Vintage Stock
Encyclopedia
Vintage Stock is a compilation album
Compilation album
A compilation album is an album featuring tracks from one or more performers, often culled from a variety of sources The tracks are usually collected according to a common characteristic, such as popularity, genre, source or subject matter...

 consisting of hit singles, b-sides and unreleased material recorded by Mary Wells
Mary Wells
Mary Esther Wells was an American singer who helped to define the emerging sound of Motown in the early 1960s...

 during the R&B singer's tenure at Motown
Motown Records
Motown is a record label originally founded by Berry Gordy, Jr. and incorporated as Motown Record Corporation in Detroit, Michigan, United States, on April 14, 1960. The name, a portmanteau of motor and town, is also a nickname for Detroit...

. Released two years after she departed from the label in 1964 after spending four years in the label establishing herself as Motown's first star.

Side one

  1. "The One Who Really Loves You
    The One Who Really Loves You
    The One Who Really Loves You is the second album recorded by R&B singer and Motown recording artist Mary Wells, released in 1962 on the Motown label. Released after the runaway success of Wells' first top ten pop singles, the album became Motown's first top ten album peaking at number 8 on the pop...

  2. "When I'm Gone
    When I'm Gone (Motown song)
    "When I'm Gone" is a song written by Smokey Robinson and a single he produced twice, one for early Motown star Mary Wells and the other for fellow Motown vocalist Brenda Holloway...

    " (later covered by Brenda Holloway
    Brenda Holloway
    Brenda Holloway is an American singer and songwriter, a recording artist for the Motown label during the 1960s...

    )
  3. "He's The One I Love" (later covered by Tammi Terrell
    Tammi Terrell
    Thomasina Winifred Montgomery, known as Tammi Terrell was an American singer-songwriter most notable for her association with Motown and her duets with Marvin Gaye. As a teenager she recorded for the Scepter–Wand, Try Me and Checker record labels. She signed with Motown in April 1965 and enjoyed...

    )
  4. "Two Lovers
    Two Lovers (Mary Wells song)
    "Two Lovers" is a single released in 1962 by Mary Wells on the Motown record label. The song was the third consecutive hit to be both written and produced by Smokey Robinson of The Miracles and recorded by Mary Wells, the two previous charters being "The One Who Really Loves You" and "You Beat Me...

    "
  5. "Guarantee (For a Lifetime)"
  6. "Honey Boy"

Side two

  1. "My Guy
    My Guy
    "My Guy" is a 1964 number-one hit single recorded by Mary Wells for the Motown label. Written and produced by Smokey Robinson of The Miracles, the song is a woman's dedication to the goodness of her man .The single became the biggest hit ever for Wells, Motown's first female star, and reached the...

    "
  2. "Everybody Needs Love
    Everybody Needs Love (Temptations song)
    "Everybody Needs Love" is a 1964 Motown song by Norman Whitfield and Edward Holland, Jr.. The first version released was by The Temptations for their album The Temptin' Temptations in 1965 , but the most successful version was on a single by Gladys Knight & the Pips, which peaked at #39 on the...

    " (later covered by The Velvelettes
    The Velvelettes
    The Velvelettes was an American singing girl group, signed to Motown in the 1960s.-Early years and establishment:The group was founded in 1961 by Bertha Barbee McNeal and Mildred Gill Arbor, students at Western Michigan University. Mildred recruited her younger sister Carolyn , who was in 9th...

     and Gladys Knight & the Pips
    Gladys Knight & the Pips
    Gladys Knight & The Pips were an R&B/soul family musical act from Atlanta, Georgia, active from 1953 to 1989. The group was best known for their string of hit singles on Motown's "Soul" record label and Buddah Records from 1967 to 1975, including "I Heard It Through the Grapevine" and "Midnight...

    )
  3. "You Beat Me to the Punch
    You Beat Me to the Punch
    "You Beat Me to the Punch" is a soul single by Motown singer Mary Wells, released on the Motown label in 1962. It was co-written by Smokey Robinson of The Miracles, who was responsible for the majority of hits released by Wells while she was a Motown artist, and another Miracles member, Ronnie...

    "
  4. "I'll Be Available" (later covered by Brenda Holloway)
  5. "One Block From Heaven"
  6. "Good-Bye And Good Luck"

Personnel

  • Lead vocals by Mary Wells
    Mary Wells
    Mary Esther Wells was an American singer who helped to define the emerging sound of Motown in the early 1960s...

  • Background vocals by and The Rayber Voices, The Love Tones, The Temptations
    The Temptations
    The Temptations is an American vocal group having achieved fame as one of the most successful acts to record for Motown Records. The group's repertoire has included, at various times during its five-decade career, R&B, doo-wop, funk, disco, soul, and adult contemporary music.Formed in Detroit,...

    , The Supremes
    The Supremes
    The Supremes, an American female singing group, were the premier act of Motown Records during the 1960s.Originally founded as The Primettes in Detroit, Michigan, in 1959, The Supremes' repertoire included doo-wop, pop, soul, Broadway show tunes, psychedelic soul, and disco...

     and The Andantes
    The Andantes
    The Andantes were a prolific female sessions group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, The Temptations, Stevie...

  • Instrumentation
    Instrumentation (music)
    In music, instrumentation refers to the particular combination of musical instruments employed in a composition, and to the properties of those instruments individually...

     by The Funk Brothers
    The Funk Brothers
    The Funk Brothers was the nickname of Detroit, Michigan, session musicians who performed the backing to most Motown Records recordings from 1959 until the company moved to Los Angeles in 1972...

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