Concerts royaux (Couperin)
Encyclopedia
This set of suites composed for the French court of Louis XIV between 1714 and 1715, (hence the qualifier "royal"), at the time chamber music
concerts were in vogue. They are intended for listening more than dancing. They were published by François Couperin
in 1722 without indication of instrumentation. The same piece can therefore be played by a solo harpsichord
; or by an ensemble with a bass instrument, a violin
, a viol
, and an oboe
or a flute
. The freedom left for instrumentation is also found in certain works of Marin Marais
and Gaspard Le Roux
. This collection was supplemented in 1724 by a set of "Nouveaux Concerts" with the subtitle les Goûts réunis, or the "reunited tastes" of French and Italian styles.
Each concert is composed of a prelude and a succession of dances in the traditional order (allemande, sarabande or courante, followed by other dances.)
Chamber music
Chamber music is a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber. Most broadly, it includes any art music that is performed by a small number of performers with one performer to a part...
concerts were in vogue. They are intended for listening more than dancing. They were published by François Couperin
François Couperin
François Couperin was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand to distinguish him from other members of the musically talented Couperin family.-Life:Couperin was born in Paris...
in 1722 without indication of instrumentation. The same piece can therefore be played by a solo harpsichord
Harpsichord
A harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed.In the narrow sense, "harpsichord" designates only the large wing-shaped instruments in which the strings are perpendicular to the keyboard...
; or by an ensemble with a bass instrument, a violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
, a viol
Viol
The viol is any one of a family of bowed, fretted and stringed musical instruments developed in the mid-late 15th century and used primarily in the Renaissance and Baroque periods. The family is related to and descends primarily from the Renaissance vihuela, a plucked instrument that preceded the...
, and an oboe
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
or a flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...
. The freedom left for instrumentation is also found in certain works of Marin Marais
Marin Marais
Marin Marais was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for 6 months. He was hired as a musician in 1676 to the royal court of Versailles...
and Gaspard Le Roux
Gaspard Le Roux
Gaspard Le Roux was a French harpsichordist active in Paris at the beginning of the 18th century. Little is known of his life; only by one quotation in a list of professors considered in Paris, and a single collection of suites for one and two harpsichords which appeared in 1705: it is one of the...
. This collection was supplemented in 1724 by a set of "Nouveaux Concerts" with the subtitle les Goûts réunis, or the "reunited tastes" of French and Italian styles.
Each concert is composed of a prelude and a succession of dances in the traditional order (allemande, sarabande or courante, followed by other dances.)
- Premier concert
- Prélude
- Allemande
- Sarabande
- Gavotte
- Gigue
- Menuet en trio
- Deuxième concert
- Prélude
- Allemande fuguée
- Air tendre
- Air contrefugué
- Echos
- Troisième concert
- Prélude
- Allemande
- Courante
- Sarabande grave
- Gavotte
- Muzette
- Chaconne légère
- Quatrième concert
- Prélude
- Allemande
- Courante françoise
- Courante à l'italiéne
- Sarabande
- Rigaudon
- Forlane
External links
- The original version, as published by François Couperin at the end of Troisième Livre de Clavecin (1722): :http://icking-music-archive.org/ByComposer/Couperin.php