Nordic Music Days
Encyclopedia
Nordic Music Days is the oldest ongoing collaboration among the Nordic countries: a festival for new Nordic music that was founded in 1888 and had its origins in existing musical collaboration. It is one of the oldest and best respected festivals for contemporary classical music in the world. The festival is unique in the respect that it is arranged by the composers themselves.
Each year one of members, the national societies of composers, arranges the festival on behalf of the Council of Nordic Composers.
The first true “Nordic Music Days” was held in Copenhagen in 1888 and its main emphasis was on instrumental and orchestral music. This was to be a forum where Nordic composers could have their works performed, and the first festival presented works from Denmark, Norway and Sweden – among other ways in seven large-scale choral and orchestral concerts.
The next festivals were held in Stockholm in 1897, and in 1919 – again in Copenhagen, where among others Carl Nielsen, Jean Sibelius, Wilhelm Stenhammer and Johan Halvorsen conducted. The first time the festival was held in Helsinki was 1921, then it was held in Stockholm in 1927, in Helsinki again in 1932, and finally in Oslo in 1934. The Copenhagen 1938 festival was the last one before the outbreak of World War II.
After the war the Nordic composers’ societies joined forces to form the Nordic Council of Composers, which immediately after its establishment in 1946 assumed the main responsibility for Nordic Music Days. Since 1948 the festival has been held in turn in the Nordic capitals every other year. Until the 1970s the repertoire profile was still purely Nordic, but from 1974- 82 composers and works from a ‘guest country’ were invited: Poland in 1974, Canada in 1976, the GDR in 1978, the UK in 1980, and in 1982 France. After this it went back to being a festival exclusively for new Nordic music.
The programme for Nordic Music Days 2002 stuck to this recipe, but was pioneering in terms of its geographical placing. For the first time in the festival’s history the Nordic Music Days moved its venue outside the Nordic countries – to Berlin. Under the name “MAGMA” (the red-hot fluid masses in the interior of the earth) the festival opened a window on Nordic music in the European context.
As a part of the festival, in cooperation with the RE:NEW MUSIC project, Nordic Music Days 2010 will host an international conference on audience engagement with guests from all over Europe.
Nordic Music Days 2010 wants to actively engage children and youth in Nordic contemporary music. Four days of concerts with some of the best Nordic ensembles and more than 80 exiting works make Nordic Music Days 2010 an obvious platform for live music meetings. Therefore, the festival has initiated three projects that in different ways engage children and youth in the music; The School Concert – children as audience, Close Encounter – youth as promoters and New Nordic Composers’ Workshop – children as creators.
The School Concert invites children in 3rd-5th grade to a concert with the Danish National Vocal Ensemble/DR and the Danish National Chamber Orchestra
. Ahead of the concert, some educational material has been composed with tasks and listening examples. Through various practical exercises the pupils work their way into the music and thoroughly learn about the musical works they will experience in the concert. The material is free of charge and can be ordered from www.nordicmusicdays2010.org
Close Encounter invites a group of high school students to design a concert for Nordic Music Days 2010 together with the Danish commune of composers, Dygong. The students are engaged in all phases of the production from idea through programme and marketing to performance. In that way the students get an idea of how to create a concert with contemporary music and the possibility of presenting an exiting concert on their own.
New Nordic Composers’ Workshop is a workshop for music school students in the Nordic countries. For three days, three students from each of the Nordic countries will create their own music together with a composer from each country. The workshop ends with a work-in-progress concert where the students perform the music that they have created.
Den Grå Hal – the famous venue in the middle of Copenhagen's own free state “Christiania”.
Københavns Musikteater - the old theatre situated in the lively inner-city street Kronprinsensgade.
The Royal Danish Conservatory of Music – now settled in the historic and protected “Radiohus” in Frederiksberg.
Borups Højskole – a cosy venue overlooking the canals of Copenhagen and “Christiansborg” Denmark's parliament.
Each year one of members, the national societies of composers, arranges the festival on behalf of the Council of Nordic Composers.
History
From the mid-nineteenth century, at regular intervals, song festivals were arranged where choirs from all over the North met. The repertoire was decidedly ‘national’ – one could say that when the Nordic countries were gathered there was a need to express national distinctiveness. But joint activities were arranged too, for example in 1929 when a choir of 1000 sang the Nordic cantata Song of the North, composed jointly by five composers – one from each Nordic country. The song festivals continued well into the first half of the twentieth century.The first true “Nordic Music Days” was held in Copenhagen in 1888 and its main emphasis was on instrumental and orchestral music. This was to be a forum where Nordic composers could have their works performed, and the first festival presented works from Denmark, Norway and Sweden – among other ways in seven large-scale choral and orchestral concerts.
The next festivals were held in Stockholm in 1897, and in 1919 – again in Copenhagen, where among others Carl Nielsen, Jean Sibelius, Wilhelm Stenhammer and Johan Halvorsen conducted. The first time the festival was held in Helsinki was 1921, then it was held in Stockholm in 1927, in Helsinki again in 1932, and finally in Oslo in 1934. The Copenhagen 1938 festival was the last one before the outbreak of World War II.
After the war the Nordic composers’ societies joined forces to form the Nordic Council of Composers, which immediately after its establishment in 1946 assumed the main responsibility for Nordic Music Days. Since 1948 the festival has been held in turn in the Nordic capitals every other year. Until the 1970s the repertoire profile was still purely Nordic, but from 1974- 82 composers and works from a ‘guest country’ were invited: Poland in 1974, Canada in 1976, the GDR in 1978, the UK in 1980, and in 1982 France. After this it went back to being a festival exclusively for new Nordic music.
The programme for Nordic Music Days 2002 stuck to this recipe, but was pioneering in terms of its geographical placing. For the first time in the festival’s history the Nordic Music Days moved its venue outside the Nordic countries – to Berlin. Under the name “MAGMA” (the red-hot fluid masses in the interior of the earth) the festival opened a window on Nordic music in the European context.
Copenhagen 2010
Nordic Music Days 2010 aims at creating a vivid festival environment with strong musical and artistic experiences as well interesting debates and close meetings between artists and audience. There will also be a special focus on children and youth.As a part of the festival, in cooperation with the RE:NEW MUSIC project, Nordic Music Days 2010 will host an international conference on audience engagement with guests from all over Europe.
Nordic Music Days 2010 wants to actively engage children and youth in Nordic contemporary music. Four days of concerts with some of the best Nordic ensembles and more than 80 exiting works make Nordic Music Days 2010 an obvious platform for live music meetings. Therefore, the festival has initiated three projects that in different ways engage children and youth in the music; The School Concert – children as audience, Close Encounter – youth as promoters and New Nordic Composers’ Workshop – children as creators.
The School Concert invites children in 3rd-5th grade to a concert with the Danish National Vocal Ensemble/DR and the Danish National Chamber Orchestra
Danish National Chamber Orchestra
The Danish National Chamber Orchestra is a small symphony orchestra consisting of 42 players...
. Ahead of the concert, some educational material has been composed with tasks and listening examples. Through various practical exercises the pupils work their way into the music and thoroughly learn about the musical works they will experience in the concert. The material is free of charge and can be ordered from www.nordicmusicdays2010.org
Close Encounter invites a group of high school students to design a concert for Nordic Music Days 2010 together with the Danish commune of composers, Dygong. The students are engaged in all phases of the production from idea through programme and marketing to performance. In that way the students get an idea of how to create a concert with contemporary music and the possibility of presenting an exiting concert on their own.
New Nordic Composers’ Workshop is a workshop for music school students in the Nordic countries. For three days, three students from each of the Nordic countries will create their own music together with a composer from each country. The workshop ends with a work-in-progress concert where the students perform the music that they have created.
Locations
Concerts will be held in a new place every day, creating four meeting areas:Den Grå Hal – the famous venue in the middle of Copenhagen's own free state “Christiania”.
Københavns Musikteater - the old theatre situated in the lively inner-city street Kronprinsensgade.
The Royal Danish Conservatory of Music – now settled in the historic and protected “Radiohus” in Frederiksberg.
Borups Højskole – a cosy venue overlooking the canals of Copenhagen and “Christiansborg” Denmark's parliament.
Program Committee for Happy Nordic Music Days 2009
The programme committee for Happy Nordic Music Days 2009 in Oslo are Lars Petter Hagen, chairman/artistic director, Trond Reinholdtsen, co-artistic director, and Catharina Backman (Sweden), Peter Bruun (Denmark), Magne Hegdal (Norway), Beglind María Tómasdóttir (Iceland), Juan Antonio Muro (Finland).The programme committee currently working with Nordic Music Days 2010 in Copenhagen are Peter Bruun, artistic director, and Jeppe Just Christensen (Denmark), Daniel Nelson (Sweden), Magne Hegdal (Norway), Haraldur V. Sveinbjörnsson (Iceland), and Tapio Tuomela (Finland).
Helsinki 2008
It is not music – but music plus one. In these concerts music is combined with other elements of art. Nordic composers want to find out what comes when you combine contemporary music with new circus, old theatre, wild movements and slow text.Music +1: Action
Action (music)
The term action, used in connection with stringed instruments, has two meanings, depending on whether the instrument is played with a keyboard or plucked by hand.-In keyboard instruments:...
; Theatre
Theatre
Theatre is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music or dance...
; Concert
Concert
A concert is a live performance before an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, a choir, or a musical band...
; Puppet
Puppet
A puppet is an inanimate object or representational figure animated or manipulated by an entertainer, who is called a puppeteer. It is used in puppetry, a play or a presentation that is a very ancient form of theatre....
; Quartet
Quartet
In music, a quartet is a method of instrumentation , used to perform a musical composition, and consisting of four parts.-Western art music:...
; Circus
Circus
A circus is commonly a travelling company of performers that may include clowns, acrobats, trained animals, trapeze acts, musicians, hoopers, tightrope walkers, jugglers, unicyclists and other stunt-oriented artists...
; Movement
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession...
; Space; Happening
Happening
A happening is a performance, event or situation meant to be considered art, usually as performance art. Happenings take place anywhere , are often multi-disciplinary, with a nonlinear narrative and the active participation of the audience...
; Sound
Sound
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing and of a level sufficiently strong to be heard, or the sensation stimulated in organs of hearing by such vibrations.-Propagation of...
; Opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
.
Artists
All 4 Voices; Avanti! - trio; Circo AereoCirco Aereo
Circo Aereo is a circus group based in Finland and France, under the direction of Maksim Komaro, the artistic director, and Jani Nuutinen, the artistic consultant. This group was established in 1996 as part of the “new circus” movement and travels frequently around the world...
; Pascal Contet; Laurent Cuniot; EMO; Galante; Anna-Maria Helsing; The Helsinki Philharmonic Orchestra; Helsinki Concordia; Pasi Hyokki; Markus Kaarto; Sami Koskela;Tiina-Maija Koskela; Heini Karkkainen; Jussi Lehtipuu; Anna Lindal; Jan Erik Mikalsen; Ning; Jukka Nykanen;Rolf Erik Nystrom; Lea Pekkala; Pasi Pirinen; Maria Puusaari; Thomas Sandberg; Jani Siven; Jutta Sepinnen; Dmitri Slobodeniouk; Christoffer Sundqvist; The Finnish Boys Choir; Talla; Tapiola Sinfonietta; Jani Telaranta; VOX;Tm+; Zagros.
Composers
Thomas Agerfeldt Olesen DK, Anneli Arho FI,Fredric Bergström SE, Christian Winther Christensen DK, Erik Dæhlin NO, Marc-André Dalbavie FR, Anders Emilsson SE, Sebastian Fagerlund FI, Davíð Brynjar Franzson IS, Ríkharður H. Friðriksson IS,Claus Gahrn DK,Jakob Weigand Goetz DK,Perttu Haapanen FI, Magne Hegdal NO, Mikko Heiniö FI, Asko Hyvärinen FI,Jyrki Linjama FI, Ida Lundén SE, Bruno Mantovani FR, Jan Erik Mikalsen NO,Tristan Murail FR, Knut Nystedt NO, Kent Olofsson SE, Andy Pape DK, Maja Ratkje NO, Steingrimur Rohloff IS, Niels Rosing-Schow DK,Marie Samuelsson SE, Patric Simmerud SE,Amund Sjølie Sveen NO,Mattias Svensson SE, Rune Søchting DK,Anna Þorvaldsdóttir IS,Leilei Tian FR, Tapio Tuomela FI,Harri Vuori FI, Edvin Østergaard NO, Fredrik Österling SEIceland 2006
The music festival Nordic Music Days marked its 118th anniversary in 2006 years. The festival has been a focus of musical life in the Nordic countries, and also an important forum for new Nordic music. Over the years, however, the Faroes – and in more recent years the Baltic countries – have also played an active role in the festival. Nordic Music Days was hold in Reykjavík, Iceland, 5–14 October 2006. This was the largest festival of contemporary music ever held in Iceland’s history.Artists from different countries
Kanada: Ana Sokolovic, Quatuor Bozzini, Jean-François Laporte, Laurie Radford, Martin Ouellet, Sean Ferguson.Artists from Denmark: Bent Sørensen, Carl Dreyer, Christian Præstholm, Hans Abrahamsen, Ivar Frounberg, Jakob W Goetz, Jens Hørsving, Kaj Aune, Karsten Fundal, Martin Stig-Andersen, Niels Rosing-Schow, Pelle Gudmundsen-Holmgreen, Peter Bruun, Simon Christensen, Simon Steen-Andersen.
Faroe Islands: Atli K. Petersen.
Finland: Antti Auvinen, Asko Hyvärinen, Jan Söderblom, Johan Tallgren, Jukka Koskinen, Jukka Ruohomäki, Jukka Tiensuu, Kimmo Kuokkala, Mikko Luoma, Pekka Jalkanen, Riikka Talvitie, Sampo Haapamäki, Seppo Pohjola, Tommi Kärkkäinen, Veli-Matti Puumala.
France: Franck Ollu.
Germany: Helen Bledsoe, Hermann Bäumer, Great Britain, David Curtis, Loré Lixenberg.
Iceland: Anna Guðný Guðmundsdóttir, Atli Heimir Sveinsson, Atli Ingólfsson, ATON, Áki Ásgeirsson, Áskell Másson, Bjarni Thor Kristinsson, Camilla Söderberg, Caput, Einar Johannesson, Franck Arninck, Guðni Franzson, Guðrún Jóhanna Ólafsdóttir, Gunnar A. Kristinsson, Gunnar Guðbjörnsson, Halla Ólafsdóttir, Haukur Tómasson, Herbert H. Ágústsson, Hildur Ingveldardóttir Guðnadóttir, Hilmar Odeson, Hugi Guðmundsson, Hörður Áskelsson, Iceland Symphony Orchestra, Ingi Garðar Erlendsson, Irma Gunnarsdóttir, Jóhann F. Björgvinsson, Jón Leifs, Jón Nordal, Karlakórinn Fóstbræður, Katrín Hall, Kjartan Ólafsson, Kjartan Óskarsson, Marta Halldórsdóttir, Mist Þorkelsdóttir, Mótettukórinn, Ólöf Ingólfsdóttir , Reykjavik Chamber Orchestra, Reykjavik Orchestral Winds, Schola Cantorum, Sigrún Eðvaldsdóttir, Snorri Sigfús Birgisson, Stefán Jón Bernharðsson, Steingrimur Rohloff, The Hamrahlid Choir, The Iceland Dance Company, The Icelandic Flute Choir, The DANCE Theater, Úlfar Ingi Haraldsson, Víkingur Ólafssson, Þorkell Sigurbjörsson, Þorgerður Ingólfsdóttir, Þórður Magnússon, Þuríður Jónsdóttir.
Ivory Coast: Kouame G. Sereba.
Mauritanija: Becaye Aw.
Norway: Cikada String Quartet, David Bratlie, Eivind Buene, Frode Haltli, Jon Øyvind Ness, Knut Vaage, Lars-Petter Hagen, Lene Grenager , Knut Vaage, Maja Ratkje, Per Magnus Lindborg, POING, Rolf-Erik Nystrøm, Rolf Wallin, Victoria Johnson.
Sweden: Åke Parmerud, André Chini, Erik Bünger, Fredrik Hedelin, Hanna Hartmann, Ingvar Karkoff , Johannes Bergmark, Karin Rehnqvist, Kent Olofsson, Kim Hedås, Madeleine Isaksson, Malin Bång, Marie Samuelsson, Mårten Josjö, Mats Larsson Gothe, Miklos Maros, Per Mårtensson, Stefan Östersjö, Sten Melin, Sten Sandell, Stockholm Saxofonkvartett.
Ballet
The programme included two ballets commissioned from Icelandic ballet companies – the Iceland Dance Company and the Dance Theatre, which specialises in modern dance.Radio broadcasts from Iceland
In collaboration with RÚV (Icelandic National Broadcasting) the festival was recorded and broadcasted both in Iceland and in all the Nordic countries. Broadcasts from NMD was also in preparation in Europe as a whole – both live and recorded broadcasts.Copenhagen, Malmoe and Helsingborg 2004
Festival of Nordic contemporary music - took place in Copenhagen, Malmö and Helsingborg on November 18–28. The festival was organized for the Nordic Council of Composers by the Danish Composers’ Society.Berlin 2002
MAGMA 2002 BERLIN, is version of the biannual music festival "Nordic Music Days". Nordic Music Days provided a meeting place for composers and performing artists from the Nordic countries. The purpose of the festival has been to disseminate information about Nordic music and promote contact between Nordic composers and musicians. The character of the programme has been revised and expanded in keeping with the changing situation. In 2002, for the first time in its 122-year history, Nordic Music Days came to the heart of Europe's musical culture.It was an opportunity to show you who Germany composers are through their music. Their music reflects a natural, modern and urban individualist approach. Result: A wide range of artistic expression where high risk is of the essence.
For some of Germany composers and musicians it's a serious matter how they relate to the European mainstream. Others just don't care. MAGMA 2002 BERLIN brought this unruly crowd together in a weeklong showcase in Germany’s fascinating and rapidly changing capital - Berlin.