Introduction

The Tommy Tucker Orchestra entertained many listeners as a big band in the 30s and 40s. Popular as a dance band, the Tucker orchestra played concert halls, theatres, hotels and various venues across the country—for a span of 25 years. Recorded for Okeh in June 1941, his biggest hit, I Don't Want to Set the World on Fire, achieved status as a Gold Record. Tucker wrote his own theme song, I Love You (Oh, How I Love You); it was published on four record labels, including Brunswick, in 1935, and MGM, in 1951.

Many listeners were familiar with the Tucker orchestra sound because they tuned in to popular radio shows, such as Fibber McGee & Molly in 1936 and the George Jessel show in 1938, and several shows billed as Tommy Tucker Time.

Tommy Tucker opened each performance—on radio or live—with his signature "tic-toc, tic-toc, it's Tommy Tucker time." And he usually ended each session with Time to Go.

Background

Born Gerald L. Duppler, May 18, 1903, in Souris, ND, he changed to his stage name, Tommy Tucker, in 1968. He later received a Bachelor of Arts at the University of North Dakota in 1924, majored in Music and was recognized as Phi Betta Kappa.

Shortly after college, Tucker organized a small band and played at a fairground pavilion in Minot, ND. They played at the Breen Hotel in St. Cloud, MN that winter, and then in the summer of 1926 they played at a popular resort in Detriot, MN—The Pettibone Lodge.

The group began to travel and landed in California. His first recordings were with Crown Records in 1933, and recorded under the name Tommy Tucker and His Californians. He used the name Tommy Tucker and His Orchestra for his next recordings for Brunswick in 1935. With Columbia records dominant, Tucker recorded over one thousand sides for over 10 record companies.

Then the band first toured the country, Tucker devised his own marketing approach. When he planned a route, Tucker would send telegraph messages to various towns announcing that he was traveling through the area, and asked if the proprietor of a venue would like to book him. Later in the early thirties, Joe Galkin became the orchestra's official manager who planned all bookings and arrangements for travel.

Career Highlights and Associated Talent

The Tommy Tucker Orchestra played at the Berkeley-Carteret Hotel and the Strand Theatre in New York City; the Adams in Newark, NJ; the Earle in Philadelphia; the Oriental in Chicago, and the Shoreham Hotel in Washington, DC—to name a few. Television shows that Tucker appeared on include The Kate Smith Show, Cavalcade of Bands, Arthur Murray House Party, and Strike It Rich.

The musicians associated with Tucker's band included the pianist Hal Dennis, five saxes including Mac Becker and Roy Underwood, clarinetist Clarence Hutchinrider, the drummer Gerry Mulligan, and trumpeters Carlyle Hall (Sr), Danny Davis, and Clarence Zylman. Vocalists include Amy Arnell, Clare Nelson, Madeline Russell, Kerwin Somerville, Don Brown, Peter Hanley and the Three Two-Timers, reinforcing the clock theme. Eydie Gorme sang with the band when Tucker settled on the east coast near Asbury Park. Over the years, many songs recorded were written by Irving Berlin.

When Tucker retired from the band business, he became a professor emeritus in music at Monmouth College

Monmouth University

Monmouth University is a private university located in West Long Branch, New Jersey, United States.Founded in 1933 as Monmouth Junior College, it became Monmouth College in 1956, and later Monmouth University in 1995 after receiving its charter....

 in West Long Branch, New Jersey

West Long Branch, New Jersey

West Long Branch is a borough in Monmouth County, New Jersey, United States. As of the 2010 United States Census, the borough population was 8,097. It is the home of Monmouth University....

, close to his home in West Allenhurst. He conducted the school's concert band and taught classes for the school's degree programs in music and music education. After twenty years as an educator, he retired to Florida in 1979. Tommy died on July 11, 1989.

Remembered as a "sweet sound" and appreciated as "swing", critiques note that his charts can contrast "exotic effects with jazz-time passages".

External links

• BigBandLibrary.com