Diana von Solange
Encyclopedia
Diana von Solange is an opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...

 by the German prince Ernst II of Saxe-Coburg-Gotha, an amateur composer. It was premiered in 1858. In 1859, Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...

 wrote an orchestral Festmarsch nach Motiven von E. H. z. S-C-G, S.116, based on themes from Diana von Solange (E. H. z. S-C-G was short for Ernst Herzog zu Sachsen-Coburg-Gotha).

It is now best remembered for its brief appearance at the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...

 in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...

 in 1891. The opera was one of three novelties introduced for the 1890-91 season by the Metropolitan's general manager, Edmond Stanton; the others were Asrael
Asrael
Asrael is a leggenda or opera in four acts by composer Alberto Franchetti and librettist Ferdinando Fontana. The plot, based on German fairy tale and folklore, displays the conflict between the spirit of evil and the spirit of Christian love, represented by Asrael and Nefta respectively...

by Alberto Franchetti
Alberto Franchetti
Alberto Franchetti was an Italian opera composer.-Biography:Alberto Franchetti was born in Turin, a Jewish nobleman of independent means. He studied first in Venice, then in Dresden under Felix Draeseke, and finally at the Munich Conservatory under Josef Rheinberger. His first major success...

, which opened the season on November 26, and Antonio Smareglia
Antonio Smareglia
Antonio Smareglia was an Austro-Hungarian opera composer of Italian ethnicity.-Life:Antonio Smareglia was born in the town of Pola , in a house on Via Nettuno which still stands and in which there is now a small museum of his life and work...

's Il vassallo di Szigeth. Both were poorly received. Diana von Solange, the last of the three, was first shown on January 9, 1891; the performance marked its American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...

 premiere
Premiere
A premiere is generally "a first performance". This can refer to plays, films, television programs, operas, symphonies, ballets and so on. Premieres for theatrical, musical and other cultural presentations can become extravagant affairs, attracting large numbers of socialites and much media...

. Pauline Schöller-Haag sang the title role to the Armand of Andreas Dippel
Andreas Dippel
Andreas Dippel was a German-born operatic tenor and impressario who from 1908 to 1910 was the joint manager of the New York Metropolitan Opera.-Biography:...

. Marie Jahn, Conrad Behrens, Juan Luria
Juan Luria
Juan Luria was a Polish baritone.He performed with the Stuttgart Opera. Then at the Metropolitan Opera in New York City. While in New York Luria sang in the American premieres of some little remembered operas such as Diana von Solange . On retirement he turned to teaching...

, Edmund Müller, and Bruno Lurgenstein rounded out the cast, under the direction of Anton Seidl
Anton Seidl
Anton Seidl was a Hungarian conductor.-Biography:He was born at Pest, Hungary. He began the study of music at a very early age, and when only seven years old could pick out at the piano melodies which he had heard at the theatre...

. The opera also contained a ballet
Ballet
Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with...

, which was singled out for praise by the New York World
New York World
The New York World was a newspaper published in New York City from 1860 until 1931. The paper played a major role in the history of American newspapers...

.

Reviews of the opera were almost uniformly execrable; one writer described the piece as "simply rubbish", while others derisively referred to it as "Diana von So-Langweilig" (so boring). Another critic predicted that the work would not last three performances in the house; in the event, it lasted two. When it was discovered that a third outing was intended on January 12, a petition
Petition
A petition is a request to do something, most commonly addressed to a government official or public entity. Petitions to a deity are a form of prayer....

, bearing three hundred signatures and demanding that the opera be removed from the repertory, was delivered to the management, who hastily replaced it with Fidelio
Fidelio
Fidelio is a German opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The German libretto is by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly which had been used for the 1798 opera Léonore, ou L’amour conjugal by Pierre Gaveaux, and for the 1804 opera Leonora...

. Diana von Solange marked the final blow against Stanton; two days after the cancelled third performance, on January 14, it was announced that he was to be replaced by Henry Eugene Abbey
Henry Eugene Abbey
Henry Eugene Abbey was an American theatre manager and producer. During the 1870s - 1890s, he managed such prominent Broadway theatres as Booth's, Wallack's, and the Park Theatre, promoting the talents of some of the foremost American actors of his day, as well as European stars...

for the following season.

Many critics wondered why, given its pedigree, its age, and its relative obscurity, Diana von Solange was even considered for performance by the Metropolitan. Although it was never proven, many critics suspected that Stanton and others in the company were motivated by the Duke's known "lavishness...in the distribution of orders, especially among musicians". The general manager and other executives were believed to have in fact received such decorations, but were reportedly too ashamed of the whole debacle to be seen in public wearing them.

Despite the opera's poor reception, Andreas Dippel was singled out for praise by numerous critics; this, coupled with his other successes during the season, led to his being retained on the company's roster for the following year.
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