Conductus
Encyclopedia
In medieval music
, conductus (plural: conductus) is a type of sacred, but non-liturgical vocal composition for one or more voices. The word derives from Latin
conducere (to escort), and the conductus was most likely sung while the lectionary
was carried from its place of safekeeping to the place from which it was to be read. The conductus was one of the principal types of vocal composition of the ars antiqua
period of medieval music history
.
The form most likely originated in the south of France
around 1150, and reached its peak development during the activity of the Notre Dame School
in the early 13th century. Most of the conductus compositions of the large mid-13th century manuscript collection from Notre Dame
are for two or three voices. Conductus are also unique in the Notre Dame repertory in admitting secular melodies as source material, though sacred melodies were also commonly used. Common subjects for the songs were lives of the saint
s, feasts of the Lord, the Nativity
, as well as more current subjects such as exemplary behavior of contemporary witnesses to the faith, such as Thomas Becket
. A significant and interesting repertory of conductus from late in the period consists of songs which criticize abuses by the clergy, including some which are quite outraged. While it might be difficult to imagine them being sung in church, it is possible that the repertory may have had an existence beyond its documented liturgical use.
Almost all composers of conductus are anonymous. Some of the poems, all of which are in Latin, are attributed to poets such as Philip the Chancellor
and John of Howden.
The style of the conductus was usually rhythmic, as befitting music accompanying a procession, and almost always note-against-note
. Stylistically it was utterly different from the other principal liturgical polyphonic
form of the time, organum
, in which the voices usually moved at different speeds; in conductus, the voices sang together, in a style also known as discant
.
Music theorists
who wrote about the conductus include Franco of Cologne
, who advocated having a beautiful melody in the tenor, Johannes de Garlandia
, and Anonymous IV
. Early 14th century theorist Jacques of Liège
, a vigorous defender of the ars antiqua style against the new "immoral and lascivious" ars nova
style, lamented the disinterest of contemporary composers in the conductus. The conductus lasted longest in Germany
, where it was documented into the 14th century.
English conductus of the late thirteenth and early fourteenth centuries often use the technique of rondellus
.
Medieval music
Medieval music is Western music written during the Middle Ages. This era begins with the fall of the Roman Empire and ends sometime in the early fifteenth century...
, conductus (plural: conductus) is a type of sacred, but non-liturgical vocal composition for one or more voices. The word derives from Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
conducere (to escort), and the conductus was most likely sung while the lectionary
Lectionary
A Lectionary is a book or listing that contains a collection of scripture readings appointed for Christian or Judaic worship on a given day or occasion.-History:...
was carried from its place of safekeeping to the place from which it was to be read. The conductus was one of the principal types of vocal composition of the ars antiqua
Ars antiqua
Ars antiqua, also called ars veterum or ars vetus, refers to the music of Europe of the late Middle Ages between approximately 1170 and 1310, covering the period of the Notre Dame school of polyphony and the subsequent years which saw the early development of the motet...
period of medieval music history
Music history
Music history, sometimes called historical musicology, is the highly diverse subfield of the broader discipline of musicology that studies the composition, performance, reception, and criticism of music over time...
.
The form most likely originated in the south of France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
around 1150, and reached its peak development during the activity of the Notre Dame School
Notre Dame school
The group of composers working at or near the Notre Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced, is referred to as the Notre Dame school, or the Notre Dame School of Polyphony....
in the early 13th century. Most of the conductus compositions of the large mid-13th century manuscript collection from Notre Dame
Notre Dame de Paris
Notre Dame de Paris , also known as Notre Dame Cathedral, is a Gothic, Roman Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. It is the cathedral of the Catholic Archdiocese of Paris: that is, it is the church that contains the cathedra of...
are for two or three voices. Conductus are also unique in the Notre Dame repertory in admitting secular melodies as source material, though sacred melodies were also commonly used. Common subjects for the songs were lives of the saint
Saint
A saint is a holy person. In various religions, saints are people who are believed to have exceptional holiness.In Christian usage, "saint" refers to any believer who is "in Christ", and in whom Christ dwells, whether in heaven or in earth...
s, feasts of the Lord, the Nativity
Nativity of Jesus
The Nativity of Jesus, or simply The Nativity, refers to the accounts of the birth of Jesus in two of the Canonical gospels and in various apocryphal texts....
, as well as more current subjects such as exemplary behavior of contemporary witnesses to the faith, such as Thomas Becket
Thomas Becket
Thomas Becket was Archbishop of Canterbury from 1162 until his murder in 1170. He is venerated as a saint and martyr by both the Roman Catholic Church and the Anglican Communion...
. A significant and interesting repertory of conductus from late in the period consists of songs which criticize abuses by the clergy, including some which are quite outraged. While it might be difficult to imagine them being sung in church, it is possible that the repertory may have had an existence beyond its documented liturgical use.
Almost all composers of conductus are anonymous. Some of the poems, all of which are in Latin, are attributed to poets such as Philip the Chancellor
Philip the Chancellor
Philip the Chancellor was a French theologian and Latin lyric poet. He was the illegitimate son of Philippe, Archdeacon of Paris , and was part of a family of powerful clerics. He was born and studied theology in Paris. He was chancellor of Notre Dame de Paris starting in 1217 until his death, and...
and John of Howden.
The style of the conductus was usually rhythmic, as befitting music accompanying a procession, and almost always note-against-note
Counterpoint
In music, counterpoint is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent . It has been most commonly identified in classical music, developing strongly during the Renaissance and in much of the common practice period,...
. Stylistically it was utterly different from the other principal liturgical polyphonic
Polyphony
In music, polyphony is a texture consisting of two or more independent melodic voices, as opposed to music with just one voice or music with one dominant melodic voice accompanied by chords ....
form of the time, organum
Organum
Organum is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line may be sung on the same text, the melody may be followed in parallel motion , or a combination of...
, in which the voices usually moved at different speeds; in conductus, the voices sang together, in a style also known as discant
Discant
Discant was a style of liturgical setting in the Middle Ages, associated with the development of the Notre Dame school of polyphony. It is a style of organum that includes a plainchant tenor part, with a "note against note" upper voice, moving in contrary motion...
.
Music theorists
Music theory
Music theory is the study of how music works. It examines the language and notation of music. It seeks to identify patterns and structures in composers' techniques across or within genres, styles, or historical periods...
who wrote about the conductus include Franco of Cologne
Franco of Cologne
Franco of Cologne was a German music theorist and possibly composer. He was one of the most influential theorists of the late Medieval era, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its...
, who advocated having a beautiful melody in the tenor, Johannes de Garlandia
Johannes de Garlandia
Johannes de Garlandia may refer to:* Johannes de Garlandia * Johannes de Garlandia...
, and Anonymous IV
Anonymous IV
Anonymous IV is the designation given to the writer of an important treatise of medieval music theory. He was probably an English student working at Notre Dame in Paris, most likely in the 1270s or 1280s. Nothing is known about his life, not even his name...
. Early 14th century theorist Jacques of Liège
Jacob of Liège
Jacob of Liège, aka Jacobus Leodiensis or Jacques de Liège, is believed to have written the Speculum Musicae, The Mirror of Music, during the second quarter of the 14th century....
, a vigorous defender of the ars antiqua style against the new "immoral and lascivious" ars nova
Ars nova
Ars nova refers to a musical style which flourished in France and the Burgundian Low Countries in the Late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel and the death of the composer Guillaume de Machaut in 1377...
style, lamented the disinterest of contemporary composers in the conductus. The conductus lasted longest in Germany
Germany
Germany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate...
, where it was documented into the 14th century.
English conductus of the late thirteenth and early fourteenth centuries often use the technique of rondellus
Rondellus
In music rondellus is the formalized interchange of parts or voices according to a scheme, often used in English conducti and frequently in English motets of the late thirteenth and early fourteenth centuries, but never used for an entire piece...
.