Ilmatar
Encyclopedia
In Kalevala
Kalevala
The Kalevala is a 19th century work of epic poetry compiled by Elias Lönnrot from Finnish and Karelian oral folklore and mythology.It is regarded as the national epic of Finland and is one of the most significant works of Finnish literature...

, the Finnish national epic, Ilmatar was a virgin spirit of the air.

Origins

The name Ilmatar is derived from the Finnish word ilma, meaning "air," and the suffix -tar, denoting a female spirit. Thus, her name literally means "female air spirit." In the Kalevala she was also occasionally called Luonnotar, which means "female spirit of nature" (Finnish luonto, "nature").

In Kalevala, Ilmatar is portrayed as androgynous with both male and female aspects, though she is primarily female. She was impregnated by the sea and wind and thus became the mother of Väinämöinen
Väinämöinen
Väinämöinen is the central character in the Finnish folklore and the main character in the national epic Kalevala. His name comes from the Finnish word väinämö, meaning minstrel. Originally a Finnish god, he was described as an old and wise man, and he possessed a potent, magical...

.

Homage

  • Ilmatar
    Ilmatar (album)
    Ilmatar is Värttinä's 8th album, released in 2000.The album is named for the Finnish goddess of air Ilmatar who, according to the creation story in the Kalevala, creates the world from two eggs from the eagle Kokko...

    is an album by the Finnish band Värttinä
    Värttinä
    Värttinä is a Finnish folk music band which was started as a project by Sari and Mari Kaasinen back in 1983 in the village of Rääkkylä, in Karelia, the southeastern region of Finland. Many transformations have taken place in the band since then...

    , released in 2000. Its theme was inspired by the goddess's origin-story in the Kalevala and similar Finnish folk-lore and magic.
  • The Main Belt asteroid
    Asteroid
    Asteroids are a class of small Solar System bodies in orbit around the Sun. They have also been called planetoids, especially the larger ones...

     385 Ilmatar
    385 Ilmatar
    385 Ilmatar is a large Main Belt asteroid.It was discovered by Max Wolf on March 1, 1894, in Heidelberg....

     is named after the goddess.
  • One of the protagonists of the anime
    Anime
    is the Japanese abbreviated pronunciation of "animation". The definition sometimes changes depending on the context. In English-speaking countries, the term most commonly refers to Japanese animated cartoons....

     Strike Witches
    Strike Witches
    is a mixed-media project originally created by Humikane Shimada via a series of magazine illustration columns. It was later adapted into two light novel series, three manga series, an anime OVA, a televised anime series and various video games. The story revolves around teenage girls who are...

    , Finnish aviator Eila Ilmatar Juutilainen, shares part of her name with that of the goddess.
  • Two passenger liners of the now-defunct Finland Steamship Company were named after the goddess: the of 1929 and the of 1964.

Sibelius's Luonnotar

Jean Sibelius
Jean Sibelius
Jean Sibelius was a Finnish composer of the later Romantic period whose music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."...

 composed the tone poem Luonnotar
Luonnotar (Sibelius)
Luonnotar, Op. 70, is a tone-poem for soprano and orchestra, completed by Jean Sibelius in 1913. It was dedicated to Aino Ackté, who premiered the work at the Three Choirs Festival in Gloucester, England on 10 September 1913, with an orchestra conducted by Herbert Brewer...

, for soprano and orchestra in 1913. In this work, the mythical origin of the land and sky, recounted in craggy verses from the Kalevala
Kalevala
The Kalevala is a 19th century work of epic poetry compiled by Elias Lönnrot from Finnish and Karelian oral folklore and mythology.It is regarded as the national epic of Finland and is one of the most significant works of Finnish literature...

, becomes an intense Sibelian metaphor for the inexorable force—even the terror of all creation—including that of the artist. One of the composer's most compelling works, it alternates between two musical ideas. As heard at the outset, these are the shimmering stirrings of ever-growing possibility; and, underpinned with dissonant, static, harp strokes, the even more incantatory, distressed cries of the "nature spirit" (Luonnotar) herself, heavy with child.
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