Bageshree
Encyclopedia
Bageshri is a Hindustani classical
raga
.
It is a popular raga of the late night, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century.
n s,g m,D n S
Avarohana
S n D ,m p d, m g R S
: Madhyam (Ma)
Samavadi
: Shadaj (Sa)
Pakad
D n s, m, m P D, M g R S
Varjit Swara
R P in Aaroh
P in avaroh
Jati :
Odhav Shadav
Thaat
: Kafi
Hindustani classical music
Hindustani classical music is the Hindustani or North Indian style of Indian classical music found throughout the northern Indian subcontinent. The style is sometimes called North Indian Classical Music or Shāstriya Sangeet...
raga
Raga
A raga is one of the melodic modes used in Indian classical music.It is a series of five or more musical notes upon which a melody is made...
.
It is a popular raga of the late night, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century.
Arohana & Avarohana
ArohanaArohana
Arohana, Arohanam or Arohan, in the context of North Indian Classical Music and South Indian Classical Music, is the ascending scale of notes in a raga...
n s,g m,D n S
Avarohana
Avarohana
An Avarohana, Avarohanam or Avarohan in Indian classical music terminology is the descending scale of any raga. Each raga has an avarohana and arohana. The notes descend in pitch from the octave tonic down to the lower tonic...
S n D ,m p d, m g R S
Vadi & Samavadi
VadiVadi (Hindustani classical music)
Vadi, in both Hindustani classical music and Carnatic music, is the dominant swara of a given raga . "Vadi is the most sonant or most important note of a Raga." It does not refer to the most played note but it rather refers to a note of special significance.It is usually the swara which is...
: Madhyam (Ma)
Samavadi
Samavadi
In Indian classical music, the second-most prominent note of a raga is referred as samvadi. This could be misleading, as it may not necessarily refer to the second-most played note....
: Shadaj (Sa)
PakadPakadIn Hindustani music, a pakad is a generally-accepted musical phrase thought to encapsulate the essence of a particular raga. The pakad contains the melodic theme of the raga, on listening to the pakad a person who knows the raga is usually able to identify it...
or ChalanChalanChalan or chalán may refer to:* The development of a raga in Hindustani classical music, closely related to the Pakad concept* The rider of a Peruvian Paso horse.* A ferry in México, usually for narrow crossings where there is not a bridge...
D n s, m, m P D, M g R SVarjit Swara
R P in Aaroh
P in avaroh
Jati :
Odhav Shadav
Organization & Relationships
Related ragas: List related ragas here, making each raga a link with .Thaat
Thaat
A thāt is a mode in northern Indian or Hindustani music. Thāts always have seven different pitches and are a basis for the organization and classification of ragas in North Indian classical music.- System :...
: Kafi