Metahistorical romance
Encyclopedia
Metahistorical Romance is a term describing postmodern historical fiction, defined by Amy J. Elias in Sublime Desire: History and Post-1960s Fiction. Elias defines metahistorical romance as a form of historical fiction continuing the legacy of historical romance inaugurated by Sir Walter Scott but also having ties to contemporary postmodern historiography. In particular, in metahistorical romance, poststructuralist play invokes the "historical sublime" as defined in the work of Hayden White
. Metahistorical romance--such as Thomas Pynchon
's novel Mason & Dixon
--attempts to recuperate the sublime untouchability of the past, to reach History and know it, but paradoxically in the context of the political. As with the Kantian sublime, the postmodern historical sublime is not the grasp of the sublime object itself but a kind of ironic awareness of the inaccessibility of the sublime object. There is a yearning that resembles the yearning for mystical knowledge at the core of the search for the historical sublime, and thus the concept ties contemporary historical fiction to a literary history (that of the historical novel), a type of historiography (postmodern, post-Annales
historiography), and a spiritual questing. Elias argues that the postmodern imagination confronts the historical sublime rather than represses it; confronts it as repetition and deferral; seeks sublime History but simultaneously has lost faith in the storytelling needed to do so; and consequently has ties to, but reverses the dominant of, the traditional Anglo-American historical novel. The term "metahistorical romance" also builds upon work by Linda Hutcheon
, whose term "historiographic metafiction" described the ironic stance of contemporary historical fiction.
White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation (Baltimore and London: Johns Hopkins University Press, 1990 rpt).
Hayden White
Hayden White is a historian in the tradition of literary criticism, perhaps most famous for his work Metahistory: The Historical Imagination in Nineteenth-Century Europe...
. Metahistorical romance--such as Thomas Pynchon
Thomas Pynchon
Thomas Ruggles Pynchon, Jr. is an American novelist. For his most praised novel, Gravity's Rainbow, Pynchon received the National Book Award, and is regularly cited as a contender for the Nobel Prize in Literature...
's novel Mason & Dixon
Mason & Dixon
Mason & Dixon is a postmodernist novel by American author Thomas Pynchon published in 1997. It centers on the collaboration of the historical Charles Mason and Jeremiah Dixon in their astronomical and surveying exploits in Cape Colony, Saint Helena, Great Britain and along the Mason-Dixon line in...
--attempts to recuperate the sublime untouchability of the past, to reach History and know it, but paradoxically in the context of the political. As with the Kantian sublime, the postmodern historical sublime is not the grasp of the sublime object itself but a kind of ironic awareness of the inaccessibility of the sublime object. There is a yearning that resembles the yearning for mystical knowledge at the core of the search for the historical sublime, and thus the concept ties contemporary historical fiction to a literary history (that of the historical novel), a type of historiography (postmodern, post-Annales
Annales School
The Annales School is a group of historians associated with a style of historiography developed by French historians in the 20th century. It is named after its scholarly journal Annales d'histoire économique et sociale, which remains the main source of scholarship, along with many books and...
historiography), and a spiritual questing. Elias argues that the postmodern imagination confronts the historical sublime rather than represses it; confronts it as repetition and deferral; seeks sublime History but simultaneously has lost faith in the storytelling needed to do so; and consequently has ties to, but reverses the dominant of, the traditional Anglo-American historical novel. The term "metahistorical romance" also builds upon work by Linda Hutcheon
Linda Hutcheon
Linda Hutcheon, O.C. is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian Studies. Hutcheon describes her herself as "intellectually promiscuous", as she brings a cross-disciplinary approach to her work She is University Professor in the Department of...
, whose term "historiographic metafiction" described the ironic stance of contemporary historical fiction.
Further reading
Elias, Amy J. Sublime Desire: History and Post-1960s Fiction(Baltimore and London: Johns Hopkins University Press, 2001).White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation (Baltimore and London: Johns Hopkins University Press, 1990 rpt).