Sinewave synthesis
Encyclopedia
Sinewave synthesis, or sine wave speech, is a technique for synthesizing speech
Speech synthesis
Speech synthesis is the artificial production of human speech. A computer system used for this purpose is called a speech synthesizer, and can be implemented in software or hardware...

 by replacing the formants (main bands of energy) with pure tone whistles. The first sinewave synthesis program (SWS) for the automatic creation of stimuli for perceptual experiments was developed by Philip Rubin
Philip Rubin
Philip E. Rubin is an American cognitive scientist and technologist who since 2003 has been the Chief Executive Officer and a Senior Scientist at Haskins Laboratories in New Haven, Connecticut...

 at Haskins Laboratories
Haskins Laboratories
Haskins Laboratories is an independent, international, multidisciplinary community of researchers conducting basic research on spoken and written language. Founded in 1935 and located in New Haven, Connecticut since 1970, Haskins Laboratories is a private, non-profit research institute with a...

 in the 1970s. This program was subsequently used by Robert Remez
Robert Remez
Robert Remez is an American experimental psychologist, cognitive scientist, theoretician and teacher. He is currently a Professor of Psychology at Barnard College, Columbia University and Chair of the Columbia University Seminar on Language & Cognition . His teaching focuses on the relationships...

, Philip Rubin
Philip Rubin
Philip E. Rubin is an American cognitive scientist and technologist who since 2003 has been the Chief Executive Officer and a Senior Scientist at Haskins Laboratories in New Haven, Connecticut...

, David Pisoni, and other colleagues to show that listeners can perceive
Speech perception
Speech perception is the process by which the sounds of language are heard, interpreted and understood. The study of speech perception is closely linked to the fields of phonetics and phonology in linguistics and cognitive psychology and perception in psychology...

 continuous speech without traditional speech cues. This work paved the way for a view of speech as a dynamic pattern of trajectories through articulatory-acoustic space.

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