Neveryóna
Encyclopedia
Neveryóna, or: The Tale of Signs and Cities is a sword and sorcery
Sword and sorcery
Sword and sorcery is a sub-genre of fantasy and historical fantasy, generally characterized by sword-wielding heroes engaged in exciting and violent conflicts. An element of romance is often present, as is an element of magic and the supernatural...

 novel by Samuel R. Delany
Samuel R. Delany
Samuel Ray Delany, Jr., also known as "Chip" is an American author, professor and literary critic. His work includes a number of novels, many in the science fiction genre, as well as memoir, criticism, and essays on sexuality and society.His science fiction novels include Babel-17, The Einstein...

. It is the second of the four-volume Return to Nevèrÿon
Return to Nevèrÿon (series)
Return to Nevèrÿon is a series of eleven “sword and sorcery” stories by Samuel R. Delany, originally published in four volumes during the years 1979-1987...

 series. This article discusses the novel itself. Discussions of overall plot, setting, characters, themes, structure, and style of the series are found in the main series article.

Plot summary

Neveryóna (a full-length novel
Novel
A novel is a book of long narrative in literary prose. The genre has historical roots both in the fields of the medieval and early modern romance and in the tradition of the novella. The latter supplied the present generic term in the late 18th century....

), the sixth and longest tale of the Return to Nevèrÿon series, focuses on fifteen-year-old Pryn, who is extraordinary in this culture because she can read and write. Pryn is the great niece of an unsung genius of Nevèrÿon, a woman who invented both the loom and the spindle. Because she did not have the good fortune also to discover that wool made the best and strongest cloth, however, all the credit for her work tends to be given to other people. Pryn’s travels take her (and the reader) not only to explore the revolutionary forces of Gorgik’s campaign—and some of its internal squabbles—but also through the homes of several wealthy conservatives. In the first half of the novel, Pryn finds herself in Neveryóna, an upper class suburb of Port Kolhari, an uneasy guest in the emotionally embattled gardens of a wealthy merchant woman, Madame Keyne, whom we first met in the third story, “The Tale of Potters and Dragons,” and who is now actively financing a crackpot group of counter rebels who want to put an end to Gorgik’s project. In the second half, once Pryn travels into the south, she is taken up by the powerful Jue Gruten family, who represent the far more lethal and aristocratic forces of the nation who want to end this rebellion. Here the webs of power are almost too complex and wide reaching for Pryn to comprehend, even though she now realizes that one can fight them, a single incident at a time, as she manages to free a single slave from their grip, whom the Earl has tried to use as a scapegoat. But Pryn and the reader now have a far clearer picture of what Gorgik is up against.

Between the novel’s first part and its second part, Pryn spends some time with a good-hearted but sadly limited peasant family, who live in the little town of Enoch and who represent the working classes that Gorgik will have to enlist somehow if he is to succeed. (A city name that appears several times throughout Delany’s non-Nevèrÿon work, notably in The Mad Man
The Mad Man
The Mad Man is a sexually drenched literary novel by Samuel R. Delany, first published in 1994 by Richard Kasak. In a disclaimer that appears at the beginning of the book, Delany describes it as a "pornotopic fantasy". It was originally published in 1994, republished and slightly revised in 1996,...

[1966], "Enoch" is mentioned in Genesis as the first city built by man, specifically by Cain’s son, Adam and Eve’s grandson, after whom it was named. In Delany's work, “Enoch” is never a big city. Rather it is a very old and small city—often much older than it thinks it is—which has forgotten its own historical origins.) These are the people who have the least sense of their own history. Their perfectly sensible wants conspire, nevertheless, to defeat their own best interests, and the only role they can conceive of in which Pryn can stay among them is that of the town prostitute. It is the most devastating section of the novel.

An added irony is that this section is written using all the characters from that central myth of romanticism, “Tristan and Isolde” (with Pryn playing the part of Isolde), employing elements from many of the versions, including the story of “Tristan’s Leap,” and the tales of Malot, King Mark, and Bragenge from Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...

, and even the dwarf Frocsin, from Jean Cocteau
Jean Cocteau
Jean Maurice Eugène Clément Cocteau was a French poet, novelist, dramatist, designer, playwright, artist and filmmaker. His circle of associates, friends and lovers included Kenneth Anger, Pablo Picasso, Jean Hugo, Jean Marais, Henri Bernstein, Marlene Dietrich, Coco Chanel, Erik Satie, María...

’s film version from the forties, “The Eternal Return” (1943). In Delany’s version, apathy and despair have replaced passion and romance. Only the power of Pryn’s own imagination gives her a weapon to fight free from the seductions of these simple people’s basic goodness and her own ensnarement in their fundamental hopelessness.

Further reading

  • Tucker, Jeffery A. A Sense of Wonder: Samuel R. Delany, Race, Identity and Difference, chapter 3: "The Empire of Signs: Slavery, Semiotics, and Sexuality in the Return to Nevèrÿon Series". Wesleyan University Press, 2004. ISBN 0819566896
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