Andrea Lanzani
Encyclopedia
Andrea Lanzani was an Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 painter of the Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...

 period.

Biography

Born in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...

 in 1641, Lanzani received an initial academic training as an apprentice in the workshop of Luigi Scaramuccia, where he met Andrea Pozzo
Andrea Pozzo
Andrea Pozzo was an Italian Jesuit Brother, Baroque painter and architect, decorator, stage designer, and art theoretician. He was best known for his grandiose frescoes using illusionistic technique called quadratura, in which architecture and fancy are intermixed...

, a marked influence on his early work. An immediate result of his enrolment at the reopened Ambrosian Academy 1669 was a large-scale depiction of the translation of the remains of Saint Calimerus, painted in 1670 and today in the Ambrosian Library. He made his first trip to Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...

 in 1674 but was back in Milan ten years later as a pupil of Maratta, an instance of the constant effort to keep abreast of new developments that characterised the whole of his career. He left Milan in 1697 to spend a year in Vienna, where he returned at the beginning of the new century and stayed for eight years. He had the opportunity during the latter period to work at the most illustrious courts of Central Europe for clients such as Prince Eugene of Savoy, Prince Adam von Liechtenstein and Count Kaunitz, as attested by major works such the frescoes in the castle of Slavkov near Austerlitz and two canvases at the Schloss Galerie, Pommersfelden. He returned to Milan in 1708 and died there on 30 May 1712.

His painting of St. Carlo Borromeo is considered among his masterpieces.

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