Fierrabras (opera)
Encyclopedia
Fierrabras is a three-act opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 written by the composer Franz Schubert
Franz Schubert
Franz Peter Schubert was an Austrian composer.Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies , liturgical music, operas, some incidental music, and a large body of chamber and solo piano music...

 in 1823, to a libretto by Josef Kupelwieser, the general manager of the Theater am Kärntnertor
Theater am Kärntnertor
Theater am Kärntnertor or Kärntnertortheater was a prestigious theatre in Vienna during the eighteenth and nineteenth centuries...

 (Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...

's Court Opera Theatre). Along with the earlier Alfonso und Estrella
Alfonso und Estrella
Alfonso und Estrella is an opera with music by Franz Schubert, set to a German libretto by Franz von Schober, written in 1822...

, composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel
Singspiel
A Singspiel is a form of German-language music drama, now regarded as a genre of opera...

 tradition.

The commission

The Kärntnertor Theater in 1822 commissioned operas from Schubert and Carl Maria von Weber
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school....

 in a drive to increase the number of German operas in repertoire. Schubert fulfilled his commission with Fierrabras, von Weber his with Euryanthe
Euryanthe
Euryanthe is a German "grand, heroic, romantic" opera by Carl Maria von Weber, first performed at the Theater am Kärntnertor, Vienna on 25 October 1823...

. The Italian theatre director Domenico Barbaja, who had taken over the theatre in 1821, at the same time brought Rossini to Vienna to oversee production of several of his operas at the Kärntnertor Theater. Rossini's operas were so popular that Euryanthe unsuccessfully premiered in October 1823, resulting in the shelving of plans to stage Fierrabras, and the resignation of Josef Kupelwieser as director of the theater, complaining of "arrogance" on the part of Barbaja. As a result, Schubert never saw the opera staged, or even received payment for his work.

The libretto

The libretto by Kupelwieser is about the adventures of the Moorish
Moors
The description Moors has referred to several historic and modern populations of the Maghreb region who are predominately of Berber and Arab descent. They came to conquer and rule the Iberian Peninsula for nearly 800 years. At that time they were Muslim, although earlier the people had followed...

 knight
Knight
A knight was a member of a class of lower nobility in the High Middle Ages.By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior....

 Fierrabras, and his eventual conversion to Christianity. It is based on stories surrounding Charlemagne
Charlemagne
Charlemagne was King of the Franks from 768 and Emperor of the Romans from 800 to his death in 814. He expanded the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign, he conquered Italy and was crowned by Pope Leo III on 25 December 800...

, including tales of how Fierrabas' sister falls in love with one of Charlemagne's knights, and the love interest between Charlemagne's daughter Emma and another of his knights, Eginhard. Kupelwieser had likely drawn his inspiration from German publications of the tales of Charlemagne, including an 1806 translation La Puente de Mantible by Calderón. Notable deviations from the sources include the name of the Moorish prince (Baligant
Baligant
In The Song of Roland, Baligant is the Emir of Babylon , who tries to aid the defense of Zaragoza from Charlemagne. He is sometimes described as a man from ancient times. He is killed in the ensuing battle...

 in the sources, Boland in the libretto), the spelling of Fierrabras (usually "Fierabras"), and the love interest of Fierrabras' sister (Kupelwieser used Roland
Roland
Roland was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. Historically, Roland was military governor of the Breton March, with responsibility for defending the frontier of Francia against the Bretons...

 as her lover, where the legends have Gui de Bourgogne.)

Kupelwieser, who did not have great experience at libretto-writing, submitted the completed libretto to the censors on July 21, 1823, and it was approved on August 19 with minor changes, well after Schubert had started work on the music. Since Kupelwieser, as director of the Kärntnertor Theater, had experience dealing with Prince Metternich's censors, he appears to have engaged in self-censorship to avoid difficulties with the libretto. For example, instead of referring to the partisans in the drama as French and Spanish, he labels them as Franks and Moors. He also referred to a "supreme faith" rather than Christianity.

The music

Schubert frequently marked his manuscripts with dates indicating when he worked on them. The manuscripts for this work show the following dates:
  • Act 1: 25–30 May 1823
  • Act 2: 31 May-5 June 1823
  • Act 3: 7 June-26 September 1823
  • Overture: 2 October 1823


As the libretto was not approved by the censors until August 1823, Schubert was required to make some small changes to already-composed material.

Performance history

On May 7, 1835 (seven years after Schubert's death), at the Theater in der Josefstadt
Theater in der Josefstadt
The Theater in der Josefstadt is a theater in Vienna in the eighth district of Josefstadt. It was founded in 1788 and is the oldest still performing theater in Vienna...

, Vienna, a concert-version of several numbers was staged. The work is generally considered to suffer from an extremely weak libretto. Its first full performance was not until 1897, despite "much magnificent music in Schubert’s score", when it was given at the Hoftheater Karlsruhe
Badisches Staatstheater Karlsruhe
The Badisches Staatstheater Karlsruhe is a theatre and opera house in Karlsruhe, Germany. It has existed in its present form and place at Ettlinger Tor since 1975...

 under the direction of Felix Mottl
Felix Mottl
Felix Josef von Mottl was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day. He composed three operas, of which Agnes Bernauer was the most successful, as well as a string quartet and numerous songs and other music...

. The 1897 performance was edited by Mottl for the tastes of the day, resulting in scenes being cut, and ballet interludes injected into the performance.

In the 20th century, the opera received a radio broadcast from Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...

 on January 14, 1926. A London concert of November 6, 1938 featured excerpts from the work. An abridged version of the opera was given in a 1959 radio broadcast from Bern, and later issued on record. The first British performance was a Radio 3 broadcast on April 10, 1971.
Concert versions of the opera were presented in 1978 in Perugia
Perugia
Perugia is the capital city of the region of Umbria in central Italy, near the River Tiber, and the capital of the province of Perugia. The city is located about north of Rome. It covers a high hilltop and part of the valleys around the area....

, and in 1980 in Aachen
Theater Aachen
Theater Aachen is a theatre in Aachen, Germany. It is the principal venue in that city for operas, musical theatre, plays, and concerts. It is the home of the Aachen Symphony Orchestra. Construction on the original theatre began in 1822 and it opened on 15 May 1825...

, and staged revivals (presumably of the Mottl version) took place in the early 1980s in Philadelphia, Augsburg
Augsburg
Augsburg is a city in the south-west of Bavaria, Germany. It is a university town and home of the Regierungsbezirk Schwaben and the Bezirk Schwaben. Augsburg is an urban district and home to the institutions of the Landkreis Augsburg. It is, as of 2008, the third-largest city in Bavaria with a...

, and Hermance
Hermance
Hermance is a municipality of the Canton of Geneva, Switzerland.-History:Hermance is first mentioned in 1247 as intra Armentia. In 1271 it was mentioned as Eremencia.-Geography:...

.
In 1988, Claudio Abbado
Claudio Abbado
Claudio Abbado, Cavaliere di Gran Croce OMRI , is an Italian conductor. He has served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera,...

 directed performances of a complete staging of the opera (likely the first performances that used all of Schubert's music) at the Theater an der Wien
Theater an der Wien
The Theater an der Wien is a historic theatre on the Left Wienzeile in the Mariahilf district of Vienna. Completed in 1801, it has seen the premieres of many celebrated works of theatre, opera, and symphonic music...

, which formed the basis of the first complete recording of the work.

Roles

Role Voice Type Premiere Cast, February 9, 1897 (Conductor: Felix Mottl)
Karl, King of the Franks bass Philler
Emma, his daughter soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Henriette Mottl-Standhartner
Eginhard, one of Karl's knights tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

Hermann Rosenberg
Roland, one of Karl's knights baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...

Hans Pokorny
Ogier, one of Karl's knights tenor Wilhelm Guggenbühler
Boland, Moorish leader baritone Fritz Plank
Fierrabras, Boland's son tenor Emil Gerhäuser
Florinda, Boland's daughter mezzo-soprano Pauline Mailhac
Maragond mezzo-soprano
Mezzo-soprano
A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above...

Christine Friedlein
Brutamonte bass Carl Nebe
Ladies, knights, soldiers

Act 1

Emma, the daughter of King Karl (Charlemagne
Charlemagne
Charlemagne was King of the Franks from 768 and Emperor of the Romans from 800 to his death in 814. He expanded the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign, he conquered Italy and was crowned by Pope Leo III on 25 December 800...

, from the German name for Charlemagne, Karl der Große), is in love with Eginhard. Their love must be kept secret since Karl does not approve. Karl's knights, led by Roland, have defeated the Moors and captured Fierrabras, the son of the Moorish prince Boland. Karl does not imprison Fierrabras. When they are brought to Karl's castle, Fierrabras spies Emma, and recognizes her as someone he fell in love with in Rome. Eginhard and Emma meet in the garden at night, but are interrupted by Fierrabras. The lovers plead with Fierrabras to protect Eginhard from Karl. Fierrabras agrees, and Eginhard makes his escape. The king approaches, and, thinking Fierrabras is trying to kidnap Emma, has him thrown in chains. As the act ends, Eginhard and the knights are preparing to leave.

Act 2

Eginhard (without clarify the matter concerning Emma and Fierrabras) has been sent to Boland with Roland and Karl's other knights for peace talks. The Moors surprise Eginhard, capture him, and bring him to the Moorish castle, where Boland and his daughter Florinda are concerned over Fierrabras' fate. Eginhard informs them of Fierrabras' imprisonment. The rest of Karl's knights arrive for the peace talks. Boland, upset over Fierrabras' imprisonment, takes them prisoner and condemns them to death. His daughter Florinda recognizes Roland (who she fell in love with while in Rome) among the knights, and decides to try to help them. She manages to free Eginhard, and, after a brief interlude with Roland, frees the knights from the castle prison. The knights, after battle in which Roland is captured, are returned to the prison, where Boland is upset over Florinda's behavior.

Act 3

Emma, who is waiting for Eginhard's return, confesses to her father that Fierrabras is innocent, and that she and Eginhard are in love. Karl frees Fierrabras, and they leave with Eginhard to go to the Moorish castle to free the imprisoned knights. The knights are being led to the execution pyre. Florinda pleads with Boland to spare Roland. In anger, Boland says that if she loves Roland, she can die with him. Karl, Eginhard, and Fierrabras arrive just in time to stop the executions, and convince Boland to release the knights. Karl and Boland make peace, allow Roland and Florinda to join, as well as Eginhard and Emma. Fierrabras joins Karl's knights.

Recordings

  • Myto MCD 89001: Otto von Rohr, Sieglinde Kahmann, Raymond Wolansky, Hans Ulrich Mielsch, Fritz Wunderlich
    Fritz Wunderlich
    Friedrich "Fritz" Karl Otto Wunderlich was a German lyric tenor, famed for his singing of the Mozart repertory and Italian and German opera and lieder. He died in an accident when he was only 35...

    , Rudo Timper, Hetty Plümacher, Melanie Geissler, Manfred Röhrl; Südfunk Chorus; Radio Bern Chamber Chorus; Bern State Orchestra; Hans Müller-Kray, conductor (highly abridged, from 1959 radio broadcast)
  • Deutsche Grammophon
    Deutsche Grammophon
    Deutsche Grammophon is a German classical record label which was the foundation of the future corporation to be known as PolyGram. It is now part of Universal Music Group since its acquisition and absorption of PolyGram in 1999, and it is also UMG's oldest active label...

     427 341-2 (2CD set): Robert Holl, Karita Mattila
    Karita Mattila
    Karita Marjatta Mattila is a leading opera soprano. She was born in Somero, Finland.Mattila appears regularly in the major opera houses worldwide, including the Metropolitan Opera, the Royal Opera House in London, Théâtre du Châtelet, Opéra Bastille, the Lyric Opera of Chicago, San Francisco...

    , Thomas Hampson, Robert Gambill, Josef Protschka, László Polgár, Cheryl Studer
    Cheryl Studer
    Cheryl Studer is a Grammy Award winning American dramatic soprano who has sung at many of the world's major opera houses. A singer with unusual versatility, Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and...

    , Brigitte Balleys, Hartmut Welker; Arnold Schoenberg Chor; Chamber Orchestra of Europe
    Chamber Orchestra of Europe
    The Chamber Orchestra of Europe , established in 1981, is administratively based in London. The orchestra comprises about 60 members coming from across Europe. The players pursue parallel careers as international soloists, members of eminent chamber groups, and as tutors and professors of music...

    ; Claudio Abbado
    Claudio Abbado
    Claudio Abbado, Cavaliere di Gran Croce OMRI , is an Italian conductor. He has served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera,...

    , conductor (first essentially complete recording)
  • EMI Classics
    EMI Classics
    EMI Classics is a record label of EMI, formed in 1990 in order to reduce the need to create country-specific packaging and catalogs for internationally distributed classical music releases....

     00969 (DVD): Jonas Kaufmann
    Jonas Kaufmann
    Jonas Kaufmann is a German operatic tenor. Although he has sung a variety of leading roles including both the Mozart and Wagner repertoire, he is particularly known for his performances in spinto roles such as Don José in Carmen, Cavaradossi in Tosca, Maurizio in Adriana Lecouvreur, and the title...

    , Juliane Banse
    Juliane Banse
    Juliane Banse is a German soprano and noted lieder singer. She received her vocal training at the Zürich Opera, and with Brigitte Fassbaender in Munich. She won First Prize in the singing competition of the Kulturforum in Munich in 1989. In 1989, she made her operatic debut as Pamina in Mozart's...

    , Christoph Strehl, László Polgár, Guido Gotzen, Franz Welser-Möst
    Franz Welser-Möst
    Franz Welser-Möst is an Austrian conductor who is currently the music director for the Cleveland Orchestra and the Vienna State Opera.- Biography :...

    , conductor, Claus Guth, director, Chorus and Orchestra of the Zurich Opera House
    Zurich Opera House
    Opernhaus Zürich is an opera house in the Swiss city of Zurich. It has been the home of the Zurich Opera since 1891.- History :...


External links

Libretto at 'Opera Guide' (Opernführer)
The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
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