Sichard
Encyclopedia
Sichard was the Abbot of Farfa from c.830 to 842. His abbacy corresponds with a drop in the number of property transactions involving Farfa, perhaps because "[its] wealth was by that time sufficient to cover major building at the abbey itself." Sichard added an oratory
to the existing abbey.
On Sichard's death in 842, the Emperor Lothair I intervened to appoint Bishop Peter of Spoleto in charge of the abbey until an abbot, Hilderic
, could be elected (844). Sichard's epitaph was copied into the Libellus constructionis Farfensis
, the earliest history of Farfa, of which only a fragment survives in an eleventh-century lectionary. The rediscovery of most of the epitaph in 1959 demonstrates that the author of the Libellus was an accurate copyist.
Oratory
Oratory is a type of public speaking.Oratory may also refer to:* Oratory , a power metal band* Oratory , a place of worship* a religious order such as** Oratory of Saint Philip Neri ** Oratory of Jesus...
to the existing abbey.
On Sichard's death in 842, the Emperor Lothair I intervened to appoint Bishop Peter of Spoleto in charge of the abbey until an abbot, Hilderic
Hilderic of Farfa
Hilderic was the fifteenth Abbot of Farfa from 844. In 842 Abbot Sichard died, and the Emperor Lothair I intervened to appoint Bishop Peter II of Spoleto in control of the abbey in the interim. Peter organised an election, in which the monks chose Hilderic, and convinced Lothair to confirm him in...
, could be elected (844). Sichard's epitaph was copied into the Libellus constructionis Farfensis
Libellus constructionis Farfensis
The Libellus constructionis Farfensis , often referred to simply as the Constructio in context, is a written history of the Abbey of Farfa from its foundation by Thomas of Maurienne circa 700 until the death of Abbot Hilderic in 857. It is about the "construction" of a powerful abbey with vast...
, the earliest history of Farfa, of which only a fragment survives in an eleventh-century lectionary. The rediscovery of most of the epitaph in 1959 demonstrates that the author of the Libellus was an accurate copyist.