The Hot Mikado (1939 production)
Encyclopedia
The Hot Mikado was a 1939 musical theatre
Musical theatre
Musical theatre is a form of theatre combining songs, spoken dialogue, acting, and dance. The emotional content of the piece – humor, pathos, love, anger – as well as the story itself, is communicated through the words, music, movement and technical aspects of the entertainment as an...

 adaptation of Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...

's The Mikado
The Mikado
The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations...

with an African-American cast. Mike Todd
Mike Todd
Michael Todd was an American theatre and film producer, best known for his 1956 production of Around the World in Eighty Days, which won an Academy Award for Best Picture...

 originally produced it after the Federal Theatre Project
Federal Theatre Project
The Federal Theatre Project was a New Deal project to fund theatre and other live artistic performances in the United States during the Great Depression. It was one of five Federal One projects sponsored by the Works Progress Administration...

 turned down his offer to manage the WPA
Works Progress Administration
The Works Progress Administration was the largest and most ambitious New Deal agency, employing millions of unskilled workers to carry out public works projects, including the construction of public buildings and roads, and operated large arts, drama, media, and literacy projects...

 production of The Swing Mikado
The Swing Mikado
The Swing Mikado is an operetta in two acts with music arranged by Gentry Warden, based on Gilbert and Sullivan's comic opera, The Mikado. It was first staged by an all-black company in Chicago in 1938, transferring to Broadway, and featured a setting transposed from Japan to a tropical island...

(another all-black adaptation of The Mikado).

The Hot Mikado was jazz
Jazz
Jazz is a musical style that originated at the beginning of the 20th century in African American communities in the Southern United States. It was born out of a mix of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th...

ier than The Swing Mikado and had a full-voiced, star-studded cast to back up its sass. It follows both the story line of The Mikado and the spectacle of the original. The Hot Mikado was noted for its wild costuming. "Rosa Brown's outfit, a winged dress with train and a gigantic hat, weighed thirty-five pounds." (Mordden, p. 240). The spectacle and jazzed-up score attracted a crowd that made The Swing Mikado seem like "chicken feed."

Productions

The musical was first produced at the Broadhurst Theatre
Broadhurst Theatre
The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan.It was designed by architect Herbert J. Krapp, a well-known theatre designer who had been working directly with the Shubert brothers; the Broadhurst opened 27 September 1917...

 from March 23, 1939 to June 3, 1939, running for 85 performances. The opening night cast included Bill "Bojangles" Robinson
Bill Robinson
Bill “Bojangles” Robinson was an American tap dancer and actor of stage and film. Audiences enjoyed his understated style, which eschewed the frenetic manner of the jitterbug in favor of cool and reserve; rarely did he use his upper body, relying instead on busy, inventive feet, and an expressive...

 as The Mikado; Frances Brock as Pitti-Sing; Rosa Brown as Katisha; Maurice Ellis as Pooh-Bah; Eddie Green as Ko-Ko; Rosetta LeNoire
Rosetta LeNoire
Rosetta LeNoire was an American stage, screen, and television actress, as well as a Broadway producer and casting agent....

 as Peep-Bo; James A. Lilliard as Pish-Tush; Bob Parrish as Nanki-Poo; Gwendolyn Reyde as Yum-Yum; Freddie Robinson as Messenger Boy; and Vincent Shields as Red Cap.

The musical was then produced at the 1939–1940 New York World's Fair
1939 New York World's Fair
The 1939–40 New York World's Fair, which covered the of Flushing Meadows-Corona Park , was the second largest American world's fair of all time, exceeded only by St. Louis's Louisiana Purchase Exposition of 1904. Many countries around the world participated in it, and over 44 million people...

 for two seasons and was reportedly one of the most popular attractions at the fair. The orchestrations were arranged by Charles L. Cooke, and the production was directed by Hassard Short
Hassard Short
Hubert Edward Hassard Short , usually known as Hassard Short, was an actor, stage director, set designer and lighting designer in musical theatrewho directed over 50 Broadway and West End shows between 1920 and 1953...

. Choreography was by Truly McGee. The show was produced on a large scale there, employing 150 actors.

A summer-stock revival, including Bill "Bojangles" Robinson
Bill Robinson
Bill “Bojangles” Robinson was an American tap dancer and actor of stage and film. Audiences enjoyed his understated style, which eschewed the frenetic manner of the jitterbug in favor of cool and reserve; rarely did he use his upper body, relying instead on busy, inventive feet, and an expressive...

, produced by Cheryl Crawford
Cheryl Crawford
Cheryl Crawford was an American theatre producer and director.Born in Akron, Ohio, Crawford majored in drama at Smith College. Following graduation, she moved to New York City and enrolled at the Theatre Guild's school...

, played for one week in 1941 at the Maplewood Theater.

External links

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