Raghunath Pandit
Encyclopedia
Raghunath Pandit was a Marathi poet who was active around the year 1800.
Marathi poetry went through a phase where text drew heavily on religious mythology and was dominated by language influenced by Sanskrit, a language which few in contemporary times understand. This literature is called Pant-Sahitya. Raghunath Pandit was one of its major practitioners, writing the Nal-Damayanti Swayamwar Akhyan.
Other exponents of Pant-Sahitya were Vaman Pandit (1608–1695), Shridhar Pandit and Moropant
(Paradkar) (1729–1794). Several scholars were experts in this field around the year 1900 but slowly their numbers dwindled. Laxman Ramchand (La Raa) Pangarkar was an authority on Sant-Sahitya and Pant-Sahitya. Tukaram and Ramdas were the last major poets of Sant-Sahitya and Bhakti Parampara. The next phase of Bhakti was marked by Pant-Sahitya. Around this time, other forms of poetry such as Powada
, Phatka, Lavani also existed. Starting with Keshavasut in the late 19th C, Marathi poetry made a departure from Pant parampara. It became more modern in outlook, easier to understand, expanded its horizons, and the new brigade of poets was also influenced by English poetry.
Marathi poetry went through a phase where text drew heavily on religious mythology and was dominated by language influenced by Sanskrit, a language which few in contemporary times understand. This literature is called Pant-Sahitya. Raghunath Pandit was one of its major practitioners, writing the Nal-Damayanti Swayamwar Akhyan.
Other exponents of Pant-Sahitya were Vaman Pandit (1608–1695), Shridhar Pandit and Moropant
Moropant
Moreshwar Ramji Paradkar , popularly known in Maharashtra as Moropant or Mayur Pandit , was a Marathi poet who was the last among those classified by Marathi literary scholars as pandit poets...
(Paradkar) (1729–1794). Several scholars were experts in this field around the year 1900 but slowly their numbers dwindled. Laxman Ramchand (La Raa) Pangarkar was an authority on Sant-Sahitya and Pant-Sahitya. Tukaram and Ramdas were the last major poets of Sant-Sahitya and Bhakti Parampara. The next phase of Bhakti was marked by Pant-Sahitya. Around this time, other forms of poetry such as Powada
Powada
The Powada is a genre of Marathi poetry emerged during the late 17th century. The powadas are a kind of ballad written in an exciting style and narrate historical events in an inspiring manner. The composer-cum-singers of the powadas are known as Shahirs...
, Phatka, Lavani also existed. Starting with Keshavasut in the late 19th C, Marathi poetry made a departure from Pant parampara. It became more modern in outlook, easier to understand, expanded its horizons, and the new brigade of poets was also influenced by English poetry.