Jean-Laurent Le Geay
Encyclopedia
Jean-Laurent Le Geay was a French neoclassical
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...

 architect with an unsatisfactory career largely spent in Germany. His artistic personality remained shadowy until recently, though he was allowed to have had numerous pupils among the avant-garde of neoclassicism. He won the Prix de Rome
Prix de Rome
The Prix de Rome was a scholarship for arts students, principally of painting, sculpture, and architecture. It was created, initially for painters and sculptors, in 1663 in France during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by...

 in architecture in 1732, which, after an unaccountable delay, sent him for study to the French Academy in Rome
French Academy in Rome
The French Academy in Rome is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio in Rome, Italy.-History:...

 from December 1738 to January 1742, when the Director, Jean François de Troy
Jean François de Troy
Jean François de Troy was a French Rococo painter and tapestry designer. He was one of a family of painters, being the son of the portrait painter François de Troy , under whom he first studied, and at whose expense he first went to Italy from 1699 to 1706, staying in Rome, but also visiting many...

, remarked of him on his departure "il y a du feu et du génie". After he returned to Paris, there is no record of him, but about 1745 he was in Berlin, where he published eight etchings (1747–48) of plans and elevations for St Hedwig's Church (today's St. Hedwig's Cathedral
St. Hedwig's Cathedral
St. Hedwig's Cathedral is a Roman Catholic cathedral on the Bebelplatz in Berlin, Germany. It is the seat of the archbishop of Berlin.It was built in the 18th century as the first Catholic church in Prussia after the Protestant Reformation by permission of King Frederick II...

), Berlin, which he produced in collaboration with Georg Wenzeslaus von Knobelsdorff
Georg Wenzeslaus von Knobelsdorff
Hans Georg Wenzeslaus von Knobelsdorff was a painter and architect in Prussia.Knobelsdorff was born in Kuckädel, now in Krosno Odrzańskie County. A soldier in the service of Prussia, he resigned his commission in 1729 as captain so that he could pursue his interest in architecture...

, until recently the chief architect to Frederick II of Prussia
Frederick II of Prussia
Frederick II was a King in Prussia and a King of Prussia from the Hohenzollern dynasty. In his role as a prince-elector of the Holy Roman Empire, he was also Elector of Brandenburg. He was in personal union the sovereign prince of the Principality of Neuchâtel...

; the church was eventually built to a modified version of the plan, by Johann Boumann, from June 1748, and Johann Gottfried Büring
Johann Gottfried Büring
Johann Gottfried Büring was a German master builder and architect of the late Baroque period. He mainly worked in Potsdam, supervising the construction of the Sanssouci Picture Gallery and designing the Nauener Tor and New Palace there. He also designed the Luisenstädtische Kirche in Berlin....

, in 1772–3.

Le Geay served as architect to Christian Ludwig II, Duke of Mecklenburg-Schwerin
Christian Ludwig II, Duke of Mecklenburg-Schwerin
Christian Ludwig II of Mecklenburg was the Duke of Mecklenburg [-Schwerin] from 1747 to 1756.He was the son of Friedrich I of Mecklenburg-Schwerin and Christine Wilhelmine, princess of Hesse-Homburg...

 from October 1748 until the Duke's death in 1756. For him he designed the formal water-garden at Schwerin
Schwerin
Schwerin is the capital and second-largest city of the northern German state of Mecklenburg-Vorpommern. The population, as of end of 2009, was 95,041.-History:...

, but built nothing; his project for Ludwigslust
Ludwigslust
Ludwigslust is a town in Mecklenburg-Vorpommern, Germany, 40 km south of Schwerin. It was the capital of the former district of Ludwigslust, and is part of the district Ludwigslust-Parchim since September 2011.-History:...

 remained on paper, and his assistant, Johann Joachim Busch began the work in 1763, after Le Geay's departure. In 1756 he was appointed first architect to Frederick of Prussia. For Frederick he designed a Communs (or service-wing), in the form of semicircular colonnades flanked by domed and porticoed pavilions, to stand before the Neues Palais, Potsdam
New Palace (Potsdam)
The New Palace is a palace situated on the western side of the Sanssouci royal park in Potsdam, Germany. The building was begun in 1763, after the end of the Seven Years' War, under Frederick the Great and was completed in 1769...

; the project was realized in 1765-66 to slightly altered designs by Carl von Gontard
Carl von Gontard
Carl von Gontard was a German architect; he worked primarily in Berlin, Potsdam, and Bayreuth....

. He added a ballroom to the schloss at Rostock
Rostock
Rostock -Early history:In the 11th century Polabian Slavs founded a settlement at the Warnow river called Roztoc ; the name Rostock is derived from that designation. The Danish king Valdemar I set the town aflame in 1161.Afterwards the place was settled by German traders...

 (Eriksen 1974; Erouart 1982) but after quarrelling with the King in 1763, Le Geay seems to have built little.

He spent two years, 1766–67, in England (Eriksen 1974:200), fruitlessly, though Sir William Chambers took the opportunity to copy some of his drawings, then returned to Paris, where he published four extravagantly idiosyncratic suites of etchings of fountains, ruins, tombs, and vases, dated 1767-68, which were collected as Collection de Divers Sujets de Vases, Tombeaux, Ruines, et Fontaines Utiles aux Artistes Inventée et Gravée par J.-L. Le Geay, Architecte (1770). They provide a large array of neoclassical motifs in the goût grec
Goût grec
Goût grec is the term applied to the earliest expression of the neoclassical style in France, it refers specifically to the decorative arts and architecture of the mid-1750s to the late 1760s. The style was more fanciful than historically accurate though the first archaeological surveys of Greece...

, but their presumed origin in Rome in the 1740s, has been disproved (Erouart 1982), though they show the influence of Giambattista Piranesi.

Le Geay taught Étienne-Louis Boullée
Étienne-Louis Boullée
Étienne-Louis Boullée was a visionary French neoclassical architect whose work greatly influenced contemporary architects and is still influential today.- Life :...

, Pierre-Louis Moreau-Desproux
Pierre-Louis Moreau-Desproux
Pierre-Louis Moreau-Desproux was a pioneering French neoclassical architect.Though he did not gain the Prix de Rome that was the dependable gateway to a prominent French career in architecture, his fellow-student Charles de Wailly invited him to share his prize...

, Marie-Joseph Peyre
Marie-Joseph Peyre
Marie-Joseph Peyre was a French architect who designed in the neoclassical style.- Biography :He began his training in Paris with Jacques-François Blondel at l'École des Arts, where he met Giovanni Niccolo Servandoni and formed a life-long friendship with Charles De Wailly...

, and Charles De Wailly
Charles De Wailly
Charles De Wailly was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de l'Odéon for the Comédie-Française...

, through whom his influence on neoclassical developments was more important than the direct influence of anything he built. Gilbert Erouart, examining Le Geay's surviving paintings and drawings, concluded that, rather than the eminence grise of neoclassicism, Le Geay's contribution had been limited to painterly techniques of picturesque presentation drawings.

Further reading

  • Erouart, Gilbert, L'architecture au Pinceau. Jean-Laurent Legeay. Un Piranésien français dans l'Europe des Lumières (Paris: Electa Moniteur) 1982. Extensively reviewed by Robin Middleton, The Burlington Magazine 125 No. 969 (December 1983), pp. 766–767.
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