Albert Neuhuys
Encyclopedia
Johannes Albert Neuhuys (Utrecht, 10 June 1844 – Locarno (Switzerland
Switzerland
Switzerland name of one of the Swiss cantons. ; ; ; or ), in its full name the Swiss Confederation , is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe,Or Central Europe depending on the definition....

), 6 February 1914) was one of the best known painters of the Laren School and a friend of many of the Hague School
Hague School
The Hague School is the name given to a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively sombre colours, which is why...

 painters.

Neuhuys went to the Municipal Drawing School in Utrecht from 1858-1860 and then worked for the lithographer Van de Weyer in Utrecht, who unfortunately went bankrupt two years later. From that time on, Neuhuys completely devoted himself to drawing and painting. From 1868 to 1872, he took lessons at the Antwerp Academy, where he was supported by a royal stipend. Here he painted interiors, specializing in the shine of satin clothes, after the example of the seventeenth century artist Pieter de Hooch
Pieter de Hooch
Pieter de Hooch was a genre painter during the Dutch Golden Age. He was a contemporary of Dutch Master Jan Vermeer, with whom his work shared themes and style.-Biography:...

.

In 1872 Neuhuys moved to Amsterdam, where he met Jozef Israëls
Jozef Israëls
Jozef Israëls was a Dutch painter, and "the most respected Dutch artist of the second half of the nineteenth century".-Youth:...

, Anton Mauve
Anton Mauve
Anthonij Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. He was a very significant early influence on his cousin-in-law Vincent van Gogh.Most of Mauve's work depicts people and animals in...

 and the brothers Jacob Maris
Jacob Maris
Jacob Maris was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters....

 and Matthijs Maris
Matthijs Maris
Matthias Marris was a Dutch painter, etcher and lithographer. He was also known as Matthijs Maris or Thijs...

. In 1876 he moved to The Hague
The Hague
The Hague is the capital city of the province of South Holland in the Netherlands. With a population of 500,000 inhabitants , it is the third largest city of the Netherlands, after Amsterdam and Rotterdam...

. Much like the other Hague School painters, his detailed manner of painting changed to a much looser stroke. His use of color was also inspired by Jacob Maris and his watercolors became known for their sparkling transparency and the use of light.

The increasing urbanization around The Hague forced the painters of the Hague School to look further afield for their subjects. Israëls pointed out to Neuhuys how picturesque Laren was and he began to work there, eventually buying a home in Laren. Two years later, Anton Mauve
Anton Mauve
Anthonij Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. He signed his paintings 'A. Mauve' or with a monogrammed 'A.M.'. He was a very significant early influence on his cousin-in-law Vincent van Gogh.Most of Mauve's work depicts people and animals in...

also moved there and, together with him, Neuhuys was regarded as the founder of the Laren School. He painted the farmers and weavers in their homes and rented a flax barn where he drew and painted spinners.

In 1885 he moved to Hilversum, from 1900 to 1910 he lived in Amsterdam, where he was known to many for his colorful Laren rural interiors work. He moved to Zurich in 1910, but continued to visit Laren in the spring and autumn. He died on February 6, 1914 in Orselina near Locarno and he was buried in The Hague.

Source

  • Sillevis, John and Tabak, Anne, The Hague School Book, Waanders Uitgegevers, Zwolle, 2004 (pp 323-330)
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