Jacobus Typotius was a Flemish humanist

Renaissance humanism

Renaissance humanism was an activity of cultural and educational reform engaged by scholars, writers, and civic leaders who are today known as Renaissance humanists. It developed during the fourteenth and the beginning of the fifteenth centuries, and was a response to the challenge of Mediæval...

, a native of Diest

Diest

Diest is a city and municipality located in the Belgian province of Flemish Brabant. Situated in the northeast of the Hageland region, Diest neighbours the provinces of Antwerp to its North, and Limburg to the East and is situated around 60km from Brussels. The municipality comprises the city of...

 in Brabant

Duchy of Brabant

The Duchy of Brabant was a historical region in the Low Countries. Its territory consisted essentially of the three modern-day Belgian provinces of Flemish Brabant, Walloon Brabant and Antwerp, the Brussels-Capital Region and most of the present-day Dutch province of North Brabant.The Flag of...

, who became court historian to the Emperor Rudolph II. He is now known for his association with the influential collection of emblem

Emblem

An emblem is a pictorial image, abstract or representational, that epitomizes a concept — e.g., a moral truth, or an allegory — or that represents a person, such as a king or saint.-Distinction: emblem and symbol:...

s and imprese, the Symbola divina et humana appearing first in Prague, in three volumes, from 1601. While this work is sometimes attributed solely to Typotius, it was seen into print by Anselmus de Boodt

Anselmus de Boodt

Anselmus de Boodt was a Belgian mineralogist and physician from the city of Brugge during the European Renaissance. Along with the "Father of Mineralogy", the German known by his nom de plume Georgius Agricola, Anselmus is responsible for establishing the modern geological earth science study of...

, with others. The engravings were by Aegidius Sadeler

Aegidius Sadeler

The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers...

.