Tambores de candombe
Encyclopedia
The tambores de candombe or tamboriles are drum
s used in the playing of Candombe
music of Uruguay
. They are single skin headed and there are three sizes: piano (bass range), repique (tenor range), and the chico (alto range). The drums are made of wood and have a curved barrel shape with its base very narrow.
, have specific names according to their size and function:
chico (small, high timbre, marks the tempo)
repique (medium, syncopation and improvisation)
piano (large, low timbre, melody).
An even larger drum, called bajo or bombo (very large, very low timbre, accent on the fourth beat), was once common but is now declining in use.
A cuerda at a minimum needs three drummers, one on each part. A full cuerda will have 50-100 drummers, commonly with rows of seven or five drummers, mixing the three types of drums. A typical row of five can be piano-chico-repique-chico-piano, with the row behind having repique-chico-piano-chico-repique and so on to the last row.
Tamboriles are made of wood with animal skins that are rope-tuned or fire-tuned minutes before the performance. They are worn at the waist with the aid of a shoulder strap called a talig or talí and played with one stick and one hand.
A key rhythmic figure in candombe is the clave
(in 3-2 form). It is played on the side of the drum, a procedure known as "hacer madera" (literally, "making wood").
Ansina school: Wáshington Ocampo, Héctor Suárez, Pedro "Perico" Gularte, Eduardo "Cacho" Giménez, Julio Giménez, Raúl "Pocho" Magariños, Rubén Quirós, Alfredo Ferreira, "Tito" Gradín,, Raúl "Maga" Magariños, Luis "Mocambo" Quirós, Fernando "Hurón" Silva, Eduardo "Malumba" Gimenez, Alvaro Salas, Daniel Gradín, Sergio Ortuño y José Luis Giménez.
Drum
The drum is a member of the percussion group of musical instruments, which is technically classified as the membranophones. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a...
s used in the playing of Candombe
Candombe
Candombe is a musical genre that has its roots in the African Bantu, and is proper of Uruguay, Argentina and Brazil .Uruguayan Candombe is the most practiced and spread internationally and has been recognized by UNESCO as Intangible Cultural Heritage of Humanity...
music of Uruguay
Uruguay
Uruguay ,officially the Oriental Republic of Uruguay,sometimes the Eastern Republic of Uruguay; ) is a country in the southeastern part of South America. It is home to some 3.5 million people, of whom 1.8 million live in the capital Montevideo and its metropolitan area...
. They are single skin headed and there are three sizes: piano (bass range), repique (tenor range), and the chico (alto range). The drums are made of wood and have a curved barrel shape with its base very narrow.
Music and description
Candombe is performed by a group of drummers called a cuerda. The barrel-shaped drums, or tamborilesTambores de candombe
The tambores de candombe or tamboriles are drums used in the playing of Candombe music of Uruguay. They are single skin headed and there are three sizes: piano , repique , and the chico...
, have specific names according to their size and function:
chico (small, high timbre, marks the tempo)
repique (medium, syncopation and improvisation)
piano (large, low timbre, melody).
An even larger drum, called bajo or bombo (very large, very low timbre, accent on the fourth beat), was once common but is now declining in use.
A cuerda at a minimum needs three drummers, one on each part. A full cuerda will have 50-100 drummers, commonly with rows of seven or five drummers, mixing the three types of drums. A typical row of five can be piano-chico-repique-chico-piano, with the row behind having repique-chico-piano-chico-repique and so on to the last row.
Tamboriles are made of wood with animal skins that are rope-tuned or fire-tuned minutes before the performance. They are worn at the waist with the aid of a shoulder strap called a talig or talí and played with one stick and one hand.
A key rhythmic figure in candombe is the clave
Clave (rhythm)
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, son montuno, mambo, salsa, Latin jazz, songo and timba. The five-stroke clave pattern represents the structural core of many Afro-Cuban rhythms...
(in 3-2 form). It is played on the side of the drum, a procedure known as "hacer madera" (literally, "making wood").
Master Candombe drummers
Among the most important and traditional Montevidean rhythms are: Cuareim, Ansina y Cordon. There are several master drummers who have kept Candombe alive uninterrupted for two hundred years. Some of highlights are: inAnsina school: Wáshington Ocampo, Héctor Suárez, Pedro "Perico" Gularte, Eduardo "Cacho" Giménez, Julio Giménez, Raúl "Pocho" Magariños, Rubén Quirós, Alfredo Ferreira, "Tito" Gradín,, Raúl "Maga" Magariños, Luis "Mocambo" Quirós, Fernando "Hurón" Silva, Eduardo "Malumba" Gimenez, Alvaro Salas, Daniel Gradín, Sergio Ortuño y José Luis Giménez.