Miracle of the Slave (Tintoretto)
Encyclopedia
The Miracle of the Slave (also known as The Miracle of St. Mark, 1548) is a painting by the Italian Renaissance artist Jacopo Tintoretto. Currently housed in the Gallerie dell'Accademia in Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

, northern Italy, it was originally commissioned for the Scuola Grande di San Marco
Scuola Grande di San Marco
The Scuola Grande di San Marco is a building in Venice, Italy. It originally was the home to one of the six major sodalities or Scuole Grandi of Venice. It faces the Campo San Giovanni e Paolo, one of the largest squares in the city....

, a confraternity in the city.

It portrays an episode of the life of St. Mark, patron saint of Venice, taken from Jacopo da Varazze's Golden Legend
Golden Legend
The Golden Legend is a collection of hagiographies by Jacobus de Voragine that became a late medieval bestseller. More than a thousand manuscripts of the text have survived, compared to twenty or so of its nearest rivals...

. The scene shows, in the upper part, the saint intervening to make invulnerable a slave about to be martyred for his veneration of another saint's relics. All the figures are inscribed into an architectonic scenario.

Different influences on Tintoretto's art can be seen in the picture: while the anatomies are Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...

-like, the vivid and intense colors are typical of the Venetian School
Venetian school (art)
-Context:In the 15th century Venetian painting developed through influences from the Paduan School and Antonello da Messina, who introduced the oil painting technique of Early Netherlandish painting. It is typified by a warm colour scale and a picturesque use of colour...

.
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