Metalepsis
Encyclopedia
Metalepsis is a figure of speech
Figure of speech
A figure of speech is the use of a word or words diverging from its usual meaning. It can also be a special repetition, arrangement or omission of words with literal meaning, or a phrase with a specialized meaning not based on the literal meaning of the words in it, as in idiom, metaphor, simile,...

 in which one thing is referred to by something else which is only remotely associated with it. Often the association works through a different figure of speech, or through a chain of cause and effect
Causality
Causality is the relationship between an event and a second event , where the second event is understood as a consequence of the first....

. Often metalepsis refers to the combination of several figures of speech into an altogether new one. Those base figures of speech can be literary references, resulting in a sophisticated form of allusion
Allusion
An allusion is a figure of speech that makes a reference to, or representation of, people, places, events, literary work, myths, or works of art, either directly or by implication. M. H...

.

A synonym for metalepsis is transumption, derived from the Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...

 transsumptio invented by
Quintilian
Quintilian
Marcus Fabius Quintilianus was a Roman rhetorician from Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing...

 as an equivalent for the Greek.

Examples

  • "I've got to go catch the worm tomorrow."
    • "The early bird catches the worm" is a common maxim in English, advocating getting an early start on the day to achieve success. The subject, by referring to this maxim, is compared to the bird; tomorrow, the speaker will awaken early in order to achieve success.

Quotes

"For the nature of metalepsis is that it is an intermediate step, as it were, to that which is metaphorically expressed, signifying nothing in itself, but affording a passage to something. It is a trope that we give the impression of being acquainted with rather than one that we actually ever need." -- Quintilian

"But the sense is much altered & the hearer's conceit strangely entangled by the figure Metalepsis, which I call the farfet, as when we had rather fetch a word a great way off than to use one nearer hand to express the matter as well & plainer."

.

"In a metalepsis, a word is substituted metonymically for a word in a previous trope, so that a metalepsis can be called, maddeningly but accurately, a metonymy of a metonymy."

.

Narratology

In narratology
Narratology
Narratology denotes both the theory and the study of narrative and narrative structure and the ways that these affect our perception. While in principle the word may refer to any systematic study of narrative, in practice its usage is rather more restricted. It is an anglicisation of French...

 (and specifically in the theories of Gerard Genette
Gérard Genette
Gérard Genette is a French literary theorist, associated in particular with the structuralist movement and such figures as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of bricolage.-Life:...

), a paradoxical transgression of the boundaries between narrative levels or logically distinct worlds is also called metalepsis.

"Perhaps the most common example of metalepsis in narrative occurs when a narrator intrudes upon another world being narrated. In general, narratorial metalepsis arises most often when an omniscient or external narrator begins to interact directly with the events being narrated, especially if the narrator is separated in space and time from these events."


– .

"There are so many examples of forking-path and metaleptic narratives by now that my recommendations will have to seem arbitrary. One of the most thoroughly enjoyable constructions of enigmatic worlds within worlds is Nabokov's Pale Fire (1962). A good short text is Robert Coover's 'The Babysitter' (1969). In film, a frequently referenced forking-path narrative is Peter Howitt's Sliding Doors (1998)."


– .

"[In Tom] Stoppard's The Real Inspector Hound, the framing diegetic situation is here equally a theatre. In this fictional theatre a whodunnit is performed, witnessed by an audience which includes two theatre critics. In the course of the embedded performance these critics become paradoxically involved in the hypodiegetic play within a play, an involvement which even leads to the death of one of them. Thus, as in the case of Pirandello's Sei personaggi, the typical traits of a metalepsis can here also be recognized: a fictional representation consisting of several distinct worlds and levels, among which unorthodox transgression occur."


– .
The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
x
OK