Old Man Drinking a Glass of Beer
Encyclopedia
Old Man Drinking a Glass of Beer (AKA: Comic Faces) is a 1897
British short
silent
comedy film
, directed by George Albert Smith
, featuring a man drinking a glass of beer whose face and hands become increasingly lively as a result. The single-shot film shows Green, according to Bryony Dixon of BFIfilms, "performing what is known as a 'facial', that is a piece direct to camera showing changing facial expressions. The ability to get close up to the star was a great advantage that film had over the stage and early filmmakers were keen to exploit it."
1897 in film
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British short
Short subject
A short film is any film not long enough to be considered a feature film. No consensus exists as to where that boundary is drawn: the Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all...
silent
Silent film
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, pantomime and title cards...
comedy film
Comedy film
Comedy film is a genre of film in which the main emphasis is on humour. They are designed to elicit laughter from the audience. Comedies are mostly light-hearted dramas and are made to amuse and entertain the audiences...
, directed by George Albert Smith
George Albert Smith (inventor)
George Albert Smith was a stage hypnotist, psychic, magic lantern lecturer, astronomer, inventor, and one of the pioneers of British cinema, who is best known for his controversial work with Edmund Gurney at the Society for Psychical Research, his short-films from 1897-1903 which pioneered film...
, featuring a man drinking a glass of beer whose face and hands become increasingly lively as a result. The single-shot film shows Green, according to Bryony Dixon of BFIfilms, "performing what is known as a 'facial', that is a piece direct to camera showing changing facial expressions. The ability to get close up to the star was a great advantage that film had over the stage and early filmmakers were keen to exploit it."