Bürgersinn
Encyclopedia
Bürgersinn op. 295 is a waltz
Waltz
The waltz is a ballroom and folk dance in time, performed primarily in closed position.- History :There are several references to a sliding or gliding dance,- a waltz, from the 16th century including the representations of the printer H.S. Beheim...

 by Johann Strauss II
Johann Strauss II
Johann Strauss II , also known as Johann Baptist Strauss or Johann Strauss, Jr., the Younger, or the Son , was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas...

 composed in 1865 for the Citizen's Ball held during the Vienna Carnival Fasching of the year. His prestigious post of the 'KK Hofballmusikdirektor' which he attained in 1863 meant that his responsibilities included composing dance music for these functions.

This annual Citizen's Ball was held every year, especially for the middle-class as Emperor Franz Josef
Franz Joseph I of Austria
Franz Joseph I or Francis Joseph I was Emperor of Austria, King of Bohemia, King of Croatia, Apostolic King of Hungary, King of Galicia and Lodomeria and Grand Duke of Cracow from 1848 until his death in 1916.In the December of 1848, Emperor Ferdinand I of Austria abdicated the throne as part of...

 permitted the traditional ball to be held in the festive hall of the Habsburg
Habsburg
The House of Habsburg , also found as Hapsburg, and also known as House of Austria is one of the most important royal houses of Europe and is best known for being an origin of all of the formally elected Holy Roman Emperors between 1438 and 1740, as well as rulers of the Austrian Empire and...

's winter residence. Strauss first performed the work at the Redoutensaal of the Imperial Hofburg dedicated to the 'Gentlemen Committee of the Members of the Citizen's Ball' on 7 February 1865.

The work belongs to a period where Strauss' waltzes were in a period of interesting development, both structurally as well as musically. The citizen spirit was vividly invoked with its Viennese light-heartedness, but more so with its gentle pastoral Introduction where anticipation of an exciting waltz was at hand. Even the first theme of the waltz was quintessentially Viennese with its chorded melody. Other tunes were graceful and lyrical (sections 2 and 3) whereas the later melodies (sections 4 and 5) are more boisterous and jovial in character.
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