See also: The Road

Outer Dark (1968)

• The man sat watching the road, the weedstem twirling in his mouth and the threadthin shadow of it going long and short upon his face like a sundial's hand beneath a sun berserk.

• What discordant vespers do the tinker's goods chime through the long twilight and over the brindled forest road, him stooped and hounded through the windy recrements of the day like those old exiles who divorced of corporeality and enjoined ingress of heaven or hell wander forever the middle warrens spoorless increate and anathema.

• And as he lay there a far crack of lightning went bluely down the sky and bequeathed him in an embryonic bird's first fissured vision of the world and transpiring instant and outrageous from dark to dark a final view of the grotto and the shapeless white plasm struggling upon the rich and incunabular moss like a lank swamp hare.

• And she waited again at the front door with it open, poised between the maw of the dead and loveless house and the outer dark like a frail thief.

• Now the entire herd had begun to wheel wider and faster along the bluff and the outermost ranks swung centrifugally over the escarpment row on row wailing and squealing and above this the howls and curses of the drovers that now upreared in the moil of flesh they tended and swept with dust had begun to assume satanic looks with their staves and wild eyes as if they were no true swineheards but disciples of darkness got among these charges to herd them to their doom.

• Don't flang him off the bluff, boys. Tain't christian.

Suttree (1979)

• In the long arcade of the bus station footfalls come back like laughter. He marches darkly toward his darkly marching shape in the glass of the depot door. His fetch come up from life's other side like an autoscopic hallucination, Suttree and Antisuttree, hand reaching to the hand.
  • Chapter 1, page 28

• How surely are the dead beyond death. Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse. Far from it.

• Where hunters and woodcutters once slept in their boots by the dying light of their thousand fires and went on, old teutonic forebears with eyes incandesced by the visionary light of a massive rapacity, wave on wave of the violent and the insane, their brains stoked with spoorless analogues of all that was, lean aryans with their abrogate semitic chapbook reenacting the dramas and parables therein and mindless and pale with a longing that nothing save dark's total restitution could appease.
  • page 4

• Put away these frozenjawed primates and their annals of ways beset and ultimate dark. What deity in the realms of dementia, what rabid god decocted out of the smoking lobes of hydrophobia could have devised a keeping place for souls so poor as in this flesh. This mawky wormbent tabernacle.
  • page 130

• He reached down and tapped Suttree's knee with his forefinger. You, my good buddy, are a fourteen carat gold plated son of a bitch. That's what your problem is. And that being your problem, there's not a whole lot of people in sympathy with you. Or with your problem.

• I believe it's the end of the world.
  What?
  Harrogate was looking at the pavement. He said it again.
  Look at me, Suttree said.
  He looked up. Sad pinched face, streaked with grime.
  Are you serious?
  Well what do you think about it?
  Suttree laughed.
  It aint funny, said Harrogate.
  You're funny, you squirrely son of a bitch. Do you think the world will end just because you're cold?
  It aint just me. It's cold all over.
  It's not cold by Rufus's stove. Now get your ass up there. I'll see you later.
  • page 173

• The priest looked at him. Do I know you? he said.
  Suttree placed one hand on the pew in front of him. An old woman was going along the altar rail with a dusting rag. He struggled to his feet. No, he said. You dont know me.
  The priest stepped back, inspecting is clothes, his fishstained shoes.
  I just fell asleep a minute. I was resting.
  The priest gave a little smile, lightly touched with censure, remonstrance gentled. God's house is not exactly the place to take a nap, he said.
  It's not God's house.
  I beg your pardon?
  It's not God's house.
  Oh?
  Suttree waved his hand vaguely and stepped past the priest and went down the aisle. The priest watched him. He smiled sadly, but a smile for that.
  • page 255

• And what happens then?
  When?
  After you're dead.
  Dont nothing happen. You're dead.
  You told me once you believed in God.
  The old man waved his hand. Maybe, he said. I got no reason to think he believes in me. Oh I'd like to see him for a minute if I could.
  What would you say to him?
  Well, I think I'd just tell him. I'd say: Wait a minute. Wait just one minute before you start in on me. Before you say anything, there's just one thing I'd like to know. And he'll say: what's that? And then I'm goin to ast him: What did you have me in that crapgame down there for anyway? I couldnt put any part of it together.
  Suttree smiled. What do you think he'll say?
  The ragpicker spat and wiped his mouth. I dont believe he can answer it. I dont believe there is an answer.
  • page 258

• Somewhere in the gray wood by the river is the huntsman and in the brooming corn and in the castellated press of cities. His work lies all wheres and his hounds tire not. I have seen them in a dream, slaverous and wild and their eyes crazed with ravening for souls in this world. Fly them.

Blood Meridian (1985)

• A man’s at odds to know his mind cause his mind is aught he has to know it with.

• La gente dice que el coyote es un brujo. Muchas veces el brujo es un coyote.

• My book or some other book said the judge. What is to be deviates no jot from the book wherein it's write. How could it? It would be a false book and a false book is no book at all.

• I can man anything that eats. Get me a piece of jerky. -- John Joel Glanton.

• Jackson, pistols drawn, lurched into the street vowing to Shoot the ass off Jesus Christ, the longlegged white son of a bitch.

• War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner.

• And the answer, said the judge. If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet? The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day. He loves games? Let him play for stakes. This you see here, these ruins wondered at by tribes of savages, do you not think that this will be again? Aye. And again. With other people, with other sons.

• The judge looked about him. He was sat before the fire naked save for his breeches and his hands rested palm down upon his knees. His eyes were empty slots. None among the company harbored any notion as to what this attitude implied, yet so like an icon was he in his sitting that they grew cautious and spoke with circumspection among themselves as if they would not waken something that had better been left sleeping.

• The judge placed his hands on the ground. He looked at his inquisitor. This is my claim, he said. And yet everywhere upon it are pockets of autonomous life. Autonomous. In order for it to be mine nothing must be permitted to occur upon it save by my dispensation.

• Toadvine sat with his boots crossed before the fire. No man can acquaint himself with everything on this earth, he said.

• Whatever exists, he [the judge] said. Whatever in creation exists without my knowledge exists without my consent.

• Only nature can enslave man and only when the existence of each last entity is routed out and made to stand naked before him will he be properly suzerain of the earth. --The judge.

• Because he is a special kind of keeper. A suzerain rules even where there are other rulers. His authority countermands local judgments. --The judge.

• The judge tilted his great head. The man who believes that the secrets of this world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.

• The freedom of birds is an insult to me. I'd have them all in zoos. --The judge.

• His among the clouded faces seemed unperturbed. He looked over the Americans, their gear. In truth, they did not look like men who might have whiskey they hadn't drunk.

• The arc of circling bodies is determined by the length of their tether, said the judge. Moons, coins, men. his hands moved as if he were pulling something from one fist in a series of elongations. Watch the coin, Davey, he said.

• It makes no difference what men think of war, said the judge. War endures. As well ask men what they think of stone. War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner. That is the way it was and will be. That way and not some other way.

• The judge smiled. Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But the trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up the game, player, all.

• War is the ultimate game because war is at last a forcing of the unity of existence. War is god. --The judge.

• Notions of chance and fate are the preoccupation of men engaged in rash undertakings.

• Moral law is an invention of mankind for the disenfranchisement of the powerful in favor of the weak. Historical law subverts it at every turn. A moral view can never be proven right or wrong by any ultimate test. A man falling dead in a duel is not thought thereby to be proven in error as to his views. His very involvement in such a trial gives evidence of a new and broader view. --The judge.

• In that sleep and in sleep to follow the judge did visit. Who would come other? A great shambling mutant, silent and serene. Whatever his antecedents, he was something wholly other than their sum, nor was there system by which to divide him back into his origins for he would not go. Whoever would seek out his history through what unraveling of loins and ledgerbooks must stand at last darkened and dumb at the shore of a void without terminus or origin and whatever science he might bring to bear upon the dusty primal matter blowing down out of the millennia will discover no trace of ultimate atavistic egg by which to reckon his commencing.

• When the lambs is lost in the mountain, he said. They is cry. Sometime come the mother. Sometime the wolf.

• Drink up, he said. Drink up. This night thy soul may be required of thee. --The judge.

• At dusk they halted and built a fire and roasted the deer. The night was much enclosed about them and there were no stars. To the north they could see other fires that burned red and sullen along the invisible ridges. They ate and moved on, leaving the fire on the ground behind them, and as they rode up into the mountains this fire seemed to become altered of its location, now here, now there, drawing away, or shifting unaccountably along the flank of their movement. Like some ignis fatuus belated upon the road behind them which all could see and of which none spoke. For this will to deceive that is in things luminous may manifest itself likewise in retrospect and so by sleight of some fixed part of a journey already accomplished may also post men to fraudulent destinies.

All the Pretty Horses (1992)

• She came from the shower wrapped in a towel and she sat on the bed and took his hand and looked down at him. I cannot do what you ask, she said. I love you. But I cannot. He saw very clearly how all his life led only to this moment and all after led nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave.

• He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world as he lay there the agony in his heart was like a stake. He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and he thought he knew what made one liable to its visitations. What he had not known was that it was mindless and so had no way to know the limits of those souls and what he feared was that there might be no limits.

• He remembered Alejandra and the sadness he'd first seen in the slope of her shoulders which he'd presumed to understand and of which he knew nothing and he felt a loneliness he'd not known since he was a child and he felt wholly alien to the world although he loved it still. He thought the world's heart beat at some terrible cost and that the world's pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.

• He thought he'd be an object of some curiosity but the people he saw only nodded gravely to him and passed on. The floor of the cafe was packed mud newly swept and he was the only customer. He stood the rifle against the wall and ordered huevos revueltos and a cup of chocolate and he sat and waited for it to come and then he ate very slowly. The food was rich to his taste and the chocolate was made with canela and he drank it and ordered another and folded a tortilla and ate and watched the horses standing in the square across the street and watched the girls. They'd hung the gazebo with crepe and it looked like a festooned brush-pile. The proprietor showed him great courtesy and brought him fresh tortillas hot from the comal and told him that there was to be a wedding and that it would be a pity if it rained. He inquired where he might be from and showed surprise he'd come so far. He stood at the window of the empty cafe and watched the activities in the square and he said that it was good God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.

• Where is your country? he said.
  I don't know, said John Grady. I don't know where it is. I don't know what happens to country.

• I cant back up and start over. But I don't see the point in slobberin over it. And I cant see where it would make me feel better to be able to point a finger at somebody else.

• There aint but one truth, said John Grady. The truth is what happened. It aint what come out of somebody's mouth.

• There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God - who knows all that can be known - seems powerless to change.

The Crossing (1994)

• If you could breathe a breath so strong you could blow out the wolf. Like you blow out the copo. Like you blow out the fire from the candela. The wolf is made the way the world is made. You cannot touch the world. You cannot hold it in your hand for it is made of breath only.

• The road has its own reasons and no two travelers will have the same understanding of those reasons. If indeed they come to an understanding of them at all.

• When he looked back at the primadonna she was watching them through the spyglasses. As if she might better assess them in that way where they set forth upon the shadowbanded road, the coming twilight. Inhabiting only that ocular ground in which the country appeared out of nothing and vanished again into nothing, tree and rock and the darkening mountains beyond, all of it contained and itself containing only what was needed and nothing more.

• We think we are the victims of time. In reality, the way of the world isn't fixed anywhere. How could that be possible? We are our own journey. And therefore we are time as well. We are the same. Fugitive. Inscrutable. Ruthless.

• Billy asked him if such men as had stole his eyes were only products of the war but the blind man said that since war itself was their very doing that could hardly be the case.

• Your brother is still young enough to believe that the past still exists, he said. That the injustices within it await his remedy.

• You do not know what things you set in motion, he said. No man can know. No prophet foresee. The consequences of an act are often quite different from what one would guess. You must be sure that the intention in your heart is large enough to contain all wrong turnings, all disappointments. Do you see? Not everything has such value.

• He said that while one would like to say that God will punish those who do such things and that people often speak in just this way it was his experience that God could not be spoken for and that men with wicked histories often enjoyed lives of comfort and that they died in peace and were buried with honor. He said that it was a mistake to expect too much of justice in this world. He said that the notion that evil is seldom rewarded was greatly overspoken for if there were no advantage to it then men would shun it and how could virtue then be attached to its repudiation?

• The world has no name, he said. The names of the cerros and the sierras and the deserts exist only on maps. We name them so that we do not lose our way. Yet it was because the way was lost to us already that we have made those names. The world cannot be lost. We are the ones. And it is because these names and these coordinates are our own naming that they cannot save us. That they cannot find for us the way again.

• He said that both views were one view and that while men may meet with death in strange and obscure places which they might well have avoided it was more correct to say that no matter how hidden or crooked the path to their destruction yet they would seek it out. He smiled. He spoke as one who seemed to understand that death was the condition of existence and life but an emanation thereof.

Unsourced

• I don't know why I started writing. I don't know why anybody does it. Maybe they're bored, or failures at something else.

• If there is an occupational hazard to writing, it's drinking.