Cantéyodjayâ
Encyclopedia
Cantéyodjayâ is a work for piano
by the French composer
Olivier Messiaen
, written in 1949. The form of the work's single movement exhibits aspects of sonata
-form and rondo
, but progresses by superimposition and repetition rather than conventional development.
The work's compositional bases are the Hindu
rhythms often found in Messiaen's work. The composer's research into Hindu rhythms was based partly on the 120 rhythms listed in the thirteenth-century Sangitaratnakara of Sarngadeva. The score includes names that are taken from this work, and also from Carnatic music
al theory.
The opening element of the work is named "Cantéyodjayâ" (a Carnatic name) in the score. This opening figuration recurs often, interspersed with other material.
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
by the French composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
Olivier Messiaen
Olivier Messiaen
Olivier Messiaen was a French composer, organist and ornithologist, one of the major composers of the 20th century. His music is rhythmically complex ; harmonically and melodically it is based on modes of limited transposition, which he abstracted from his early compositions and improvisations...
, written in 1949. The form of the work's single movement exhibits aspects of sonata
Sonata
Sonata , in music, literally means a piece played as opposed to a cantata , a piece sung. The term, being vague, naturally evolved through the history of music, designating a variety of forms prior to the Classical era...
-form and rondo
Rondo
Rondo, and its French equivalent rondeau, is a word that has been used in music in a number of ways, most often in reference to a musical form, but also to a character-type that is distinct from the form...
, but progresses by superimposition and repetition rather than conventional development.
The work's compositional bases are the Hindu
Hindu
Hindu refers to an identity associated with the philosophical, religious and cultural systems that are indigenous to the Indian subcontinent. As used in the Constitution of India, the word "Hindu" is also attributed to all persons professing any Indian religion...
rhythms often found in Messiaen's work. The composer's research into Hindu rhythms was based partly on the 120 rhythms listed in the thirteenth-century Sangitaratnakara of Sarngadeva. The score includes names that are taken from this work, and also from Carnatic music
Carnatic music
Carnatic music is a system of music commonly associated with the southern part of the Indian subcontinent, with its area roughly confined to four modern states of India: Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu...
al theory.
The opening element of the work is named "Cantéyodjayâ" (a Carnatic name) in the score. This opening figuration recurs often, interspersed with other material.