Not I
Overview
Not I is a twenty-minute dramatic monologue
Dramatic monologue
M. H. Abrams notes the following three features of the dramatic monologue as it applies to poetry:-Types of monologues:One of the most important influences on the development of the dramatic monologue is the Romantic poets...

 written in 1972 (March 20 to April 1) by Samuel Beckett
Samuel Beckett
Samuel Barclay Beckett was an Irish avant-garde novelist, playwright, theatre director, and poet. He wrote both in English and French. His work offers a bleak, tragicomic outlook on human nature, often coupled with black comedy and gallows humour.Beckett is widely regarded as among the most...

, translated as Pas Moi; premiere at the “Samuel Beckett Festival” by the Repertory Theater of Lincoln Center, New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...

 (22 November 1972), directed by Alan Schneider
Alan Schneider
Alan Schneider was an American theatre director and mentor responsible for more than 100 theatre productions. In 1984 he was honored with a Drama Desk Special Award for serving a wide range of playwrights...

, with Jessica Tandy
Jessica Tandy
Jessie Alice "Jessica" Tandy was an English-American stage and film actress.She first appeared on the London stage in 1926 at the age of 16, playing, among others, Katherine opposite Laurence Olivier's Henry V, and Cordelia opposite John Gielgud's King Lear. She also worked in British films...

 (Mouth) and Henderson Forsythe
Henderson Forsythe
Henderson Forsythe was an American actor. Forsythe was known for his role as Dr. David Stewart #2 on the soap opera As the World Turns, a role he played for 32 years, and for his work on the New York stage....

 (Auditor).
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements “of helpless compassion” during brief breaks in the monologue where Mouth appears to be listening to some inner voice unheard by the audience.

The mouth utters at a ferocious pace a logorrhoea of fragmented, jumbled sentences which obliquely tells the story of a woman of about seventy who having been abandoned by her parents after a premature birth has lived a loveless, mechanical existence and who appears to have suffered an unspecified traumatic experience.
 
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