Yakusha-e
Encyclopedia
Woodblock printing
Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper....
or, rarely, paintings, of kabuki
Kabuki
is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill...
actors, particularly those done in the ukiyo-e
Ukiyo-e
' is a genre of Japanese woodblock prints and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters...
style popular through the Edo period
Edo period
The , or , is a division of Japanese history which was ruled by the shoguns of the Tokugawa family, running from 1603 to 1868. The political entity of this period was the Tokugawa shogunate....
(1603–1867) and into the beginnings of the 20th century. Most strictly, the term yakusha-e refers solely to portraits of individual artists (or sometimes pairs, as seen in this work by Sharaku
Sharaku
is widely considered to be one of the great masters of the woodblock printing in Japan. Little is known of him, besides his ukiyo-e prints; neither his true name nor the dates of his birth or death are known with any certainty...
). However, prints of kabuki scenes and of other elements of the world of the theater are very closely related, and were more often than not produced and sold alongside portraits.
Ukiyo-e images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Woodblock prints would be sold as promotional materials outside the theaters, and would be quite inexpensive, the equivalent of roughly 300 to 500 yen ($ 2.57 to $ 4.30, €
Euro
The euro is the official currency of the eurozone: 17 of the 27 member states of the European Union. It is also the currency used by the Institutions of the European Union. The eurozone consists of Austria, Belgium, Cyprus, Estonia, Finland, France, Germany, Greece, Ireland, Italy, Luxembourg,...
2.00 to € 3.35) today.
Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail. Scholars have been able to identify the subjects of many prints down to not only the play, roles, and actors portrayed, but often the theater, year, month, and even day of the month as well.
Development of the form
Over the course of the Edo period, as ukiyo-e as a whole developed and changed as a genre, yakusha-e went through a number of changes as well. Many prints, particularly earlier ones, depict actors generically, and very plainly, showing in a sense their true natures as actors merely playing at roles. Many other prints, meanwhile, take something of the opposite tack; they show kabuki actors and scenes very elaborately, intentionally obscuring the distinction between a play and the actual events it seeks to evoke.Only a few artists were innovative enough to stand apart from the masses, creating works more distinctive in style. These artists, beginning with Katsukawa Shunshō
Katsukawa Shunsho
was a Japanese painter and printmaker in the ukiyo-e style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is most well known for introducing a new form of...
, depicted actors elaborately and idealistically, but with the realistic details of individualized faces. Individual actors, such as Ichikawa Danjūrō V
Ichikawa Danjuro V
Ichikawa Danjūrō V , also known as Ichikawa Ebizō, was one of the most famous and popular Kabuki actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the hyōbanki, an annual Edo publications which evaluated actors and performances...
, can now be recognized across roles and even as depicted by different artists.
Torii Kiyonobu (1664–1729) was likely one of the first to produce actor prints in the mainstream ukiyo-e style. An artist from the Torii school
Torii school
This article is about a school of ukiyo-e art; for the sculpture style, see Tori style. For the Torii samurai clan, see Torii family.The Torii school was a school of ukiyo-e painting and printing founded in Edo...
which painted theater signboards, Kiyonobu was no stranger to the theater or to artistic depictions of it. In 1700, he published a book of full-length portraits of Edo kabuki actors in various roles. Though he took much, stylistically, from the Torii school style as a whole, there are significant elements of his style that were innovative and new. His dramatic forms would guide the core of ukiyo-e style for the next eighty years. It is possible that his prints may have even affected kabuki itself, as actors sought to match their performances to the dramatic, bombastic, and intense poses of the art.
By the 1740s, artists such as Torii Kiyotada were making prints depicting not only the actors themselves, in portraits or in stage scenes, but the theaters themselves, including the audience, architecture, and various staging elements.
Throughout the 18th century, many ukiyo-e artists produced actor prints and other depictions of the kabuki world. Most of these drew strongly upon the Torii style, and were essentially promotional works, "generalized, highly stylized billboards meant to attract the crowd with their bold line and color". It was not until the 1760s and the emergence of Katsukawa Shunshō that actors began to be portrayed in such a way that the individual actors could be identified across different prints depicting different roles. Shunshō focused on facial features and idiosyncrasies of the individual actors.
This drastic change in style was emulated by Shunshō's students of the Katsukawa school
Katsukawa school
The Katsukawa school was a school of Japanese ukiyo-e art, founded by Miyagawa Shunsui. It specialized in paintings and prints of kabuki actors , sumo wrestlers, and beautiful women ....
, and by many other ukiyo-e artists of the period. The realistic, individualized style replaced that of the Torii school's idealistic, dramatic, but ultimately generalized style which had dominated for seventy years.
Sharaku is one of the most famous and influential yakusha-e printers along with Kiyonobu; working roughly a century after Kiyonobu, the two are often said to represent the beginnings and peak of kabuki depictions in prints. Sharaku's works are very bold and energetic, and demonstrate an unmistakably unique style. His portraits are easily among the most individualized and distinctive portrayals in all of ukiyo-e. However, his personal style was not emulated by other artists, and can be seen only in the works created by Sharaku himself, during the incredibly short period in which he produced prints, between 1794 and 1795.
Meanwhile, Utagawa Toyokuni emerged almost simultaneously with Sharaku. His most well-known actor prints were published in 1794-1796, in a collection called Yakusha butai no sugata-e (役者舞台の姿絵, "Views of Actors on Stage"). Though his works lack the unique energy of Sharaku's, he is considered one of the greatest artists in "large-head" portraits, and in ukiyo-e in general for his depictions of other subjects and in other formats. Though the figure print began to enter serious decline around the turn of the 19th century, headshot portraits continued to be produced. Artists of the Utagawa school
Utagawa school
The was a group of Japanese woodblock print artists, founded by Toyoharu. His pupil, Toyokuni I, took over after Toyoharu's death and raised the group to become the most famous and powerful woodblock print school for the remainder of the 19th century....
, emulating Toyokuni's style, created highly characterized depictions of artists that, while not particularly realistic, were nevertheless highly individualized. The characters and, perhaps, actual appearances of a great number of individual actors, who would otherwise be known only by their names, are thus known to modern scholarship.
See also
- BijingaBijingaBijinga , is a generic term for pictures of beautiful women in Japanese art, especially in woodblock printing of the ukiyo-e genre, which predate photography...
- Ukiyo-e depictions of beautiful women - Mitate-e - Portrayals of actors in imagined or fantasy roles which they never in fact played.