Direct to Disc (FM album)
Encyclopedia
Direct to Disc is the second album by FM
FM (Canadian band)
FM is a progressive rock band from Toronto, Canada which existed from 1976 to 1996, with a brief return in 2006, although they had a period of inactivity between 1989 and 1994. Their music has been categorized as space rock, and lyrics are dominated by science fiction themes...

, a progressive rock
Progressive rock
Progressive rock is a subgenre of rock music that developed in the late 1960s and early 1970s as part of a "mostly British attempt to elevate rock music to new levels of artistic credibility." John Covach, in Contemporary Music Review, says that many thought it would not just "succeed the pop of...

 group from Toronto
Toronto
Toronto is the provincial capital of Ontario and the largest city in Canada. It is located in Southern Ontario on the northwestern shore of Lake Ontario. A relatively modern city, Toronto's history dates back to the late-18th century, when its land was first purchased by the British monarchy from...

, Canada
Canada
Canada is a North American country consisting of ten provinces and three territories. Located in the northern part of the continent, it extends from the Atlantic Ocean in the east to the Pacific Ocean in the west, and northward into the Arctic Ocean...

, recorded late 1977 and released May 1978. It was also issued under the title Head Room. It was the first FM album to feature Ben Mink
Ben Mink
Ben Mink is a Canadian songwriter, multi-instrumentalist, and producer.Born of Polish parents, Mink was raised in Toronto Ontario. He got his start performing with the rock/country group Mary-Lou Horner, which became the house band at bar and nightclub....

, who replaced founding member Nash the Slash
Nash the Slash
Nash the Slash is a Canadian musician. Though a multi-instrumentalist, he is known primarily for playing electric violin and mandolin, as well as harmonica, keyboards, glockenspiel, and other instruments .Nash worked as a solo artist beginning in 1975, then founded the progressive rock band FM in...

 on electric violin and electric mandolin, instruments which Nash also played.

Recording

The album was made using the direct to disc recording
Direct to disc recording
Direct to disc recording refers to sound recording methods which bypass the use of magnetic tape recording and directly onto disc master; and record albums made using this process....

 method, in which recording tape is not used. This method requires that the group perform two 15-minute sides live in the studio with no overdubs. The recording is mixed live and transcribed to the master disc as it is being performed. This was a briefly popular format in the 1970s, and like all albums made this way, it was a limited edition, because only so many copies can be pressed from the master disc.

The album was mostly instrumental, consisted of one piece on each side, and was issued on a small label called Labyrinth Records, catalogue number LBR-1001, which suggests it was likely the label's first (and possibly only) release. It was well received by critics who compared the first side to a blend of Yes
Yes (band)
Yes are an English rock band who achieved worldwide success with their progressive, art, and symphonic style of rock music. Regarded as one of the pioneers of the progressive genre, Yes are known for their lengthy songs, mystical lyrics, elaborate album art, and live stage sets...

, King Crimson
King Crimson
King Crimson are a rock band founded in London, England in 1969. Often categorised as a foundational progressive rock group, the band have incorporated diverse influences and instrumentation during their history...

, and Lighthouse
Lighthouse (band)
Lighthouse is a Canadian rock band formed in 1968 in Toronto which included horns, string instruments, and vibraphone; their music reflected elements of rock music, jazz, classical music and swing...

, while the second side took on a jazz feel, concluding with the sound of an unusual instrument: an alpha wave brain monitor plugged into a synthesizer, translating drummer Martin Deller
Martin Deller
Martin Deller is a Canadian musician from Toronto. He is best known for his work with FM.- External links :*...

's live brainwaves into a throbbing hum.

Cover art

The fantasy cover art by Paul Till shows a warrior (possibly from the distant past, or the distant future, and possibly female) gazing into a portal and seeing a green glowing vacuum tube
Vacuum tube
In electronics, a vacuum tube, electron tube , or thermionic valve , reduced to simply "tube" or "valve" in everyday parlance, is a device that relies on the flow of electric current through a vacuum...

 in the foreground, superimposed over the warrior's face. The concept references the album's use of older, but not obsolete, and (arguably) superior recording technologies: tube amplifiers
Valve audio amplifier
A valve audio amplifier or vacuum tube audio amplifier is a valve amplifier used for sound reinforcement, sound recording and reproduction....

, and the direct to disc recording process.

Editions and Head Room reissue

During the recording session, six takes were recorded for each side. The original edition uses take four on each side. The take number is determined by checking the side number suffix in the matrix numbers
Matrix numbers
Matrix numbers are alphanumeric codes stamped or hand written into the run-out groove area of a gramophone record...

 inscribed next to the run-out groove. Suffixes A4 and B4 indicate take four. This version was a limited edition of 20,000 copies.

Some time after the original edition's release (possibly in 1980), several reisses appeared. One still has the original Direct to Disc title, but it has a different company name on the label: Kiras Music Works. Another edition changes the album title to Head Room, or perhaps Headroom. The title, which is also the title of the piece covering side one, is spelled as one word on the main track list printed on the inner gatefold cover, but as two words in the engineering credits and on the first edition's cream coloured label. (The Kiras edition's label is also cream coloured.) Conversely, it is spelled as two words on the front cover of the later edition, but as one word on its black label, which has no label name. All editions continue to use the Labyrinth Records name and original catalogue number on the cover.

These later editions use different takes of the track for side two. Takes one and two (marked B1 and B2 in the matrix area) are known to exist. In an interview, Martin Deller suggested the later editions were not known to the band at the time:


"As far as the Direct to Disc goes there was a limited pressing of 20,000 copies and it sold out. However a local fan has collected a couple of copies of the album and I understand that they have different versions of each take (side 1, side 2) on them! I have yet to check this out but if so there may be more (than the 20K) available."
– Martin Deller, January 2004



The claim that alternate takes of side one exist has not been confirmed, but the quote suggests Deller was uncertain of the details.

Track list

Descriptions are taken from the track list on the album cover. Timings are taken from the first edition's label, which uses take four of each side. Later editions have alternate takes of side two, and timings are not shown on the labels.

Side one

  1. "Headroom" (Cameron Hawkins) – 15:36
    • "Tyra" – An introduction of the three musicians with bass guitar, bass pedals, drums and electric violin.
    • "Reflections One" – A violin piece with light percussion, congas, bass guitar chording and bass pedals.
    • "Reflections Two" – The same themes as "One", presented over a background of sequences, string synthesizer, and drums with violin, vocal, and synthesizer melodies.
    • "Real Time" – A space out.
    • "Scarberia" – The drum solo emerges into an improvised synthesized drum, violin, bass guitar bridge. The piece concludes with a rock and roll song in 14/8.

Side two

  1. "Border Crossing" (Martin Deller
    Martin Deller
    Martin Deller is a Canadian musician from Toronto. He is best known for his work with FM.- External links :*...

    ) – 15:24 – A composition drawing from rock, jazz, and classical influences.
    • "The First Movement" – was inspired by Japanese haiku
      Haiku
      ' , plural haiku, is a very short form of Japanese poetry typically characterised by three qualities:* The essence of haiku is "cutting"...

      ; a three line verse having a rhythmic cadence of 5/7/5.
    • "The Second Movement" – is free of metre and tonal centre, and contrasts the first movement with a lack of structure.
    • "The Third Movement" – is introduced by an ostinato
      Ostinato
      In music, an ostinato is a motif or phrase, which is persistently repeated in the same musical voice. An ostinato is always a succession of equal sounds, wherein each note always has the same weight or stress. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in...

       sequencer bass line. An improvisation by all players over this pattern follows.
    • "The Fourth Movement" – is in traditional song form with drums, violin, bass guitar and bass pedals. The piece concludes with added synthesizer environments of modulated noise and alpha brain wave control of an ARP 2500
      ARP 2500
      The ARP 2500, built from 1970 through the mid-70's, was ARP's first product. A monophonic analog modular synthesizer equipped with a set of sliding matrix switches above each module. These were the primary method of interconnecting modules. There were also rows of 1/8" miniphone jacks at the end...

      .

Personnel

  • Cameron Hawkins – Minimoog
    Minimoog
    The Minimoog is a monophonic analog synthesizer, invented by Bill Hemsath and Robert Moog. It was released in 1970 by R.A. Moog Inc. , and production was stopped in 1981. It was re-designed by Robert Moog in 2002 and released as Minimoog Voyager.The Minimoog was designed in response to the use of...

     synthesizer with Polyfusion sequencer 2040, Micromoog
    Micromoog
    The Micromoog is a monophonic analog synthesizer produced by Moog Music from 1975 to 1979.The Micromoog was designed by Robert Moog and Jim Scott as a scaled-down, cheaper alternative to the Minimoog. It was designed to tap into a market of musicians who wanted an introduction to synthesis, but...

     synthesizer with Polyfusion sequencer AS-1, Micromoog synthesizer with percussion controller, Elka string synthesizer with bass pedals, Eko
    Eko guitars
    Eko is an Italian manufacturer of electric guitars, acoustic guitars and similar instruments, catering to professional level and manufacturing largely for export...

     bass pedals, Rickenbacker
    Rickenbacker
    Rickenbacker International Corporation, also known as Rickenbacker, is an electric and bass guitar manufacturer based in Santa Ana, California...

     bass guitar, Maestro
    Gibson Guitar Corporation
    The Gibson Guitar Corporation, formerly of Kalamazoo, Michigan and currently of Nashville, Tennessee, manufactures guitars and other instruments which sell under a variety of brand names...

     Brassmaster fuzz, Mu-tron
    Mutron
    Musitronics, often shortened to Mu-tron, was a manufacturer of electronic musical effects active in the 1970s. Their product line focused on filtering and processing effects derived from synthesizer components...

     111 filter, vocals
  • Ben Mink
    Ben Mink
    Ben Mink is a Canadian songwriter, multi-instrumentalist, and producer.Born of Polish parents, Mink was raised in Toronto Ontario. He got his start performing with the rock/country group Mary-Lou Horner, which became the house band at bar and nightclub....

     – 5 string electric violin, 5 string solid body electric mandolin
  • Martin Deller
    Martin Deller
    Martin Deller is a Canadian musician from Toronto. He is best known for his work with FM.- External links :*...

     – Fibes
    Fibes Drums
    Fibes Drum Company was originally founded in 1966 by Bob Grauso, a professional drummer, and John Morena, a specialist in composite materials, and also a drummer...

     drum kit, congas, bells and miscellaneous percussion, Moog percussion controller, ARP 2600
    ARP 2600
    The ARP 2600 is a semi-modular analog subtractive audio synthesizer, designed by Alan R. Pearlman , and manufactured by his company, ARP Instruments, Inc...

     and ARP 2500
    ARP 2500
    The ARP 2500, built from 1970 through the mid-70's, was ARP's first product. A monophonic analog modular synthesizer equipped with a set of sliding matrix switches above each module. These were the primary method of interconnecting modules. There were also rows of 1/8" miniphone jacks at the end...

    synthesizers
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