Words and Music (musical)
Encyclopedia
Words and Music is a musical
revue
with sketches, music, lyrics and direction by Noël Coward
. The revue introduced the song "Mad About the Boy
", which, according to The Noël Coward Society's website, is Coward's most popular song. The critics praised the show's sharp satire and verbal cleverness.
on 16 September 1932, after a Manchester Opera House
tryout in August 1932. It consisted of a series of sketches, some with songs, and starred Ivy St. Helier
, Joyce Barbour, John Mills
, Romney Brent
, and Doris Hare and, in a small part, Graham Payn
. It ran for 164 performances, short of the two years Coward had expected, closing on 4 February 1933.
The Manchester Guardian wrote of the show,
The Times
wrote, "Mr. Coward has the gift of attack... he had the audience cheering before the opening chorus was spent.... Mr. Coward has, above all else, the gift of satire, and this revue, being primarily satirical, is his best work in the musical kind... the active fierceness which is the distinction between genuine satire and empty sneering." The paper thought "Something to do with Spring" the only failure in the show, praised "Mad About the Boy", "Midnight Matinée" and the parodies of Casanova and Journey's End
, and was undecided about "Let's Say Goodbye." It praised the performances of St Helier, Brent, Hare, Barbour, Steffi Duna and Nora Howard. The Daily Mirror commented, Words and Music "bears the stamp of genius.... 'Mad Dogs and Englishmen' is another song that goes with such snap and sparkle that it is bound to be heard wherever there are gramophones and pianos.... Words and Music has nothing in common with the average revue. Mr Coward, indeed, lifts it far above the ordinary".
Coward later said of the show, "Words and Music was almost a very good revue, but it wasn't quite. I've never quite made up my mind why. It could possibly have been my fault. But it wasn't entirely. It had no great big star in it, though there was a wonderful cast."
The show was revised and opened on Broadway
in 1939 with the title Set to Music
.
The Noël Coward Society's website, drawing on performing statistics from the publishers and the Performing Rights Society, names "Mad About the Boy" as Coward's most popular song. "Mad Dogs and Englishmen" is also among the top ten most performed Coward songs. "The Party's Over Now" ranks in the top thirty of Coward songs.
Musical theatre
Musical theatre is a form of theatre combining songs, spoken dialogue, acting, and dance. The emotional content of the piece – humor, pathos, love, anger – as well as the story itself, is communicated through the words, music, movement and technical aspects of the entertainment as an...
revue
Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance and sketches. The revue has its roots in 19th century American popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932...
with sketches, music, lyrics and direction by Noël Coward
Noël Coward
Sir Noël Peirce Coward was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".Born in Teddington, a suburb of London, Coward attended a dance academy...
. The revue introduced the song "Mad About the Boy
Mad About the Boy
Dinah Washington's 1952 recording of "Mad about the Boy" is possibly the most widely known version of the song in modern times. The 6/8-time arrangement for voice and jazz orchestra by Quincy Jones omits two verses and was recorded in the singer's native Chicago on the Mercury label.Washington's...
", which, according to The Noël Coward Society's website, is Coward's most popular song. The critics praised the show's sharp satire and verbal cleverness.
History and reception
The show opened in London at the Adelphi TheatreAdelphi Theatre
The Adelphi Theatre is a 1500-seat West End theatre, located on the Strand in the City of Westminster. The present building is the fourth on the site. The theatre has specialised in comedy and musical theatre, and today it is a receiving house for a variety of productions, including many musicals...
on 16 September 1932, after a Manchester Opera House
Manchester Opera House
The Opera House in Quay Street, Manchester, England is a 1,920 seater commercial touring theatre which plays host to touring musicals, ballet, concerts and a Christmas pantomime. It is the sister to the Palace Theatre which is a similar venue in nearby Oxford Street at its junction with Whitworth...
tryout in August 1932. It consisted of a series of sketches, some with songs, and starred Ivy St. Helier
Ivy St. Helier
Ivy St. Helier was a British stage actress, composer and lyricist.On the stage, St. Helier played Manon la Crevette in the original production of Noel Coward's operetta Bitter Sweet , a role she reprised in the 1933 film version...
, Joyce Barbour, John Mills
John Mills
Sir John Mills CBE , born Lewis Ernest Watts Mills, was an English actor who made more than 120 films in a career spanning seven decades.-Life and career:...
, Romney Brent
Romney Brent
Romney Brent was a Mexican-born actor, director and dramatist. Most of his career was on stage in North America, but in the 1930s he was frequently seen on the London stage, on television and in films.-Biography:...
, and Doris Hare and, in a small part, Graham Payn
Graham Payn
Graham Payn was a South African-born English actor and singer, also known for being the life partner of the playwright Noël Coward. Beginning as a boy soprano, Payn later made a career as a singer and actor in the works of Coward and others...
. It ran for 164 performances, short of the two years Coward had expected, closing on 4 February 1933.
The Manchester Guardian wrote of the show,
- "Mr. Coward has never sharpened his quill to better purpose than here. In many of the numbers his neatly polished libretto has more than mere verbal ingenuity, and his musical score, though by this time its conventions are familiar, shows a wide and diverting range both in parody and in construction... an acid Anglo-Indian scene with a chorus of sahibs declaiming that 'no matter how much we sozzle and souse, the sun never sets upon Government House', leads to a swinging mock-heroic number with the refrain 'But mad dogs and Englishmen go out in the midday sun' that has a true GilbertianW. S. GilbertSir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
flavour."
The Times
The Times
The Times is a British daily national newspaper, first published in London in 1785 under the title The Daily Universal Register . The Times and its sister paper The Sunday Times are published by Times Newspapers Limited, a subsidiary since 1981 of News International...
wrote, "Mr. Coward has the gift of attack... he had the audience cheering before the opening chorus was spent.... Mr. Coward has, above all else, the gift of satire, and this revue, being primarily satirical, is his best work in the musical kind... the active fierceness which is the distinction between genuine satire and empty sneering." The paper thought "Something to do with Spring" the only failure in the show, praised "Mad About the Boy", "Midnight Matinée" and the parodies of Casanova and Journey's End
Journey's End
Journey's End is a 1928 drama, the seventh of English playwright R. C. Sherriff. It was first performed at the Apollo Theatre in London by the Incorporated Stage Society on 9 December 1928, starring a young Laurence Olivier, and soon moved to other West End theatres for a two-year run...
, and was undecided about "Let's Say Goodbye." It praised the performances of St Helier, Brent, Hare, Barbour, Steffi Duna and Nora Howard. The Daily Mirror commented, Words and Music "bears the stamp of genius.... 'Mad Dogs and Englishmen' is another song that goes with such snap and sparkle that it is bound to be heard wherever there are gramophones and pianos.... Words and Music has nothing in common with the average revue. Mr Coward, indeed, lifts it far above the ordinary".
Coward later said of the show, "Words and Music was almost a very good revue, but it wasn't quite. I've never quite made up my mind why. It could possibly have been my fault. But it wasn't entirely. It had no great big star in it, though there was a wonderful cast."
The show was revised and opened on Broadway
Broadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
in 1939 with the title Set to Music
Set to Music
Set to Music is a musical revue with sketches, music and lyrics by Noël Coward.Produced by John C. Wilson, the Broadway production opened on January 15, 1939 at the Music Box Theatre, where it ran for 129 performances...
.
Sketches
One sketch was titled "Journey's End", and was a parody of the R. C. Sherriff play of the same name. It "camps up carnage...balloons being flung onto the stage...and the orchestra playing Deutschland über Alles. Another sketch, singled out for praise by both The Manchester Guardian and The Daily Mirror, was "Children's Hour" in which Coward satirised the pretensions of adults by putting their high-flown remarks into the mouths of children. The sketch ended with the song "Let’s Live Dangerously", "a merry little skit on present day habits"Songs
(In the order printed in The Lyrics of Noël Coward, pp. 114-18):- Maggie (opening chorus)
- Débutantes
- Let's Live Dangerously
- Children of the Ritz
- Mad Dogs and EnglishmenMad Dogs and Englishmen (song)"Mad Dogs and Englishmen" is a song written by Noël Coward and first performed in The Third Little Show at the Music Box Theatre, New York, on 1 June 1931, by Beatrice Lillie. The following year it was used in the revue Words and Music and also released in a "studio version"...
- Planters' Wives
- Let's Say Good-bye
- The Hall of Fame
- Mad About the BoyMad About the BoyDinah Washington's 1952 recording of "Mad about the Boy" is possibly the most widely known version of the song in modern times. The 6/8-time arrangement for voice and jazz orchestra by Quincy Jones omits two verses and was recorded in the singer's native Chicago on the Mercury label.Washington's...
- Journey's End
- Housemaids' Knees
- Three White Feathers
- Description of Ballets
- Something to Do With Spring
- The Wife of an Acrobat
- The Younger Generation
- Midnight Matinée
- The Party's Over Now
The Noël Coward Society's website, drawing on performing statistics from the publishers and the Performing Rights Society, names "Mad About the Boy" as Coward's most popular song. "Mad Dogs and Englishmen" is also among the top ten most performed Coward songs. "The Party's Over Now" ranks in the top thirty of Coward songs.