Marina Krilovici
Encyclopedia
Marina Krilovici is a German opera
soprano
of Romanian birth. She first studied with Mme Vrabiescu-Vatianu, Arta Florescu, Petre Ştefănescu Goangă, Aurel Alexandrescu in Bucharest, then with Maria Caniglia and Luigi Ricci in Rome. Debut in 1966 at the National Opera of Bucharest as Donna Anna in "Don Giovanni". In the same year she was winner of the Dutch International Vocal Competition in ´s Hertogenbosch and another competition in Montreal. She arrived at the Opera of Bucharest to major achievements in lots from the lyric as the dramatic roles, especially in the field of Italian opera. From 1968-1976 she was a member of the State Opera of Hamburg. In 1971, she decided to defect and settle in Germany.
In 1973 Krilovici became a German citizen. The artist, who was married to the baritone Kostas Paskalis
until 1993 (with whom she has two children, Constantin b. 1974, and Alexandra b. 1977) has performed at numerous Opera houses. In 1968 and 1969 she was heard at the Opera House in Toronto as Tosca. In the years 1970-1978 she appeared at the Staatsoper in Vienna in roles like Santuzza, Tosca, and Elisabetta in Verdi's Don Carlos. In 1972 she performed at the Deutsche Oper Berlin as Santuzza. Other guest appeatances at La Fenice in Venice (1971 as Tosca), the Covent Garden Opera London (1971, Aida), the Teatro San Carlos Lisbon (1975 as Manon Lescaut and 1978 as Tosca), the Opera du Rhin, Strasbourg (1976, Tatiana in "Eugene Onegin"), the Opera de Monte Carlo (1979, Elisabetta), La Monnaie (1979, Amelia in Donizetti's "Il Duca d'Alba"), and the Scottish Opera in Glasgow (1980, Tosca). In 1985-1986 she made a guest appearance at the Opéra de Wallonie Liege as Tosca. Also a guest in Amsterdam, Copenhagen, Mexico City and 1982-85 at the opera several times in Athens, where she sang Leonore in "La forza del destino" by Verdi.
Even in America Krilovici had a very successful career, making her debut there in 1972 at the San Francisco Opera as Aida, From 1972-1974 she sang at the Lyric Opera of Chicago as Mimi and as Cio-Cio-San. She sang at the Opera House of New Orleans in 1975 as Tosca and appeared at Miami Opera in 1979 as Elisabetta in "Don Carlos". In the seasons 1973-1974 and 1975-1977 she was engaged at the New York Metropolitan Opera where she sang Cio-Cio-San, Giorgetta in Puccini's "Il Tabarro", and Leonora in "Il Trovatore".
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
of Romanian birth. She first studied with Mme Vrabiescu-Vatianu, Arta Florescu, Petre Ştefănescu Goangă, Aurel Alexandrescu in Bucharest, then with Maria Caniglia and Luigi Ricci in Rome. Debut in 1966 at the National Opera of Bucharest as Donna Anna in "Don Giovanni". In the same year she was winner of the Dutch International Vocal Competition in ´s Hertogenbosch and another competition in Montreal. She arrived at the Opera of Bucharest to major achievements in lots from the lyric as the dramatic roles, especially in the field of Italian opera. From 1968-1976 she was a member of the State Opera of Hamburg. In 1971, she decided to defect and settle in Germany.
In 1973 Krilovici became a German citizen. The artist, who was married to the baritone Kostas Paskalis
Kostas Paskalis
Kostas Paskalis was a Greek opera singer, one of the leading baritones of the 1960s and 1970s in Europe, particularly associated with the Italian repertory....
until 1993 (with whom she has two children, Constantin b. 1974, and Alexandra b. 1977) has performed at numerous Opera houses. In 1968 and 1969 she was heard at the Opera House in Toronto as Tosca. In the years 1970-1978 she appeared at the Staatsoper in Vienna in roles like Santuzza, Tosca, and Elisabetta in Verdi's Don Carlos. In 1972 she performed at the Deutsche Oper Berlin as Santuzza. Other guest appeatances at La Fenice in Venice (1971 as Tosca), the Covent Garden Opera London (1971, Aida), the Teatro San Carlos Lisbon (1975 as Manon Lescaut and 1978 as Tosca), the Opera du Rhin, Strasbourg (1976, Tatiana in "Eugene Onegin"), the Opera de Monte Carlo (1979, Elisabetta), La Monnaie (1979, Amelia in Donizetti's "Il Duca d'Alba"), and the Scottish Opera in Glasgow (1980, Tosca). In 1985-1986 she made a guest appearance at the Opéra de Wallonie Liege as Tosca. Also a guest in Amsterdam, Copenhagen, Mexico City and 1982-85 at the opera several times in Athens, where she sang Leonore in "La forza del destino" by Verdi.
Even in America Krilovici had a very successful career, making her debut there in 1972 at the San Francisco Opera as Aida, From 1972-1974 she sang at the Lyric Opera of Chicago as Mimi and as Cio-Cio-San. She sang at the Opera House of New Orleans in 1975 as Tosca and appeared at Miami Opera in 1979 as Elisabetta in "Don Carlos". In the seasons 1973-1974 and 1975-1977 she was engaged at the New York Metropolitan Opera where she sang Cio-Cio-San, Giorgetta in Puccini's "Il Tabarro", and Leonora in "Il Trovatore".
Sources
- Forbes, Elizabeth, Obituary: Kostas Paskalis, Warm-toned aritone singer, The IndependentThe IndependentThe Independent is a British national morning newspaper published in London by Independent Print Limited, owned by Alexander Lebedev since 2010. It is nicknamed the Indy, while the Sunday edition, The Independent on Sunday, is the Sindy. Launched in 1986, it is one of the youngest UK national daily...
, 1 June 2007. Accessed 8 October 2009. - Ionescu, Claudiu, Lumea romaneasca: Marina Krilovici, Formula AS, No. 570, 2003 (in Romanian). Accessed 8 October 2009.
- Metropolitan OperaMetropolitan OperaThe Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
, Krilovici, Marina (Soprano), performance record on MetOpera Database. Accessed 8 October 2009.