Modernist
poet. He was born in Reading, Pennsylvania
, educated at Harvard and then New York Law School, and spent most of his life working as a lawyer for the Hartford insurance company in Connecticut
.
His best-known poems include "Anecdote of the Jar
", "Disillusionment of Ten O'Clock
", "The Emperor of Ice-Cream
", "The Idea of Order at Key West
", "Sunday Morning
", "The Snow Man
", and "Thirteen Ways of Looking at a Blackbird
", all of which appear in his Collected Poems for which he won the Pulitzer Prize for Poetry
in 1955.
The son of a prosperous lawyer, Stevens attended Harvard
as a non-degree special student, after which he moved to New York City
and briefly worked as a journalist
.
One ought not to hoard culture. It should be adapted and infused into society as a leaven. Liberality of culture does not mean illiberality of its benefits.
A diary is more or less the work of a man of clay whose hands are clumsy and in whose eyes there is no light.
Poor, dear, silly Spring, preparing her annual surprise!
In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American — on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
How full of trifles everything is! It is only one’s thoughts that fill a room with something more than furniture.
Unfortunately there is nothing more inane than an Easter carol. It is a religious perversion of the activity of Spring in our blood.
The day of the sun is like the day of a king. It is a promenade in the morning, a sitting on the throne at noon, a pageant in the evening.
Poetry is the supreme fiction, madame.Take the moral law and make a nave of itAnd from the nave build haunted heaven. Thus,The conscience is converted into palms,Like windy citherns hankering for hymns.
We agree in principle. That's clear. But takeThe opposing law and make a peristyle,And from the peristyle project a masqueBeyond the planets. Thus, our bawdiness,Unpurged by epitaph, indulged at last,Is equally converted into palms,Squiggling like saxophones. And palm for palm,Madame, we are where we began.