Francesca Caccini
Encyclopedia
Francesca Caccini was an Italian composer, singer, lute
nist, poet, and music teacher of the early Baroque
era. She was the daughter of Giulio Caccini
, and was one of the best-known and most influential female European composers between Hildegard of Bingen
in the 12th century and the 19th century. Her stage work, La liberazione di Ruggiero
, has been widely considered the first opera by a woman composer.
, and received a humanistic education (Latin, some Greek, as well as modern languages and literature, mathematics) in addition to early musical training with her father. Her first recorded appearance in public is as a singer in the all-sung stage works her father composed for the wedding of Henry IV of France
and Maria de Medici in 1600. In 1604 when the entire Caccini family visited France, Henry praised her singing effusively—"you are the best singer in all of France"—and asked her to stay at his court; however the Florentine officials denied his request, and she returned to Italy, where she taught, performed and composed from her father's home. In 1607 her composition of a Carnival entertainment entitled La stiava seems to have led to her hiring as a musician in the service of the Medici court. That same year she married fellow court musician Giovanni Battista Signorini, with whom she would have one child, Margherita, born in 1622.
In her early life Caccini performed with her parents, her half-brother Pompeo, her sister Settimia, and possibly other unnamed Caccini pupils in an ensemble contemporaries referred to as le donne di Giulio Romano. After she was hired by the court, she continued to perform with the family ensemble until Settimia's marriage and resulting move to Mantua caused its breakup. Caccini served the Medici court as a teacher, chamber singer, rehearsal coach and composer of both chamber and stage music until early 1627. By 1614 she was the court's most highly paid musician, in no small part because her musical virtuosity so well exemplified an idea of female excellence projected by Tuscany's de facto Regent, Granduchess Christine de Lorraine.
Caccini is believed to have been a quick and prolific composer, equal in productivity to her court colleagues Jacopo Peri and Marco da Gagliano. Very little of her music survives. Most of her stage music was composed for performance in comedies by poet Michelangelo Buonarroti the younger (grand-nephew of the artist) such as La Tancia (1613), Il passatempo (1614) and La fiera (1619). In 1618 she published a collection of thirty-six solo songs and soprano/bass duets (Il primo libro delle musiche)that is a compendium of contemporary styles, ranging from intensely moving, harmonically adventurous laments to joyful sacred songs in Italian and Latin to witty strophic songs about the joys and perils of romantic love.
In winter 1625 Caccini composed all the music for a 75-minute "comedy-ballet" entitled La liberazione di Ruggiero dall'isola d'Alcina that was performed for the visiting crown prince of Poland, Ladislaus Sigismondo (later Władysław IV). Combining witty parodies of early opera's stock scenes (and self-importance) with moments of surprising emotional intensity, the score shows Caccini to have mastered the full range of musico-theatrical devices in her time, and to have had a strong sense of long-term musical design. La liberazione... so pleased the visiting prince that he had it performed in Warsaw
in 1628.
After Caccini's first husband died in December 1626, she quickly arranged to marry again in October 1627, this time to a bachelor, melophile nobleman in Lucca, Tommaso Raffaelli. She lived in Raffaelli's Lucchese homes, apparently bearing a son and having some musical relationship to the Buonvisi family in Lucca, until his death in 1630. Although as the wife of a nobleman she had declined at least one request to perform (in Parma, in 1628), once she was widowed Caccini immediately tried to return to Medici service. Her return delayed by the plagues of 1630-33, by 1634 Caccini was back in Florence with her two children, serving the court as music teacher to her daughter Margherita and to the Medici princesses who lived at or frequently visited the convent of La Crocetta, and composing and performing chamber music and minor entertainments for the women's court. Caccini left Medici service on 8 May 1641, and disappeared from the public record.
Lute
Lute can refer generally to any plucked string instrument with a neck and a deep round back, or more specifically to an instrument from the family of European lutes....
nist, poet, and music teacher of the early Baroque
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
era. She was the daughter of Giulio Caccini
Giulio Caccini
Giulio Caccini , also known as Giulio Romano, was an Italian composer, teacher, singer, instrumentalist and writer of the very late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the single most influential creators of the new Baroque style...
, and was one of the best-known and most influential female European composers between Hildegard of Bingen
Hildegard of Bingen
Blessed Hildegard of Bingen , also known as Saint Hildegard, and Sibyl of the Rhine, was a German writer, composer, philosopher, Christian mystic, Benedictine abbess, visionary, and polymath. Elected a magistra by her fellow nuns in 1136, she founded the monasteries of Rupertsberg in 1150 and...
in the 12th century and the 19th century. Her stage work, La liberazione di Ruggiero
La liberazione di Ruggiero
La liberazione di Ruggiero dall'isola d'Alcina is a comic opera in four scenes by Francesca Caccini, first performed February 3, 1625 at the Villa di Poggio Imperiale in Florence, with a libretto by Ferdinando Saracinelli, based on Ludovico Ariosto's Orlando Furioso...
, has been widely considered the first opera by a woman composer.
Life
Caccini was born in FlorenceFlorence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, and received a humanistic education (Latin, some Greek, as well as modern languages and literature, mathematics) in addition to early musical training with her father. Her first recorded appearance in public is as a singer in the all-sung stage works her father composed for the wedding of Henry IV of France
Henry IV of France
Henry IV , Henri-Quatre, was King of France from 1589 to 1610 and King of Navarre from 1572 to 1610. He was the first monarch of the Bourbon branch of the Capetian dynasty in France....
and Maria de Medici in 1600. In 1604 when the entire Caccini family visited France, Henry praised her singing effusively—"you are the best singer in all of France"—and asked her to stay at his court; however the Florentine officials denied his request, and she returned to Italy, where she taught, performed and composed from her father's home. In 1607 her composition of a Carnival entertainment entitled La stiava seems to have led to her hiring as a musician in the service of the Medici court. That same year she married fellow court musician Giovanni Battista Signorini, with whom she would have one child, Margherita, born in 1622.
In her early life Caccini performed with her parents, her half-brother Pompeo, her sister Settimia, and possibly other unnamed Caccini pupils in an ensemble contemporaries referred to as le donne di Giulio Romano. After she was hired by the court, she continued to perform with the family ensemble until Settimia's marriage and resulting move to Mantua caused its breakup. Caccini served the Medici court as a teacher, chamber singer, rehearsal coach and composer of both chamber and stage music until early 1627. By 1614 she was the court's most highly paid musician, in no small part because her musical virtuosity so well exemplified an idea of female excellence projected by Tuscany's de facto Regent, Granduchess Christine de Lorraine.
Caccini is believed to have been a quick and prolific composer, equal in productivity to her court colleagues Jacopo Peri and Marco da Gagliano. Very little of her music survives. Most of her stage music was composed for performance in comedies by poet Michelangelo Buonarroti the younger (grand-nephew of the artist) such as La Tancia (1613), Il passatempo (1614) and La fiera (1619). In 1618 she published a collection of thirty-six solo songs and soprano/bass duets (Il primo libro delle musiche)that is a compendium of contemporary styles, ranging from intensely moving, harmonically adventurous laments to joyful sacred songs in Italian and Latin to witty strophic songs about the joys and perils of romantic love.
In winter 1625 Caccini composed all the music for a 75-minute "comedy-ballet" entitled La liberazione di Ruggiero dall'isola d'Alcina that was performed for the visiting crown prince of Poland, Ladislaus Sigismondo (later Władysław IV). Combining witty parodies of early opera's stock scenes (and self-importance) with moments of surprising emotional intensity, the score shows Caccini to have mastered the full range of musico-theatrical devices in her time, and to have had a strong sense of long-term musical design. La liberazione... so pleased the visiting prince that he had it performed in Warsaw
Warsaw
Warsaw is the capital and largest city of Poland. It is located on the Vistula River, roughly from the Baltic Sea and from the Carpathian Mountains. Its population in 2010 was estimated at 1,716,855 residents with a greater metropolitan area of 2,631,902 residents, making Warsaw the 10th most...
in 1628.
After Caccini's first husband died in December 1626, she quickly arranged to marry again in October 1627, this time to a bachelor, melophile nobleman in Lucca, Tommaso Raffaelli. She lived in Raffaelli's Lucchese homes, apparently bearing a son and having some musical relationship to the Buonvisi family in Lucca, until his death in 1630. Although as the wife of a nobleman she had declined at least one request to perform (in Parma, in 1628), once she was widowed Caccini immediately tried to return to Medici service. Her return delayed by the plagues of 1630-33, by 1634 Caccini was back in Florence with her two children, serving the court as music teacher to her daughter Margherita and to the Medici princesses who lived at or frequently visited the convent of La Crocetta, and composing and performing chamber music and minor entertainments for the women's court. Caccini left Medici service on 8 May 1641, and disappeared from the public record.