The Parson's Prologue and Tale
Encyclopedia
The Parson's Tale seems, from the evidence of its prologue, to have been intended as the final tale of Geoffrey Chaucer
's poetic cycle The Canterbury Tales
. The "tale", which is the longest of all the surviving contributions by Chaucer's pilgrims, is in fact neither a story nor a poem, but a long and unrelieved prose treatise
on virtuous living. Critics and readers are generally unclear what rhetorical effect Chaucer may have intended by ending his cycle in this unlikely, extra-generic
fashion.
(the form used earlier with such apparent success by the Nun's Priest) but the Parson refuses with a round condemnation of fable stories, saying instead that he will tell an improving tale in prose
since he can neither rhyme nor alliterate. It is also of interest that the host seems to be in some doubt as to the identity of the Parson, since he asks him to introduce himself:
(Parson's Prologue, lines 22-5)
Some idea of Chaucer's intended structure for the Canterbury Tales may be gleaned from this "final" prologue. The host speaks of al myn ordinaunce (being) almoost fulfild and says that the company lakketh...no tales mo than oon. Since known tales do not exist for all of the pilgrims, and since none reach the projected total of four tales each outlined in the General Prologue, the host's remarks give a further indication of the way in which Chaucer's ultimate scheme for the cycle either was not realised or has not survived.
(the conceit
which appears to have been the intended close to the entire cycle) in which he personally asks forgiveness for any offenses he may have caused and (perhaps) for ever having deigned to write works of worldly vanitee
at all (line 1085).
The parson divides penitence into three parts; contrition
of the heart, confession
of the mouth, and satisfaction
. The second part about confession is illustrated by referring to the Seven Deadly Sins
and offering remedies against them. The Seven Deadly Sins are pride, envy, wrath, sloth, greed, gluttony, and lust; they are "healed" by the virtues of humility, contentment, patience, fortitude, mercy, moderation, and chastity.
Chaucer's text seems for the most part to be a combination, in English translation, of the texts of two Latin works on penitence popular at the time; the Summa casuum poenitentiae of Raymond of Peñafort
, and the Summa vitiorum of William Perault
. This is mingled with fragments from other texts. It is not known whether Chaucer was the first to combine these particular sources, or whether he translated an existing combined edition, possibly from French. If the latter is case, any direct source has been lost.
in the portrait. Chaucer, in the General Prologue
calls him a povre Persoun
of a Toun. His depiction of a man who practices what he preaches seems to be positive:
(Gen Prologue, lines 514-18)
if also rather forbidding; for instance, Chaucer's parson is no respecter of persons in demanding ultimate adherence to moral principles:
(Ibid, Lines 521-3)
None of the explicit criticism of clergy that marks many of the other tales and character sketches is obvious here. The Parson is throughout depicted as a sensible and intelligent person. Chaucer elsewhere is not uncritical of the clergy; for example, he describes flatterers – those who continuously sing placebo
– as "develes chapelleyns."
Geoffrey Chaucer
Geoffrey Chaucer , known as the Father of English literature, is widely considered the greatest English poet of the Middle Ages and was the first poet to have been buried in Poet's Corner of Westminster Abbey...
's poetic cycle The Canterbury Tales
The Canterbury Tales
The Canterbury Tales is a collection of stories written in Middle English by Geoffrey Chaucer at the end of the 14th century. The tales are told as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at...
. The "tale", which is the longest of all the surviving contributions by Chaucer's pilgrims, is in fact neither a story nor a poem, but a long and unrelieved prose treatise
Treatise
A treatise is a formal and systematic written discourse on some subject, generally longer and treating it in greater depth than an essay, and more concerned with investigating or exposing the principles of the subject.-Noteworthy treatises:...
on virtuous living. Critics and readers are generally unclear what rhetorical effect Chaucer may have intended by ending his cycle in this unlikely, extra-generic
Genre
Genre , Greek: genos, γένος) is the term for any category of literature or other forms of art or culture, e.g. music, and in general, any type of discourse, whether written or spoken, audial or visual, based on some set of stylistic criteria. Genres are formed by conventions that change over time...
fashion.
Framing narrative
In the prologue to the tale, the host, Harry Bailly, asks the Parson for a fableFable
A fable is a succinct fictional story, in prose or verse, that features animals, mythical creatures, plants, inanimate objects or forces of nature which are anthropomorphized , and that illustrates a moral lesson , which may at the end be expressed explicitly in a pithy maxim.A fable differs from...
(the form used earlier with such apparent success by the Nun's Priest) but the Parson refuses with a round condemnation of fable stories, saying instead that he will tell an improving tale in prose
Prose
Prose is the most typical form of written language, applying ordinary grammatical structure and natural flow of speech rather than rhythmic structure...
since he can neither rhyme nor alliterate. It is also of interest that the host seems to be in some doubt as to the identity of the Parson, since he asks him to introduce himself:
- "Sire preest," quod he,, "artow a vicary?
- Or arte a person? Sey, sooth, by thy fey!
- Be what thou be, ne breke thou nat oure pley;
- For every man, save thou, hath toold his tale.
(Parson's Prologue, lines 22-5)
Some idea of Chaucer's intended structure for the Canterbury Tales may be gleaned from this "final" prologue. The host speaks of al myn ordinaunce (being) almoost fulfild and says that the company lakketh...no tales mo than oon. Since known tales do not exist for all of the pilgrims, and since none reach the projected total of four tales each outlined in the General Prologue, the host's remarks give a further indication of the way in which Chaucer's ultimate scheme for the cycle either was not realised or has not survived.
The Tale
The subject of the parson's "tale" (or rather, treatise) is penitence. It may thus be taken as containing inferential criticism of the behavior and character of humanity detectible in all the other pilgrims, knight included. Chaucer himself claims to be swayed by the plea for penitence, since he follows the Parson's Tale with a RetractionChaucer's Retraction
Chaucer's Retraction is the final section of The Canterbury Tales. It is written as an apology, where Geoffrey Chaucer asks for forgiveness for the vulgar and unworthy parts of this and other past works, and seeks absolution for his sins....
(the conceit
Conceit
In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulating images and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison...
which appears to have been the intended close to the entire cycle) in which he personally asks forgiveness for any offenses he may have caused and (perhaps) for ever having deigned to write works of worldly vanitee
Vanitas
In the arts, vanitas is a type of symbolic work of art especially associated with Northern European still life painting in Flanders and the Netherlands in the 16th and 17th centuries, though also common in other places and periods. The word is Latin, meaning "emptiness" and loosely translated...
at all (line 1085).
The parson divides penitence into three parts; contrition
Contrition
Contrition or contriteness is sincere and complete remorse for sins one has committed...
of the heart, confession
Confession
This article is for the religious practice of confessing one's sins.Confession is the acknowledgment of sin or wrongs...
of the mouth, and satisfaction
Contentment
"Contentment" seems realistically defined as "enjoyment of whatever may be desired". That definition is realistic because the more contented an individual or community becomes the less extreme so more acceptable their desires will be...
. The second part about confession is illustrated by referring to the Seven Deadly Sins
Seven deadly sins
The 7 Deadly Sins, also known as the Capital Vices or Cardinal Sins, is a classification of objectionable vices that have been used since early Christian times to educate and instruct followers concerning fallen humanity's tendency to sin...
and offering remedies against them. The Seven Deadly Sins are pride, envy, wrath, sloth, greed, gluttony, and lust; they are "healed" by the virtues of humility, contentment, patience, fortitude, mercy, moderation, and chastity.
Chaucer's text seems for the most part to be a combination, in English translation, of the texts of two Latin works on penitence popular at the time; the Summa casuum poenitentiae of Raymond of Peñafort
Raymond of Peñafort
Saint Raymond of Penyafort, O.P. is a Dominican friar who compiled the Decretals of Gregory IX, a collection of canon laws that remained part of church law until the Code of Canon Law was promulgated in 1917...
, and the Summa vitiorum of William Perault
William Perault
William Perault, also spelled Perauld; Latinized Peraldus or Peraltus, was a Dominican writer and preacher.He was born at Perault, France...
. This is mingled with fragments from other texts. It is not known whether Chaucer was the first to combine these particular sources, or whether he translated an existing combined edition, possibly from French. If the latter is case, any direct source has been lost.
Character of the Parson
The Parson is considered by some to be the only good member of the clergy in Canterbury Tales, while others have detected ambiguities and possible hints of LollardyLollardy
Lollardy was a political and religious movement that existed from the mid-14th century to the English Reformation. The term "Lollard" refers to the followers of John Wycliffe, a prominent theologian who was dismissed from the University of Oxford in 1381 for criticism of the Church, especially his...
in the portrait. Chaucer, in the General Prologue
General Prologue
The General Prologue is the assumed title of the series of portraits that precedes The Canterbury Tales. It was the work of 14th century English writer and courtier Geoffrey Chaucer.-Synopsis:...
calls him a povre Persoun
Parson
In the pre-Reformation church, a parson was the priest of an independent parish church, that is, a parish church not under the control of a larger ecclesiastical or monastic organization...
of a Toun. His depiction of a man who practices what he preaches seems to be positive:
- He was a shepherde and noght a mercenarieMercenaryA mercenary, is a person who takes part in an armed conflict based on the promise of material compensation rather than having a direct interest in, or a legal obligation to, the conflict itself. A non-conscript professional member of a regular army is not considered to be a mercenary although he...
. - And thogh he hooly were and vertuous,
- He was to synful men nat despitous,
- Ne of his speche daungerous ne digne,
- But in his techyng discreet and benynge.
(Gen Prologue, lines 514-18)
if also rather forbidding; for instance, Chaucer's parson is no respecter of persons in demanding ultimate adherence to moral principles:
- But it were any person obstinat,
- What so he were, of heigh or lough estat,
- Hym wolde he snybbenRebukeIn English law and the canon law of the Church of England, a rebuke is a censure on a member of the clergy. It is the least severe censure available against clergy of the Church of England, less severe than a monition. A rebuke can be given in person by a bishop or by an ecclesiastical court....
sharply for the nonys.
(Ibid, Lines 521-3)
None of the explicit criticism of clergy that marks many of the other tales and character sketches is obvious here. The Parson is throughout depicted as a sensible and intelligent person. Chaucer elsewhere is not uncritical of the clergy; for example, he describes flatterers – those who continuously sing placebo
Placebo (at funeral)
An obsolete usage of the word placebo was to mean someone who came to a funeral, claiming a connection with the deceased to try to get a share of any food and/or drink being handed out...
– as "develes chapelleyns."
External links
- Parson's Tale retold in Modern English prose