km...
has been suggested as a copy of the Malouel image type of John. A large Madonna and Child, unearthed in 1960 in Berlin and now on loan to the Gemäldegalerie, Berlin
Gemäldegalerie, Berlin
The Gemäldegalerie is an art museum in Berlin, Germany. It holds one of the world's leading collections of European art from the 13th to the 18th centuries. It is located on Kulturforum west of Potsdamer Platz. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas...
, has also been attributed to Malouel, as has another in the Louvre. It is believed the Berlin picture was one wing of a diptych
Diptych
A diptych di "two" + ptychē "fold") is any object with two flat plates attached at a hinge. Devices of this form were quite popular in the ancient world, wax tablets being coated with wax on inner faces, for recording notes and for measuring time and direction.In Late Antiquity, ivory diptychs with...
opposite a portrait of John the Fearless, which would be the first known example of this format, later very common in Netherlandish painting. It was perhaps also for Champmol.
A number of other works are, or have been, attributed to Malouel or his workshop, including a smaller Pietà tondo in the Louvre, the "Antwerp-Baltimore polytych", also sometimes associated with Melchior Broederlam, and a damaged Entombment of Christ
Entombment of Christ
The Entombment redirects here. For other uses, The Entombment The Entombment of Christ, that is to say the burial of Jesus Christ, occurred after his death by crucifixion, when, according to the gospel accounts, he was placed in a new tomb belonging to Joseph of Arimathea.-Biblical account:All four...
in Troyes
Troyes
Troyes is a commune and the capital of the Aube department in north-central France. It is located on the Seine river about southeast of Paris. Many half-timbered houses survive in the old town...
.