Frank Eugene
Encyclopedia
Frank Eugene was an American-born photographer who was a founding member of the Photo-Secession
and one of the first university-level professors of photography in the world.
Eugene was born in New York City as Frank Eugene Smith. His father was Frederick Smith, a German baker who changed his last name from Schmid after moving to America in the late 1850s. His mother was Hermine Selinger Smith, a singer who performed in local German beer halls and theaters.
About 1880 Eugene began to photograph for amusement, possibly while he was attending the City College of New York.
In 1886 he moved to Munich in order to attends the Bayrische Akademie der Bildenden Künste (Bavarian Academy of Fine Arts). He studied drawing and stage design. After he graduated he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teachers or influences.
He returned to the United States, and in 1899 he exhibited photographs at the Camera Club in New York under name Frank Eugene. The critic Sadakichi Hartmann wrote a review of the show, saying “It is the first time that a truly artistic temperament, a painter of generally recognized accomplishments and ability asserts itself in American photography.”
A year later he was elected to The Linked Ring
, and fourteen of his prints were shown that year in a major London exhibition. Already at this stage in his career he had developed a highly distinctive style that was influenced by his training as a painter. He assertively manipulated his negatives with both scratches and brush strokes, creating prints that had the appearance of a blend between painting and photography. When his prints were shown at the Camera Club in New York, one reviewer commented that his work was "unphotographic photography."
In the summer of 1900 an entire issue of Camera Notes was devoted to his art, an honor accorded only a few other photographers.
In early 1901 he traveled to Egypt. He returned a few months later and met with photographer F. Holland Day
in Narragansett, R.I., during the summer.
In late 1902 Eugene becomes a Founder of the Photo-Secession
and a member of its governing Council.
In 1904 one gravure published in Camera Work
, No. 5 (January).
In 1906 Eugene moved permanently to Germany. He was recognized there both as a painter and a photographer, but initially he worked primarily with prominent painters such as Fritz von Uhde
, Hendrik Heyligers, Willi Geiger, and Franz Roh
. He photographed many of these and other artists at the same time. He also designed tapestries that he used as backgrounds in his photographs.
A year later he became a lecturer on pictorial photography at Munich’s Lehr-und Versuchs-anstalt fur Photo graphie und Reproduktions-technik (Teaching and Research Institute for Photography and the Reproductive Processes). At this point, photography rather than painting became his primary interest. He experimented with the new color process of Autochromes, and three of his color prints are exhibited at Alfred Stieglitz
’s Photo-Secession Galleries in New York.
In 1909 two more of his gravures were published in Camera Work, No. 25 (January).
In 1910 twenty-seven of his photographs were exhibited at a major exhibition in Buffalo, New York. The catalog for this show described Eugene as the first photographer to make successful platinum prints on Japan tissue. Ten more of his gravures published in Camera Work, No.30 (April), and fourteen additional images appear in No.31 (July).
More than any other photographer of the early 20th century, Eugene was recognized as the master of the manipulated image. Photographic historian Weston Naef described his style this way:
In 1913 he was appointed Royal Professor of Pictorial Photography by the Royal Academy of the Graphic Arts of Leipzig. This professorship, created especially for Eugene, is the first chair for pictorial photography anywhere in the world.
Two years later Eugene gave up his American citizenship and became a citizen of Germany. He continued teaching for many years and was head of the photography department at the Royal Academy until it closed in 1927.
Eugene died of heart failure in Munich in 1936.
Photo-Secession
The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F...
and one of the first university-level professors of photography in the world.
Life
About 1880 Eugene began to photograph for amusement, possibly while he was attending the City College of New York.
In 1886 he moved to Munich in order to attends the Bayrische Akademie der Bildenden Künste (Bavarian Academy of Fine Arts). He studied drawing and stage design. After he graduated he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teachers or influences.
He returned to the United States, and in 1899 he exhibited photographs at the Camera Club in New York under name Frank Eugene. The critic Sadakichi Hartmann wrote a review of the show, saying “It is the first time that a truly artistic temperament, a painter of generally recognized accomplishments and ability asserts itself in American photography.”
A year later he was elected to The Linked Ring
The Linked Ring
The Linked Ring was a photographic society created to propose and defend that photography was just as much an art as it was a science, motivated to propelling photography further into the fine art world...
, and fourteen of his prints were shown that year in a major London exhibition. Already at this stage in his career he had developed a highly distinctive style that was influenced by his training as a painter. He assertively manipulated his negatives with both scratches and brush strokes, creating prints that had the appearance of a blend between painting and photography. When his prints were shown at the Camera Club in New York, one reviewer commented that his work was "unphotographic photography."
In the summer of 1900 an entire issue of Camera Notes was devoted to his art, an honor accorded only a few other photographers.
In early 1901 he traveled to Egypt. He returned a few months later and met with photographer F. Holland Day
F. Holland Day
Fred Holland Day was an American photographer and publisher. He was the first in the U.S.A. to advocate that photography should be considered a fine art.-Life:...
in Narragansett, R.I., during the summer.
In late 1902 Eugene becomes a Founder of the Photo-Secession
Photo-Secession
The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F...
and a member of its governing Council.
In 1904 one gravure published in Camera Work
Camera Work
Camera Work was a quarterly photographic journal published by Alfred Stieglitz from 1903 to 1917. It is known for its many high-quality photogravures by some of the most important photographers in the world and its editorial purpose to establish photography as a fine art...
, No. 5 (January).
In 1906 Eugene moved permanently to Germany. He was recognized there both as a painter and a photographer, but initially he worked primarily with prominent painters such as Fritz von Uhde
Fritz von Uhde
Fritz von Uhde was a German painter of genre and religious subjects. His style lay between Realism and Impressionism.- Biography :...
, Hendrik Heyligers, Willi Geiger, and Franz Roh
Franz Roh
Franz Roh , was a German historian, photographer, and art critic.Roh was born in Apolda , Germany. He studied at universities in Leipzig, Berlin, and Basel. In 1920, he received his Ph. D...
. He photographed many of these and other artists at the same time. He also designed tapestries that he used as backgrounds in his photographs.
A year later he became a lecturer on pictorial photography at Munich’s Lehr-und Versuchs-anstalt fur Photo graphie und Reproduktions-technik (Teaching and Research Institute for Photography and the Reproductive Processes). At this point, photography rather than painting became his primary interest. He experimented with the new color process of Autochromes, and three of his color prints are exhibited at Alfred Stieglitz
Alfred Stieglitz
Alfred Stieglitz was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form...
’s Photo-Secession Galleries in New York.
In 1909 two more of his gravures were published in Camera Work, No. 25 (January).
In 1910 twenty-seven of his photographs were exhibited at a major exhibition in Buffalo, New York. The catalog for this show described Eugene as the first photographer to make successful platinum prints on Japan tissue. Ten more of his gravures published in Camera Work, No.30 (April), and fourteen additional images appear in No.31 (July).
More than any other photographer of the early 20th century, Eugene was recognized as the master of the manipulated image. Photographic historian Weston Naef described his style this way:
- "The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch...[he] created a new syntax for the photographic vocabularity, for no one before him had hand-worked negatives with such painterly intentions and a skill unsurpassed by his successors."
In 1913 he was appointed Royal Professor of Pictorial Photography by the Royal Academy of the Graphic Arts of Leipzig. This professorship, created especially for Eugene, is the first chair for pictorial photography anywhere in the world.
Two years later Eugene gave up his American citizenship and became a citizen of Germany. He continued teaching for many years and was head of the photography department at the Royal Academy until it closed in 1927.
Eugene died of heart failure in Munich in 1936.