The Evil Clergyman
Encyclopedia
"The Evil Clergyman" is an excerpt from a letter written by American
American literature
American literature is the written or literary work produced in the area of the United States and its preceding colonies. For more specific discussions of poetry and theater, see Poetry of the United States and Theater in the United States. During its early history, America was a series of British...

 horror fiction
Horror fiction
Horror fiction also Horror fantasy is a philosophy of literature, which is intended to, or has the capacity to frighten its readers, inducing feelings of horror and terror. It creates an eerie atmosphere. Horror can be either supernatural or non-supernatural...

 writer H. P. Lovecraft
H. P. Lovecraft
Howard Phillips Lovecraft --often credited as H.P. Lovecraft — was an American author of horror, fantasy and science fiction, especially the subgenre known as weird fiction....

 in 1933. After his death, it was published in the April 1939 issue of Weird Tales
Weird Tales
Weird Tales is an American fantasy and horror fiction pulp magazine first published in March 1923. It ceased its original run in September 1954, after 279 issues, but has since been revived. The magazine was set up in Chicago by J. C. Henneberger, an ex-journalist with a taste for the macabre....

as a short story.

The letter, to his friend Bernard Austin Dwyer, recounted a dream that Lovecraft had had. Although Lovecraft frequently based stories on his dreams, An H. P. Lovecraft Encyclopedia
An H. P. Lovecraft Encyclopedia
An H. P. Lovecraft Encyclopedia is a reference work written by S. T. Joshi and David E. Schultz. It covers the life and work of American horror fiction writer H. P...

notes that "[i]t is difficult to say how HPL would have developed this conventional supernatural scenario."

The story was later adapted into the unreleased 1987 anthology film Pulse Pounders
Pulse Pounders
Pulse Pounders is a 1988 film directed by Charles Band. The film is an anthology film consisting of sequels to two Empire features, including The Dungeonmaster, Trancers, and an H.P. Lovecraft adaptation of The Evil Clergyman...

.

Synopsis

The story begins in the attic of an ancient house. The narrator’s companion refers to the former owner of the house and the presumably violent end that befell him. He advises the narrator not to stay after dark or touch anything, especially the small object on a table, which the companion seems to fear considerably.

The narrator is then left alone in the attic; he notes the many theological and classical books, and one bookshelf in particular containing books on magic. He feels a considerable curiosity for the forbidden object on the table.

The narrator finds a strange flashlight-like device in his pocket that produces a peculiar violet glow. He attempts to illuminate the object on the table with this strange light, which he describes as being composed of particles. The object makes a crackling sound like a sparking vacuum tube, and takes on a pinkish glow with a vague white shape taking form from its center.

The narrator, feeling that his surroundings are taking on strange new properties, realizes that he is not alone; the sinister newcomer is described as wearing clerical garb typical of the Anglican Church. The newcomer begins throwing magical books into a fireplace.

The narrator notices other men within the room, all dressed in clerical attire, including a bishop; they confront the first man, who reaches for the object on the table with a wry smile. The other men, looking terrified, make a quick retreat.

The man then proceeds to retrieve a coil of rope from a cupboard and ties it into a noose as if to hang himself. When the narrator attempts to intervene, the man notices him and approaches threateningly. The narrator shines the strange light on the man as if it were a weapon, causing him to fall backwards down an open stairwell.

When the narrator proceeds towards the stairwell, he finds no body below, but rather three people approaching with lanterns. Two of them see the narrator and flee shrieking, leaving only the companion who had accompanied the narrator to the attic.

The companion says that the narrator should have left the object alone, that interfering with it had altered him. The man then leads the narrator to a mirror, where he is presented not with his own reflection, but that of the evil clergyman.

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