No Cards
Encyclopedia
No Cards is a "musical piece in one act" for four characters, written by W. S. Gilbert
, with music composed and arranged by Thomas German Reed
. It was first produced at the Royal Gallery of Illustration
, Lower Regent Street, London, under the management of German Reed, opening on 29 March 1869 and closing on 21 November 1869. The work is a domestic farce of mistaken identities and inept disguises, as two men desperately compete to marry a wealthy young lady. One is young and poor, and the other is a rich miser. Each disguises himself as her guardian.
No Cards was the first of Gilbert's six pieces for the Gallery of Illustration. It was also Gilbert's first libretto with prose dialogue and the first stage work for which he wrote lyrics to be set to music, rather than lyrics to pre-existing music. No Cards was played on a double bill with Arthur Sullivan
and F. C. Burnand's Cox and Box
, although Gilbert and Sullivan did not meet until later that year. After a successful 139 performances, the bill toured the British provinces. Gilbert liked German Reed's setting of the Babbetyboobledore song enough to reuse it later in 1879 in his next show, The Pretty Druidess
.
Music publisher Joseph Williams & Co. reissued "No Cards" in 1895 with a score by "Lionel Elliott", which appears to be a pseudonym. A production mounted at St. George's Hall
in London in 1873 appears to have been the first to use this "Elliott" score, and a revival took place at St. George's Hall in 1902. The Royal Victorian Opera Company of Boston, Massachusetts made a video of the piece in 1996 using the Elliott score. The first British revival in over a century is being produced by the Centenary Company at the Greenwich Theatre
from 18 to 21 November 2009 (as a curtain raiser
to The Pirates of Penzance
) using Elliott's score retrieved from the British Library
.
began writing plays:
To fill this gap, Thomas German Reed
opened his German Reed Entertainments at the Gallery of Illustration. Seeing the quality of Gilbert's early burlesques, he brought in Gilbert to write a series of six one-act operettas. The Gallery of Illustration was a 500-seat theatre with a small stage that only allowed for four or five characters with accompaniment by a piano, harmonium and sometimes a harp.
Gilbert's libretto, his first with lyrics written to be set by a composer, instead of written to existing melodies, gives hints of some elements of his later works. For instance, the "uncivilised" island of Babbetyboobledore is an early look at a Gilbertian utopia, such as in the Gilbert and Sullivan
opera Utopia, Limited
, written 25 years later. Compare these lyrics from No Cards:
with these from Utopia:
There is also a verse on the subject of disguises, with reference to Paddington Pollaky, who was later mentioned in Patience
. In addition, the libretto of No Cards, as in Gilbert's later works, includes topical references to subjects like siamese twins. It also includes the interpolated Bab Ballad
"The Precocious Baby" and the interpolated music hall
numbers "Champagne Charlie
" and Gilbert's 1868 song "Thady O'Flynn".
In the accompanying presentation of Cox and Box
, Reed played Cox, Arthur Cecil
played Box, and J. Seymour was Bouncer. The production marked the stage debut of Cecil.
's Ruddigore
almost two decades later), except when he is portraying a role on stage. But, in any case, she cannot marry until she can locate her guardian, Mrs. Pennythorne's rogue of a husband, Mr. Coodle, who hasn't been heard from for 20 years.
Mr. Dee arrives, soon followed by Mr. Churchmouse, who has a toothache. Dee and Churchmouse both undertake to find Mr. Coodle. Mrs. Pennythorne shows them a portrait. Dee goes off, and Churchmouse stays to converse rather nonsensically with Annabella and then leaves. Dee re-enters disguised as Coodle's best man at the wedding of so long ago, but has no calling card. Mrs. P is not fooled but plays along. The disguised Dee says that Coodle is on his way to confer the hand of his niece upon Mr. Dee. Then Churchmouse enters, disguised as Coodle, also with no card. His disguise is even worse than Dee's.
Dee reappears, still disguised. He is left alone with Churchmouse, and they each sound out the other, each suspecting that the other is a phony. Mrs. P reenters, now disguised as Salmanca Trombone, and says that she has been to the Indian archipelago, where the locals elected her the queen of Babbetyboobledore. She asks which of the two is Mr. Coodle. Dee speaks up, and Mrs. P immediately draws a revolver and declares, "I've come to shoot Coodle". Dee then says that Churchmouse is Coodle, but Churchmouse loses his disguise. She also says that Annabella does not have 25,000 pounds. Dee then says that he is too old for Annabella and loses his disguise. Churchmouse, however, says that she is not too poor for him. She hands Churchmouse a slip announcing his wedding to Annabella.
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
, with music composed and arranged by Thomas German Reed
Thomas German Reed
Thomas German Reed was an English composer and theatrical manager best known for creating the German Reed Entertainments, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable...
. It was first produced at the Royal Gallery of Illustration
Royal Gallery of Illustration
The Royal Gallery of Illustration was a performance venue located at 14 Regent Street near Waterloo Place in London, in what was formerly the home of John Nash, designer of Regent Street, Regent's Park, and other urban improvements undertaken at the commission of George IV.From 1855 to about 1876,...
, Lower Regent Street, London, under the management of German Reed, opening on 29 March 1869 and closing on 21 November 1869. The work is a domestic farce of mistaken identities and inept disguises, as two men desperately compete to marry a wealthy young lady. One is young and poor, and the other is a rich miser. Each disguises himself as her guardian.
No Cards was the first of Gilbert's six pieces for the Gallery of Illustration. It was also Gilbert's first libretto with prose dialogue and the first stage work for which he wrote lyrics to be set to music, rather than lyrics to pre-existing music. No Cards was played on a double bill with Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
and F. C. Burnand's Cox and Box
Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two...
, although Gilbert and Sullivan did not meet until later that year. After a successful 139 performances, the bill toured the British provinces. Gilbert liked German Reed's setting of the Babbetyboobledore song enough to reuse it later in 1879 in his next show, The Pretty Druidess
The Pretty Druidess
The Pretty Druidess; Or, The Mother, The Maid, and The Mistletoe Bough is an operatic burlesque by W. S. Gilbert. It was produced at the opening of the new Charing Cross Theatre on 19 June 1869 and ran until September of that year....
.
Music publisher Joseph Williams & Co. reissued "No Cards" in 1895 with a score by "Lionel Elliott", which appears to be a pseudonym. A production mounted at St. George's Hall
St. George's Hall (London)
St. George's Hall was a theatre located in Langham Place, Regent Street in London, built in 1867, which closed in 1966. The hall could accommodate between 800 and 900 persons, or up to 1,500 persons including the galleries...
in London in 1873 appears to have been the first to use this "Elliott" score, and a revival took place at St. George's Hall in 1902. The Royal Victorian Opera Company of Boston, Massachusetts made a video of the piece in 1996 using the Elliott score. The first British revival in over a century is being produced by the Centenary Company at the Greenwich Theatre
Greenwich Theatre
The Greenwich Theatre is a local theatre located in Croom's Hill close to the centre of Greenwich in south-east London.-Building history:The building was originally a music hall created in 1855 as part of the neighbouring Rose and Crown public house, but the Rose and Crown Music Hall was...
from 18 to 21 November 2009 (as a curtain raiser
Curtain raiser
*A United States Air Force missile combat competition called Curtain Raiser, held in 1967*Curtain raiser - A short play or entertainment given before the main entertainment or event to fill out the bill or programme....
to The Pirates of Penzance
The Pirates of Penzance
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera's official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where the show was well received by both audiences...
) using Elliott's score retrieved from the British Library
British Library
The British Library is the national library of the United Kingdom, and is the world's largest library in terms of total number of items. The library is a major research library, holding over 150 million items from every country in the world, in virtually all known languages and in many formats,...
.
Background
At the time that W. S. GilbertW. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
began writing plays:
- "The stage was at a low ebb, Elizabethan glories and Georgian artificialities had alike faded into the past, stilted tragedy and vulgar farce were all the would-be playgoer had to choose from, and the theatre had become a place of evil repute to the righteous British householder.
- Oratorio was then at the height of its vogue, and Shakespearean drama as interpreted by the Kean, Macready, and Kendal school still held its public; but at the other extreme there were only farces or the transplanted operettas of Offenbach, Lecocq and other French composers, which were as a rule very indifferently rendered, and their librettos so badly translated that any wit or point the dialogue might have possessed was entirely lost."
-
- – Jessie BondJessie BondJessie Bond was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company.Musical from an early age, Bond began a concert singing...
- – Jessie Bond
-
To fill this gap, Thomas German Reed
Thomas German Reed
Thomas German Reed was an English composer and theatrical manager best known for creating the German Reed Entertainments, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable...
opened his German Reed Entertainments at the Gallery of Illustration. Seeing the quality of Gilbert's early burlesques, he brought in Gilbert to write a series of six one-act operettas. The Gallery of Illustration was a 500-seat theatre with a small stage that only allowed for four or five characters with accompaniment by a piano, harmonium and sometimes a harp.
Gilbert's libretto, his first with lyrics written to be set by a composer, instead of written to existing melodies, gives hints of some elements of his later works. For instance, the "uncivilised" island of Babbetyboobledore is an early look at a Gilbertian utopia, such as in the Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
opera Utopia, Limited
Utopia, Limited
Utopia, Limited; or, The Flowers of Progress, is a Savoy Opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances...
, written 25 years later. Compare these lyrics from No Cards:
- Civilization takes no stride....
- There's nothing like self-respect or pride
- In Babbletyboobledore.
- "They've little regard for money or birth –
- Unless it's allied to genuine worth"
with these from Utopia:
- [We are] little better than half-clothed barbarians....
- "The Brewers and the Cotton Lords no longer seek admission,
- And literary merit meets with proper recognition."
There is also a verse on the subject of disguises, with reference to Paddington Pollaky, who was later mentioned in Patience
Patience (opera)
Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. First performed at the Opera Comique, London, on 23 April 1881, it moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the...
. In addition, the libretto of No Cards, as in Gilbert's later works, includes topical references to subjects like siamese twins. It also includes the interpolated Bab Ballad
Bab Ballads
The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings. Gilbert wrote the Ballads before he became famous for his comic opera librettos with Arthur Sullivan...
"The Precocious Baby" and the interpolated music hall
Music hall
Music Hall is a type of British theatrical entertainment which was popular between 1850 and 1960. The term can refer to:# A particular form of variety entertainment involving a mixture of popular song, comedy and speciality acts...
numbers "Champagne Charlie
Champagne Charlie (song)
Champagne Charlie is a music hall song from the 19th century composed by Alfred Lee with lyrics by George Leybourne. It was popularised by performer George Leybourne. The song was first performed at the Sun Music Hall, Knightsbridge in 1867...
" and Gilbert's 1868 song "Thady O'Flynn".
In the accompanying presentation of Cox and Box
Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan's first successful comic opera. The story concerns a landlord who lets a room to two...
, Reed played Cox, Arthur Cecil
Arthur Cecil
Arthur Cecil Blunt, better known as Arthur Cecil was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of Cox and Box, by Arthur Sullivan and F. C...
played Box, and J. Seymour was Bouncer. The production marked the stage debut of Cecil.
Roles and original cast
- Miss Annabella Penrose, An Heiress, Niece of Mrs. Pennythorne - Rosa D'Erina (sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
) - Mrs. Pennythorne, A lady of considerable matrimonial experiences, with strong opinions and convictions on "Women's Rights." - Priscilla Horton German Reed (contraltoContraltoContralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
) - Mr. Ellis Dee, A wealthy old bachelor - Thomas German ReedThomas German ReedThomas German Reed was an English composer and theatrical manager best known for creating the German Reed Entertainments, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable...
(baritoneBaritoneBaritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
) - Mr. Churchmouse, A poor young bachelor - Arthur CecilArthur CecilArthur Cecil Blunt, better known as Arthur Cecil was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of Cox and Box, by Arthur Sullivan and F. C...
(tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
) - A servant (silent)
Synopsis
In her boudoir, Mrs. Pennythorne opines to her niece, Annabella Penrose, who has inherited 25,000 pounds from her aunt, Salamanca Trombone, that marriage is a very positive institution, despite her own marriage to a man who promptly ran off with all her money. Annabella doesn't fancy marrying the much older and infelicitous Mr. Dee, despite his wealth. The young Mr. Churchmouse, on the other hand, is painfully shy (as Robin Oakapple would be in Gilbert and SullivanGilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
's Ruddigore
Ruddigore
Ruddigore; or, The Witch's Curse, originally called Ruddygore, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan...
almost two decades later), except when he is portraying a role on stage. But, in any case, she cannot marry until she can locate her guardian, Mrs. Pennythorne's rogue of a husband, Mr. Coodle, who hasn't been heard from for 20 years.
Mr. Dee arrives, soon followed by Mr. Churchmouse, who has a toothache. Dee and Churchmouse both undertake to find Mr. Coodle. Mrs. Pennythorne shows them a portrait. Dee goes off, and Churchmouse stays to converse rather nonsensically with Annabella and then leaves. Dee re-enters disguised as Coodle's best man at the wedding of so long ago, but has no calling card. Mrs. P is not fooled but plays along. The disguised Dee says that Coodle is on his way to confer the hand of his niece upon Mr. Dee. Then Churchmouse enters, disguised as Coodle, also with no card. His disguise is even worse than Dee's.
Dee reappears, still disguised. He is left alone with Churchmouse, and they each sound out the other, each suspecting that the other is a phony. Mrs. P reenters, now disguised as Salmanca Trombone, and says that she has been to the Indian archipelago, where the locals elected her the queen of Babbetyboobledore. She asks which of the two is Mr. Coodle. Dee speaks up, and Mrs. P immediately draws a revolver and declares, "I've come to shoot Coodle". Dee then says that Churchmouse is Coodle, but Churchmouse loses his disguise. She also says that Annabella does not have 25,000 pounds. Dee then says that he is too old for Annabella and loses his disguise. Churchmouse, however, says that she is not too poor for him. She hands Churchmouse a slip announcing his wedding to Annabella.
Musical numbers
- No. 1. - Song - Mrs. Pennythorne. "A great deal of experience in life I've had"
- Sometimes an interpolated song was added here for Miss Penrose: "Thady O'Flinn"
- No. 2. - Trio - Mr. Ellis Dee, Mr. Churchmouse, Miss Penrose. "From this pretty bower hence"
- No. 3. - Song - Mr. Churchmouse. "An elderly person, a prophet by trade"
- No. 4. - Song - Mrs. Pennythorne. "You ask me what species of people I met"
- No. 5. - Finale - "Believe me, as far as with me it remains"