Descent from Mount Sinai (Sistine Chapel)
Encyclopedia
The Descent from Mount Sinai is a fresco by the Italian Renaissance painter Cosimo Rosselli
and his assistants, executed in 1481-1482 and located in the Sistine Chapel
, Rome
.
, the de facto ruler of Florence
, and Pope Sixtus IV
. The Florentines started to work in the Sistine Chapel
as early as the Spring of 1481, along with Pietro Perugino
, who was already there. Rosselli brought with him his son-in-law, Piero di Cosimo
, who perhaps collaborated to this painting and at least one of the others assigned by his master.
The theme of the decoration was a parallel between the Stories of Moses and those of Christ, as a sign of continuity between the Old
and the New Testament
. A continuity also between the divine law of the Tables and the message of Jesus, who, in turn, chose Peter (the first alleged bishop of Rome) as his successor: this would finally result into a legitimation of the latter's successors, the popes of Rome.
In the upper part is Moses kneeling on Mount Sinai, with a sleeping Joshua nearby: he receives the Tables of the Law from Yahweh, who appears in a luminescent cloud, surrounded by angels. In the foreground, on the left, Moses brings the Tables to the Israelites. In the background is camp of tents, with the altar of the golden calf
in the middle; the Israelites, spurred by Aaron, are adoring it: the position of some of them, painted from behind, was usually used for negative characters, such as Judas Iscariot in the Last Supper. Once seeing that, Moses, in the center, gets angry and breaks the Tables on the ground. On the right background is the punishment of the idolatrous and the receiving of the new Tables.
Cosimo Rosselli
Cosimo Rosselli was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence.-Biography:Born in Florence, at the age of fourteen he became a pupil of Neri di Bicci, and in 1460 he worked as assistant to his cousin Bernardo di Stefano Rosselli...
and his assistants, executed in 1481-1482 and located in the Sistine Chapel
Sistine Chapel
Sistine Chapel is the best-known chapel in the Apostolic Palace, the official residence of the Pope in Vatican City. It is famous for its architecture and its decoration that was frescoed throughout by Renaissance artists including Michelangelo, Sandro Botticelli, Pietro Perugino, Pinturicchio...
, Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
.
History
On 27 October 1480 several Florentine painters left for Rome, where he had been called as part of the reconciliation project between Lorenzo de' MediciLorenzo de' Medici
Lorenzo de' Medici was an Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance. Known as Lorenzo the Magnificent by contemporary Florentines, he was a diplomat, politician and patron of scholars, artists and poets...
, the de facto ruler of Florence
Republic of Florence
The Republic of Florence , or the Florentine Republic, was a city-state that was centered on the city of Florence, located in modern Tuscany, Italy. The republic was founded in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon Margravine Matilda's death. The...
, and Pope Sixtus IV
Pope Sixtus IV
Pope Sixtus IV , born Francesco della Rovere, was Pope from 1471 to 1484. His accomplishments as Pope included the establishment of the Sistine Chapel; the group of artists that he brought together introduced the Early Renaissance into Rome with the first masterpiece of the city's new artistic age,...
. The Florentines started to work in the Sistine Chapel
Sistine Chapel
Sistine Chapel is the best-known chapel in the Apostolic Palace, the official residence of the Pope in Vatican City. It is famous for its architecture and its decoration that was frescoed throughout by Renaissance artists including Michelangelo, Sandro Botticelli, Pietro Perugino, Pinturicchio...
as early as the Spring of 1481, along with Pietro Perugino
Pietro Perugino
Pietro Perugino , born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance...
, who was already there. Rosselli brought with him his son-in-law, Piero di Cosimo
Piero di Cosimo
Piero di Cosimo , also known as Piero di Lorenzo, was an Italian Renaissance painter.-Biography:The son of a goldsmith, Piero was born in Florence and apprenticed under the artist Cosimo Rosseli, from whom he derived his popular name and whom he assisted in the painting of the Sistine Chapel in...
, who perhaps collaborated to this painting and at least one of the others assigned by his master.
The theme of the decoration was a parallel between the Stories of Moses and those of Christ, as a sign of continuity between the Old
Old Testament
The Old Testament, of which Christians hold different views, is a Christian term for the religious writings of ancient Israel held sacred and inspired by Christians which overlaps with the 24-book canon of the Masoretic Text of Judaism...
and the New Testament
New Testament
The New Testament is the second major division of the Christian biblical canon, the first such division being the much longer Old Testament....
. A continuity also between the divine law of the Tables and the message of Jesus, who, in turn, chose Peter (the first alleged bishop of Rome) as his successor: this would finally result into a legitimation of the latter's successors, the popes of Rome.
Description
The painting, like others in the cycle, show more episodes at the same time; the theme is described by the inscription on the frieze PROMULGATIO LEGIS SCRIPTE PER MOISEM. In ("Promulgation of the Written Law through Moses").In the upper part is Moses kneeling on Mount Sinai, with a sleeping Joshua nearby: he receives the Tables of the Law from Yahweh, who appears in a luminescent cloud, surrounded by angels. In the foreground, on the left, Moses brings the Tables to the Israelites. In the background is camp of tents, with the altar of the golden calf
Golden calf
According to the Hebrew Bible, the golden calf was an idol made by Aaron to satisfy the Israelites during Moses' absence, when he went up to Mount Sinai...
in the middle; the Israelites, spurred by Aaron, are adoring it: the position of some of them, painted from behind, was usually used for negative characters, such as Judas Iscariot in the Last Supper. Once seeing that, Moses, in the center, gets angry and breaks the Tables on the ground. On the right background is the punishment of the idolatrous and the receiving of the new Tables.