Always Sanchome no Yuhi
Encyclopedia
is a 2005 film co-written and directed by the Japanese filmmaker Takashi Yamazaki
, based on Ryōhei Saigan's long-running manga
Sanchōme no Yūhi
. It was chosen as Best Film at the Japan Academy Prize ceremony.
Norifumi Suzuki, consistently called "Suzuki Auto" by several of the other characters, runs a small auto repair shop, where he lives with his wife, Tomoe, and son, Ippei. Mutsuko Hoshino, a young girl from Aomori prefecture
, comes to live with them and work as Suzuki's apprentice, having applied for the position as a one-year work opportunity. Though Mutsuko is initially shocked and upset at finding Suzuki Auto to be nothing like her expectations - a small auto repair shop where she's expected to do manual labor rather than a large company where she would be doing white-collar clerical work - she soon comes to enjoy her new life. Consistently called "Roku" (an alternate reading of the character
for "Mutsu") by the Suzukis, she quickly becomes like a family member to them. Later in the film, she is given train tickets back to Aomori for the new year as a Christmas
present, but she does not want to go back believing that no one in Aomori wants her to return. However, Tomoe reveals to her the letters she has been receiving from Mutsuko's mother and have kept secretly in accordance with the mother's wishes. Touched, Mutsuko chooses to return home to Aomori excited to be seeing her family again. She happily waves to the Suzukis, whom she thanks for a great year while leaving.
Ryūnosuke Chagawa is a dried-up novelist who lives across the street from the Suzukis and runs a small toy and candy shop out of his house. He writes a series of serial novels called "Shōnen Bōken-dan" (or "The Young Boys Adventure Club"). Though proud of his profession, he seems to be rather down on his luck (or talent) whenever he submits his works to be published or writing contests. Meanwhile, Hiromi Ishizaki, Chagawa's love interest, newly opens a bar nearby and is unpleasantly surprised one day when a man brings a young boy named Junnosuke to her shop. He tells her that his mother abandoned him and since Hiromi and the mother were friends—though Hiromi protests that they were hardly that close—Hiromi should take care of the boy. Hiromi reluctantly takes Junnosuke in for the time being, but is determined to find him another place to stay at. Later that same evening, Chagawa, comes to the bar to drown in his sorrows and Hiromi decides to give Junnosuke to him. Unable to resist Hiromi's charm and persuasion, Chagawa ends up taking charge of Junnosuke. In return for his allowing Junnosuke to stay with him, Hiromi would come by and visit them.
At first, Chagawa is very cold to Junnosuke since he does not really know how to be a proper parent to the boy, but he begins to warm up to him when he discovers that Junnosuke is actually a big fan of his work Shōnen Bōken-dan and the boy is equally awestruck and delighted that the author to his favorite series is right before his eyes. Over the course of the film, both become quite close and Junnosuke begins writing and even ends up having one of his own stories published in the Shōnen Bōken-dan serial.
The relationship between Hiromi and Chagawa also develops over the course of the film, as Hiromi suggests that she could move in and help raise Junnosuke. He eventually proposes to her on Christmas Eve, albeit with an empty box as he cannot yet afford a ring. Touched, she accepts his proposal, but then disappears the following day, seemingly gone from the neighborhood, and thus from Chagawa's life, forever. Her shop is put up for rent and it is revealed that she's "sold" herself off due to the inability to pay off a huge debt.
Somewhere along the way, Junnosuke gets a hold of his mother's whereabouts and tells Ippei about it. Both boys set off to find her, but their attempt ends in failure. Despite this, a wealthy businessman appears one day and claims to be Junnosuke's father. He tells Chagawa that he plans on adopting Junnosuke into his family and reclaim him as the heir to his business empire. Chagawa sends the boy off, thinking that Junnosuke would be much better off with his real father in a wealthy home than with him. After all, Chagawa is quite poor, and does not consider himself a good parent; he feels particularly lost in this matter without Hiromi. Junnosuke escapes, however, and returns to Chagawa, insisting, despite the writer's violent protests, that he would much rather stay with him.
The film is also filled with light-hearted moments which evoke a sense of romanticized nostalgia for 1950s Tokyo, a sub-genre or aesthetic which is quite popular in recent years in Japanese media. Though the Suzuki auto shop is quite small, the family earns enough money to obtain a modern electric refrigerator, and a black-and-white television, which is first switched on in front of the entire community, which has gathered in and around the house. Despite the serious and dark elements of the plot lines, and the overall difficulties of the characters' lives, episodes such as these give a feeling of the nostalgic idea of life in an easier time, a post-war Japanese "good old days".
Japanese Academy Awards
, including the awards for Best Film, Director, Actor and Screenplay. It also won the audience award at the 2006 New York Asian Film Festival
.
(Mutsuko Hoshino, the apprentice), Hidetaka Yoshioka
(Ryunosuke Chagawa, the writer), Shinichi Tsutsumi
(Norifumi Suzuki, the mechanic), Koyuki
(Hiromi Ishizaki, sake bar owner), Hiroko Yakushimaru
(Tomoe Suzuki, the mechanic's wife), Kazuki Koshimizu (Ippei Suzuki, the mechanic's son) and Kenta Suga (Junnosuke Furuyuki, the abandoned boy).
Takashi Yamazaki (film director)
is a Japanese film director, screenwriter and visual effects director. He won the Best Director and Best Screenplay prizes at the Japanese Academy Awards in 2006 for Always Sanchōme no Yūhi...
, based on Ryōhei Saigan's long-running manga
Manga
Manga is the Japanese word for "comics" and consists of comics and print cartoons . In the West, the term "manga" has been appropriated to refer specifically to comics created in Japan, or by Japanese authors, in the Japanese language and conforming to the style developed in Japan in the late 19th...
Sanchōme no Yūhi
Sunset on Third Street
is a Japanese manga series by Ryōhei Saigan. As of 2009, 56 volumes of the manga have been published. It was also a short-lived anime series from 1990 to 1991 and a pair of films: Always Sanchōme no Yūhi and Always Zoku Sanchōme no Yūhi were based on stories and characters from the manga...
. It was chosen as Best Film at the Japan Academy Prize ceremony.
Plot summary
The plot takes place in a small community in post-war Tokyo, and follows the interweaving story threads of a number of the community's residents over the course of a single year as Tokyo Tower is being built.Norifumi Suzuki, consistently called "Suzuki Auto" by several of the other characters, runs a small auto repair shop, where he lives with his wife, Tomoe, and son, Ippei. Mutsuko Hoshino, a young girl from Aomori prefecture
Aomori Prefecture
is a prefecture of Japan located in the Tōhoku Region. The capital is the city of Aomori.- History :Until the Meiji Restoration, the area of Aomori prefecture was known as Mutsu Province....
, comes to live with them and work as Suzuki's apprentice, having applied for the position as a one-year work opportunity. Though Mutsuko is initially shocked and upset at finding Suzuki Auto to be nothing like her expectations - a small auto repair shop where she's expected to do manual labor rather than a large company where she would be doing white-collar clerical work - she soon comes to enjoy her new life. Consistently called "Roku" (an alternate reading of the character
Kanji
Kanji are the adopted logographic Chinese characters hanzi that are used in the modern Japanese writing system along with hiragana , katakana , Indo Arabic numerals, and the occasional use of the Latin alphabet...
for "Mutsu") by the Suzukis, she quickly becomes like a family member to them. Later in the film, she is given train tickets back to Aomori for the new year as a Christmas
Christmas
Christmas or Christmas Day is an annual holiday generally celebrated on December 25 by billions of people around the world. It is a Christian feast that commemorates the birth of Jesus Christ, liturgically closing the Advent season and initiating the season of Christmastide, which lasts twelve days...
present, but she does not want to go back believing that no one in Aomori wants her to return. However, Tomoe reveals to her the letters she has been receiving from Mutsuko's mother and have kept secretly in accordance with the mother's wishes. Touched, Mutsuko chooses to return home to Aomori excited to be seeing her family again. She happily waves to the Suzukis, whom she thanks for a great year while leaving.
Ryūnosuke Chagawa is a dried-up novelist who lives across the street from the Suzukis and runs a small toy and candy shop out of his house. He writes a series of serial novels called "Shōnen Bōken-dan" (or "The Young Boys Adventure Club"). Though proud of his profession, he seems to be rather down on his luck (or talent) whenever he submits his works to be published or writing contests. Meanwhile, Hiromi Ishizaki, Chagawa's love interest, newly opens a bar nearby and is unpleasantly surprised one day when a man brings a young boy named Junnosuke to her shop. He tells her that his mother abandoned him and since Hiromi and the mother were friends—though Hiromi protests that they were hardly that close—Hiromi should take care of the boy. Hiromi reluctantly takes Junnosuke in for the time being, but is determined to find him another place to stay at. Later that same evening, Chagawa, comes to the bar to drown in his sorrows and Hiromi decides to give Junnosuke to him. Unable to resist Hiromi's charm and persuasion, Chagawa ends up taking charge of Junnosuke. In return for his allowing Junnosuke to stay with him, Hiromi would come by and visit them.
At first, Chagawa is very cold to Junnosuke since he does not really know how to be a proper parent to the boy, but he begins to warm up to him when he discovers that Junnosuke is actually a big fan of his work Shōnen Bōken-dan and the boy is equally awestruck and delighted that the author to his favorite series is right before his eyes. Over the course of the film, both become quite close and Junnosuke begins writing and even ends up having one of his own stories published in the Shōnen Bōken-dan serial.
The relationship between Hiromi and Chagawa also develops over the course of the film, as Hiromi suggests that she could move in and help raise Junnosuke. He eventually proposes to her on Christmas Eve, albeit with an empty box as he cannot yet afford a ring. Touched, she accepts his proposal, but then disappears the following day, seemingly gone from the neighborhood, and thus from Chagawa's life, forever. Her shop is put up for rent and it is revealed that she's "sold" herself off due to the inability to pay off a huge debt.
Somewhere along the way, Junnosuke gets a hold of his mother's whereabouts and tells Ippei about it. Both boys set off to find her, but their attempt ends in failure. Despite this, a wealthy businessman appears one day and claims to be Junnosuke's father. He tells Chagawa that he plans on adopting Junnosuke into his family and reclaim him as the heir to his business empire. Chagawa sends the boy off, thinking that Junnosuke would be much better off with his real father in a wealthy home than with him. After all, Chagawa is quite poor, and does not consider himself a good parent; he feels particularly lost in this matter without Hiromi. Junnosuke escapes, however, and returns to Chagawa, insisting, despite the writer's violent protests, that he would much rather stay with him.
The film is also filled with light-hearted moments which evoke a sense of romanticized nostalgia for 1950s Tokyo, a sub-genre or aesthetic which is quite popular in recent years in Japanese media. Though the Suzuki auto shop is quite small, the family earns enough money to obtain a modern electric refrigerator, and a black-and-white television, which is first switched on in front of the entire community, which has gathered in and around the house. Despite the serious and dark elements of the plot lines, and the overall difficulties of the characters' lives, episodes such as these give a feeling of the nostalgic idea of life in an easier time, a post-war Japanese "good old days".
Reception
The film ranked 15th at the Japanese box office in 2005 http://www.jetro.go.jp/en/market/trend/industrial/pdf/jer0610-2e.pdf, and won 12 prizes at the 20062006 in film
- Highest-grossing films :Please note that following the tradition of the English-language film industry, these are the top-grossing films that were first released in the United States in 2006...
Japanese Academy Awards
Japanese Academy Awards
The , often called the Japan Academy Awards or the Japanese Academy Awards, is a series of awards given annually since 1978 by the Nippon Academy-shō Association for excellence in Japanese film...
, including the awards for Best Film, Director, Actor and Screenplay. It also won the audience award at the 2006 New York Asian Film Festival
New York Asian Film Festival
The New York Asian Film Festival was first held in 2002, growing out of the previous year's New York Korean Film Festival...
.
Cast
The cast includes Maki HorikitaMaki Horikita
is a Japanese actress and endorser. She debuted in 2003 as a U-15 idol and has since starred in Japanese television dramas, television and magazine advertisements, and movies.- Childhood:...
(Mutsuko Hoshino, the apprentice), Hidetaka Yoshioka
Hidetaka Yoshioka
', is a Japanese actor known for his performance in several movies as a child and lately the award-winning TV drama Dr. Koto Shinryojo. He notably played the part of Tora-san's little nephew in the "Otoko wa Tsurai yo" film series, and he appeared in Akira Kurosawa's "Rhapsody in August" and...
(Ryunosuke Chagawa, the writer), Shinichi Tsutsumi
Shinichi Tsutsumi
is a Japanese stage and screen actor. He won the Japanese Academy Award for Best Supporting Actor in 2005 for Always Sanchōme no Yūhi.-Profile:*Place of Birth: Nishinomiya, Hyōgo, Japan*Talent Agency: Siscompany-Movies:* Suspect X...
(Norifumi Suzuki, the mechanic), Koyuki
Koyuki
, better known as , is a Japanese model and actress.Koyuki was born in Zama. She started her modeling career in 1995 and has since starred in various Japanese dramas, TV and magazine ad campaigns and films. She frequently appears in Japanese print and television campaigns for the electronics...
(Hiromi Ishizaki, sake bar owner), Hiroko Yakushimaru
Hiroko Yakushimaru
is a Japanese actress and vocalist.After passing the audition for the film produced by Haruki Kadokawa, she began her acting career. Along with teen idols Tomoyo Harada and Noriko Watanabe who made debut after a similar process, she was often described as one of "Kadokawa Sannimusume" in her early...
(Tomoe Suzuki, the mechanic's wife), Kazuki Koshimizu (Ippei Suzuki, the mechanic's son) and Kenta Suga (Junnosuke Furuyuki, the abandoned boy).