Masquerade (song)
Encyclopedia
"Masquerade" is a song from the Andrew Lloyd Webber
musical The Phantom of the Opera
. It is sung at the beginning of the second act where a New Year's masquerade ball is held at the Opera House. Several months have passed since the end of the first act and the cast and crew of the Opera House have heard nothing of the Phantom for that period of time, thus assuming that he had left them for good. The owners of the Opera, Andre and Firmin, are determined to celebrate this, as well as the "new chandelier" installed after the Phantom fell the last one (although this is changed to "our friends who are here" for the film, where the falling chandelier is moved until a later scene). Christine and Raoul also mention their secret engagement, each expressing doubt and that they need not be so silent about it.
The song also acts a strange parallel to the Phantom himself. The lyrics of the song boldly state:
This mirrors not only the fact that the Phantom wears a mask to conceal his disfigured face, but also the fact that he hides himself away from the world. By turning his daily practice into a fun but dark game for the patrons and workers of the opera, the song suggests that all social interaction requires one to metaphorically conceal oneself. One can only enjoy perfect liberty while in disguise. This is driven home when the Phantom disrupts the song by arriving in an elaborate Red Death costume and mask, bullies and taunts the managers and wrenches the chain Christine wears her engagement ring on from around her neck.
It should also be noted that "bal masques" were popular middle-class entertainments held at the Palais Garnier and elsewhere throughout the latter quarter of the nineteenth century, and did not necessarily have any connection to other events or performances at the Opera.
"Masquerade" is usually viewed as the show's theme (alongside the "Phantom of the Opera" melody), mainly because it is the first song that the audience hears throughout the whole play, even before the overture
begins. It is the song that plays from the mysterious monkey and barrel organ music box that eventually becomes a symbol of the Phantom's and Christine's love. In the play's final scenes, the Phantom, unmasked, observes the music box in his lair. It comes to life by magic, and tinkles out its tune across a vast, silent stage. The Phantom sings the lines quoted above while staring at his mask, reflecting on his life of hiding away and perhaps on his impending need to secure himself from his pursuers. He finally whispers, "Christine...I love you...," echoing Raoul's identical declaration several scenes before (in the song "All I Ask of You
"), before preparing to disappear. Perhaps significantly, he leaves his mask on his chair.
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber is an English composer of musical theatre.Lloyd Webber has achieved great popular success in musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of...
musical The Phantom of the Opera
The Phantom of the Opera (1986 musical)
The Phantom of the Opera is a musical by Andrew Lloyd Webber, based on the French novel Le Fantôme de l'Opéra by Gaston Leroux.The music was composed by Lloyd Webber, and most lyrics were written by Charles Hart, with additional lyrics by Richard Stilgoe. Alan Jay Lerner was an early collaborator,...
. It is sung at the beginning of the second act where a New Year's masquerade ball is held at the Opera House. Several months have passed since the end of the first act and the cast and crew of the Opera House have heard nothing of the Phantom for that period of time, thus assuming that he had left them for good. The owners of the Opera, Andre and Firmin, are determined to celebrate this, as well as the "new chandelier" installed after the Phantom fell the last one (although this is changed to "our friends who are here" for the film, where the falling chandelier is moved until a later scene). Christine and Raoul also mention their secret engagement, each expressing doubt and that they need not be so silent about it.
Themes and metaphors
The song begins in a bright, cheery, and perhaps innocently sinister manner, with all people dancing and swirling about in costumes. The lyrics, though, reveal that there is something strange about the song. They describe the power of masks and their ability to conceal one's persona, which may seem like a game—but the words reveal the dangerous side of hiding away. As the revelers sing, "You can fool any friend who ever knew you!" Indeed, Firmin and Andre begin the song by tentatively approaching one another in skeleton costumes, uncertainly whispering one another's names and only breaking into a self-congratulatory conversation once they have established their identities.The song also acts a strange parallel to the Phantom himself. The lyrics of the song boldly state:
Masquerade!
Paper faces on parade...
Masquerade!
Hide your face so the world will never find you...
This mirrors not only the fact that the Phantom wears a mask to conceal his disfigured face, but also the fact that he hides himself away from the world. By turning his daily practice into a fun but dark game for the patrons and workers of the opera, the song suggests that all social interaction requires one to metaphorically conceal oneself. One can only enjoy perfect liberty while in disguise. This is driven home when the Phantom disrupts the song by arriving in an elaborate Red Death costume and mask, bullies and taunts the managers and wrenches the chain Christine wears her engagement ring on from around her neck.
It should also be noted that "bal masques" were popular middle-class entertainments held at the Palais Garnier and elsewhere throughout the latter quarter of the nineteenth century, and did not necessarily have any connection to other events or performances at the Opera.
"Masquerade" is usually viewed as the show's theme (alongside the "Phantom of the Opera" melody), mainly because it is the first song that the audience hears throughout the whole play, even before the overture
Overture
Overture in music is the term originally applied to the instrumental introduction to an opera...
begins. It is the song that plays from the mysterious monkey and barrel organ music box that eventually becomes a symbol of the Phantom's and Christine's love. In the play's final scenes, the Phantom, unmasked, observes the music box in his lair. It comes to life by magic, and tinkles out its tune across a vast, silent stage. The Phantom sings the lines quoted above while staring at his mask, reflecting on his life of hiding away and perhaps on his impending need to secure himself from his pursuers. He finally whispers, "Christine...I love you...," echoing Raoul's identical declaration several scenes before (in the song "All I Ask of You
All I Ask of You
"All I Ask of You" is a song from the Andrew Lloyd Webber musical version of The Phantom of the Opera.It was released as a single on both 7 and 12 inch vinyl in 1986 by Cliff Richard and Sarah Brightman.It was certified Silver in the UK....
"), before preparing to disappear. Perhaps significantly, he leaves his mask on his chair.