Festa teatrale
Encyclopedia
The term festa teatrale refers to a genre of drama
Drama
Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning "action" , which is derived from "to do","to act" . The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a...

, and of opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 in particular. The genre cannot be rigidly defined, and in any case feste teatrali tend to be split into two different sets: feste teatrali divided by acts are operas, while works in this genre performed without division, or merely cut into two parts, are serenata
Serenade
In music, a serenade is a musical composition, and/or performance, in someone's honor. Serenades are typically calm, light music.The word Serenade is derived from the Italian word sereno, which means calm....

s. A festa teatrale is a dramatic work, performed on stage (unlike many serenatas, which are labelled "drammatico" but were not performed in dramatic contexts).

The festa teatrale was always a fairly minor genre, born of courtly entertainments and the celebration of royalty — hence the abbreviated length of most festi teatrale, and the focus on drama, spectacle and chorus, as opposed to elaborate music. The poet and librettist
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 Metastasio
Metastasio
Pietro Antonio Domenico Trapassi, better known by his pseudonym of Metastasio, was an Italian poet and librettist, considered the most important writer of opera seria libretti.-Early life:...

 applied the term to 9 of his libretti. All but one of these were first performed for the court at Vienna. The last of these was Johann Adolph Hasse
Johann Adolph Hasse
Johann Adolph Hasse was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music...

's Partenope, performed during 1767. Christoph Willibald Gluck
Christoph Willibald Gluck
Christoph Willibald Ritter von Gluck was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years...

's Orfeo ed Euridice
Orfeo ed Euridice
Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing...

, the first of his "reform operas" (also first seen at Vienna), is also often considered part of the genre of festa teatrale. The genre does not seem to have survived after Metastasio, though it had been in existence for over a century — Francesco Cavalli
Francesco Cavalli
Francesco Cavalli was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.-Life:Cavalli was born at Crema, Lombardy...

wrote feste teatrali, among many other early composers.

Further reading

  • R. Monelle: ‘Gluck and the festa teatrale’, ML, liv (1973)
  • J. Joly: Les fêtes théâtrales de Métastase à la cour de Vienne (1731–1767) (Clermont-Ferrand, 1978)
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