Fantasy on Japanese Woodprints, Op. 211
Encyclopedia
Fantasy on Japanese Woodprints, Op. 211 (1965), is a concerto
Concerto
A concerto is a musical work usually composed in three parts or movements, in which one solo instrument is accompanied by an orchestra.The etymology is uncertain, but the word seems to have originated from the conjunction of the two Latin words...

 in one movement
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession...

 written for xylophone
Xylophone
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets...

 and orchestra
Orchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...

 by American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

 composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...

 Alan Hovhaness
Alan Hovhaness
Alan Hovhaness was an Armenian-American composer.His music is accessible to the lay listener and often evokes a mood of mystery or contemplation...

.

He wrote it while studying Oriental musical styles in Japan during his career. Much of the 15-minute work contains many themes of modal Japanese music, especially the last 3 minutes. Due to the richer and fuller sound, many soloists opt to play the solo part on marimba
Marimba
The marimba is a musical instrument in the percussion family. It consists of a set of wooden keys or bars with resonators. The bars are struck with mallets to produce musical tones. The keys are arranged as those of a piano, with the accidentals raised vertically and overlapping the natural keys ...

 rather than xylophone. The piece begins with a series of cadenzas for the soloist, all in free time (senza misura). Under each cadenza, violins and violas hold a soft chord containing many fourths and half-steps, and the basses and cellos are given a series of notes on which they are instructed to improvise until a cutoff. In between each cadenza, oboes and flutes play a dissonant glissando pattern all in free time until another cutoff. The concerto develops into an eerie slow adagio
Adagio
-Music:* Adagio, a tempo marking indicating that music is to be played slowly* A composition marked to be played adagio, e.g.** Adagio for Strings by Samuel Barber** Adagio for Strings , a cover of Barber's Adagio by Tiësto...

, with shimmering chords in the string section and ending with another cadenza. A dark section in 6/8 ensues, with the xylophonist taking over and playing an extended solo completely in 32nd notes before the orchestra comes in with another free time cadenza. The piece then launches into a march-like tempo, and the theme is completely stated by xylophone and taiko
Taiko
means "drum" in Japanese . Outside Japan, the word is often used to refer to any of the various Japanese drums and to the relatively recent art-form of ensemble taiko drumming...

 drums, with timpani
Timpani
Timpani, or kettledrums, are musical instruments in the percussion family. A type of drum, they consist of a skin called a head stretched over a large bowl traditionally made of copper. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet...

playing a repeated rhythm that occurs on a different beat every time. A 6/8 dance comes back, and then a cadenza in time occurs with a flute playing the melody over the soloist. A series of loud crescendos and climaxes in free time bring the soloist into his/her final cadenza before a fast 3/4 comes in, with a fierce taiko rhythm and full orchestra buildup to the end.
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