Melchior Broederlam
Encyclopedia
Melchior Broederlam was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed. He worked mostly for Philip the Bold, Duke of Burgundy, and is documented from 1381 to 1409. Although only a single large pair of panel painting
Panel painting
A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, it was the normal form of support for a painting not on a wall or vellum, which was used for...

s can confidently be attributed to him, no history of Western painting can neglect his contribution.

Life

His early career included a lengthy stay in Italy, where he adopted a sense of space and use of modelling influenced by Trecento
Trecento
The Trecento refers to the 14th century in Italian cultural history.Commonly the Trecento is considered to be the beginning of the Renaissance in art history...

 painting. From 1381 he was court painter
Court painter
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were often given the office of valet de chambre...

 to Louis de Mâle
Louis II of Flanders
Louis II of Flanders , also Louis III of Artois and Louis I of Palatine Burgundy, known as Louis of Male, was the son of Louis I of Flanders and Margaret I of Burgundy, and Count of Flanders.On his father's death at the Battle of Crécy in 1346, he inherited the counties of Flanders, Nevers, and...

, Duke of Brabant
Duke of Brabant
The Duchy of Brabant was formally erected in 1183/1184. The title "Duke of Brabant" was created by the German Emperor Frederick Barbarossa in favor of Henry I, son of Godfrey III of Leuven . The Duchy of Brabant was a feudal elevation of the since 1085/1086 existing title of Landgrave of Brabant...

, and from Louis's death in 1384 worked for his son-in-law and successor, Philip the Bold, although he remained based in Ypres
Ypres
Ypres is a Belgian municipality located in the Flemish province of West Flanders. The municipality comprises the city of Ypres and the villages of Boezinge, Brielen, Dikkebus, Elverdinge, Hollebeke, Sint-Jan, Vlamertinge, Voormezele, Zillebeke, and Zuidschote...

, doing much work, mostly decorative, at Philip's now vanished chateau at Hesdin
Hesdin
Hesdin is a commune in the Pas-de-Calais department in northern France.-Geography:The N39, from Arras to Montreuil, used to be the main thoroughfare of the town. In the 1950s, a circular route was created to help traffic flow...

, which was full of elaborate mechanical devices, of what we might today call a fairground nature, which needed painting. Like many court artists, including Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....

, he was appointed valet de chambre
Valet de chambre
Valet de chambre , or varlet de chambre, was a court appointment introduced in the late Middle Ages, common from the 14th century onwards. Royal Households had many persons appointed at any time...

to the Duke (in 1387), and in 1391 promoted to court painter.
He continued to work for Philip's successor John the Fearless, but last appears in the Ducal accounts in 1409.

Dijon panels

Probably his only surviving paintings (as opposed to painted carvings) are the two outsides of the wings for a well-documented carved altarpiece
Altarpiece
An altarpiece is a picture or relief representing a religious subject and suspended in a frame behind the altar of a church. The altarpiece is often made up of two or more separate panels created using a technique known as panel painting. It is then called a diptych, triptych or polyptych for two,...

 by Jacques de Baerze
Jacques de Baerze
Jacques de Baerze was a Flemish sculptor in wood, two of whose major carved altarpieces survive in Dijon, now in France, then the capital of the Duchy of Burgundy....

 commissioned by Philip for the charterhouse
Charterhouse
A Charterhouse is a Carthusian monastery. The word is derived from Chartreuse, the first monastery of the order having been established in a valley of the Chartreuse Mountains.It can refer to numerous monasteries:It can also refer to:...

 of Champmol
Champmol
The Chartreuse de Champmol, formally the Chartreuse de la Sainte-Trinité de Champmol, was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy...

 near Dijon
Dijon
Dijon is a city in eastern France, the capital of the Côte-d'Or département and of the Burgundy region.Dijon is the historical capital of the region of Burgundy. Population : 151,576 within the city limits; 250,516 for the greater Dijon area....

, which Broederlam completed in 1399, also gilding and painting the wood carvings inside. This is now in the Musée des Beaux-Arts de Dijon
Musée des Beaux-Arts de Dijon
The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787 in Dijon, France. It is housed in the Palace of the Dukes of Burgundy in the historic center of Dijon.- Artworks :The Musée include a large and varied collection of art:...

, as is another altarpiece from the same commission, for which he gilded and painted the carved figures; he had apparently also painted outside panels for this, but they are lost. Guild
Guild
A guild is an association of craftsmen in a particular trade. The earliest types of guild were formed as confraternities of workers. They were organized in a manner something between a trade union, a cartel, and a secret society...

 rules usually mandated that carving and painting were performed by members of different guilds.

Broederlam's use of oil paint
Oil paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the...

 had a strong impact on the painters of the following generation, including Robert Campin
Robert Campin
Robert Campin , now usually identified as the artist known as the Master of Flémalle, is usually considered the first great master of Early Netherlandish painting...

 and Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....

. Both panels include two scenes, with an extensive landscape, and look into pavilion-like buildings in a manner derived from Italy. Although the perspective is far from fully developed, light and shadow are used to create a sense of depth in a very advanced fashion, and the realistic depiction of Saint Joseph
Saint Joseph
Saint Joseph is a figure in the Gospels, the husband of the Virgin Mary and the earthly father of Jesus Christ ....

 was to become characteristic of Netherlandish painting. Although the skies are painted in gold in the Dijon panels, a flying hawk in one shows they are intended as real space. The buildings in the Annunciation combine Romanesque and Gothic areas, probably intended to contrast the Old and New Testaments, in a visual metaphor that was to become characteristic of Eyckian painting. The panels contain much of the contemporary International Gothic
International Gothic
International Gothic is a phase of Gothic art which developed in Burgundy, Bohemia, France and northern Italy in the late 14th century and early 15th century...

 but also "announce a new world of naturalism and disguised symbolism that will be further refined in the works of his successors in the Netherlands."

Possible other works

Some other works have been attributed to him or his workshop, but without being generally accepted. In particular six scenes (two panels are painted on both sides) from an altarpiece from Champmol, now equally divided between Antwerp and Baltimore, have often been attributed to him, although iconographic and stylistic details suggest a Mosan
Mosan art
Mosan art is a regional style of art from the valley of the Meuse in present-day Belgium, the Netherlands, and Germany. Although the term applies to art from this region from all periods, it generally refers to Romanesque art, with Mosan Romanesque architecture, stone carving, metalwork, enamelling...

 origin.

External links

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